Atnaujinkite slapukų nuostatas

Design Roots: Culturally Significant Designs, Products and Practices [Minkštas viršelis]

Edited by , Edited by (Nottingham Trent University, UK), Edited by , Edited by , Edited by
  • Formatas: Paperback / softback, 400 pages, aukštis x plotis x storis: 244x170x14 mm, weight: 780 g, 40 bw illus
  • Išleidimo metai: 31-Dec-2018
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1350103411
  • ISBN-13: 9781350103412
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 400 pages, aukštis x plotis x storis: 244x170x14 mm, weight: 780 g, 40 bw illus
  • Išleidimo metai: 31-Dec-2018
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1350103411
  • ISBN-13: 9781350103412
Kitos knygos pagal šią temą:

Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalization and urbanization. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design.

This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances.

Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value.

An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.

Recenzijos

Craft has deep roots and heritage but these material skills and ways of working are just as relevant today as they were centuries ago. Critical writing on craft, such as Design Roots, is crucial to ensure it continues to evolve and thrive. * Rosy Greenlees OBE, Executive Director of the Crafts Council, UK * A balanced, insightful, integrated agenda... a collaboration of thoughtful practitioners that offers fruitful research... The insightful editors and creative contributors managed to avoid most difficulties seen in edited volumes: the range of quality, the consistency of the essays, and the enlarged sum of the book impressed me... These pages do not offer sentimentality and nostalgia but promote the evolving, innovative, and adaptive nature of traditional, culturally significant designs, products and practices... [ I] enjoyed the satisfaction of an admirable accomplishment... I would recommend this edited volume to thinking practitioners and researchers looking for inspiration it is full of ideas worth pursuing. * K. Scott Swan writing for the Design Journal, Routledge *

Daugiau informacijos

A timely, comprehensive survey of culturally significant designs, products and practices and their positive role in the future of material cultures drawing on a wide range of case studies from around the world.
List of Illustrations
viii
Notes on Contributors xiv
Editorial Introduction 1(6)
Stuart Walker
PART I Culturally Significant Designs, Products, and Practices
7(56)
Editorial Introduction
9(2)
Martyn Evans
1 Creative Ecologies
11(14)
Jeyon Jung
Stuart Walker
2 Forging New Futures
25(14)
Amy Twigger Holroyd
3 Culturally Significant Artifacts and their Relationship to Tradition and Sustainability
39(12)
Stuart Walker
4 Making and its Cultural Ecological Foundations
51(12)
Patrick Dillon
PART II Authenticity and Tradition in Material Culture
63(64)
Editorial Introduction
65(2)
Amy Twigger Holroyd
5 The Aran Jumper
67(12)
Siun Garden
6 Chok Weaving and Textile Enterprises
79(14)
Disaya Chudasri
7 Oltu-stone Prayer Beads
93(12)
Hazal Gumus Ciftci
8 The Mian-Sara
105(12)
Poone Yazdanpanab
Stuart Walker
9 IKEA
117(10)
Sara Kristoffersson
PART III Revitalization by Design
127(72)
Editorial Introduction
129(2)
Tom Cassidy
10 Culture as a Resource for a Sustainable Future in Indigenous Communities
131(16)
Anne Marchand
Karine Awashisb
Christian Coocoo
Solen Roth
Renata Marques Leitao
Cedric Sportes
Caoimhe Isha Beaule
11 Transforming Tradition in Indonesia
147(16)
Adhi Nugraha
12 New Translations of South Korean Patterns
163(14)
Meong Jin Shin
13 Revitalization by Design
177(12)
Sebastian Cox
14 New Caribbean Design
189(10)
Patty Johnson
PART IV Enterprise, Policy and Education for Positive Development
199(72)
Editorial Introduction
201(2)
Jeyon Jung
15 Sustaining Culturally Significant Designs, Products, and Practices
203(16)
Jacques Giard
16 Accidents, Intentions, Movements, and Makers
219(12)
Steve Marotta
Austin Cummings
Charles Heying
17 The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia
231(12)
Sirpa Kokko
18 The Challenge of Intellectual Property Rights for Culturally Significant Patterns, Products, and Processes
243(12)
Tom Cassidy
Tracy Diane Cassidy
19 The Case of the City Different
255(16)
Marsha C. Bol
PART V Design Futures
271(89)
Editorial Introduction
273(4)
Stuart Walker
Martyn Evans
20 Research Approaches for Culturally Significant Design
277(14)
Tom Cassidy
21 Digital Transformations, Amateur Making, and the Revitalization of Traditional Textile Crafts
291(14)
Amy Twigger Holroyd
22 Design for Social Innovators
305(14)
Anna Meroni
Daniela Selloni
23 Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting
319(12)
Cagla Dogan
24 Designing Authentic Brands
331(10)
Emma Murphy
25 Strategies for Revitalization of Culturally Significant Designs, Products, and Practices
341(19)
Martyn Evans
Amy Twigger Holroyd
Stuart Walker
Tom Cassidy
Jeyon Jung
Index 360
Stuart Walker is Professor of Design for Sustainability at Lancaster University, UK.

Martyn Evans is Professor of Design at Manchester Metropolitan University, UK.

Tom Cassidy is Chair of Design at the University of Leeds, UK.

Jeyon Jung is Research Associate at Lancaster University, UK.

Amy Twigger Holroyd is Associate Professor of Fashion and Sustainability at Nottingham Trent University, UK.