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Designing with Light 5th edition [Minkštas viršelis]

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  • Formatas: Paperback / softback, 384 pages, aukštis x plotis x storis: 239x183x15 mm, weight: 569 g
  • Išleidimo metai: 16-Feb-2007
  • Leidėjas: McGraw-Hill Professional
  • ISBN-10: 0073514152
  • ISBN-13: 9780073514154
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 384 pages, aukštis x plotis x storis: 239x183x15 mm, weight: 569 g
  • Išleidimo metai: 16-Feb-2007
  • Leidėjas: McGraw-Hill Professional
  • ISBN-10: 0073514152
  • ISBN-13: 9780073514154
Kitos knygos pagal šią temą:
This comprehensive survey of the practical and aesthetic aspects of basic stage lighting design treats its subject as an art closely integrated with that of the director, actor, and playwright, and as a craft that provides practical solutions for the manipulation of stage space. An eight-page color section provides a discussion of the practical applications of color theory as well as an analysis of the color choices for the lighting design of an actual production. Numerous illustrations of technical tools, equipment, and exemplary play designs visualize designing with light for students
Preface iv
An Introduction to Designing with Light
1(11)
Light and Perception
1(3)
Design Characteristics of Light
4(1)
Controllable Qualities of Light
5(2)
Distribution
7(1)
Intensity
7(1)
Movement
7(1)
Color
7(1)
Functions of Stage Lighting
7(4)
Visibility
8(1)
Selective Focus
8(1)
Modeling
8(2)
Mood
10(1)
Psychological Effects of Light
11(1)
Lighting Production Team: Organization and Responsibilities
12(10)
Lighting Designer
12(1)
Assistant Lighting Designer
13(5)
Programmer
18(1)
Master Electrician
18(1)
Electricians
19(1)
Production Design Team
20(2)
Electrical Theory and Practice
22(19)
Electricity---What Is It?
22(4)
Electricity at Work
26(15)
Direct and Alternating Current
26(1)
A Simple Electrical Circuit
26(1)
Basic Circuits
27(2)
Power Calculations
29(4)
More Practical Information
33(8)
Lenses, Lamps, Reflectors, and Lighting Instruments
41(39)
Lenses
41(5)
Double Plano-Convex Lens Train
43(1)
Step Lens
44(1)
Fresnel Lens
45(1)
Lamps
46(14)
Incandescent Lamp
46(1)
Tungsten-Halogen Lamp
47(1)
Arc Sources
47(1)
Light Emitting Diodes
47(3)
Lamp Structure
50(1)
Color Temperature
51(4)
Light Output of Lamps
55(1)
Reflectors
55(5)
Lighting Instruments
60(15)
Ellipsoidal Reflector Spotlight
60(6)
Fresnel Spotlight
66(2)
Striplight
68(2)
Cyc Light
70(1)
Ellipsoidal Reflector Floodlight
70(1)
Beam Projector
71(1)
PAR Can
71(2)
Followspot
73(2)
Specialty Equipment
75(5)
Low-Voltage Systems
75(2)
Booms and Ladders
77(3)
Cables and Connectors
80(12)
Electrical Cable for Stage Use
80(6)
Wire Gauge
81(1)
Connecting Devices
82(2)
Extension Cables
84(2)
Circuiting
86(6)
Permanent Wiring
86(1)
Spidering
86(1)
Connecting Strips and Patch Panels
86(4)
Dimmer per Circuit
90(2)
Intensity Control
92(20)
Dimmers
92(7)
Dimmer Control Techniques
93(2)
Autotransformer Dimmer
95(1)
Silicon Controlled Rectifier Dimmer
95(1)
Insulated Bipolar Transistor (IGBT) Dimmer
95(2)
Sine Wave Dimmer
97(1)
Digital Control Systems for Electronic Dimmers
97(2)
Control Consoles
99(10)
Group Master
99(3)
Preset
102(1)
Combination
103(1)
Wireless Dimmer Control
104(1)
Computer Memory
105(1)
Computer Board Control Capabilities
106(3)
Lighting System Electrical Flow
109(3)
Projections
112(17)
Lensless Projectors
112(5)
Linnebach Projector
115(2)
Other Lensless Projectors
117(1)
Lens Projectors
117(6)
Scenic Projector
117(2)
Moving Effects
119(2)
Slide Projector
121(1)
Computer Projectors
122(1)
Projection Screens
123(1)
Front-Screen Material
123(1)
Rear-Screen Material
123(1)
Slide Preparation
124(1)
Other Projectors
125(1)
Gobos
126(1)
General Projection Techniques and Hints
127(2)
Practicals and Effects
129(11)
Lighting Fixtures
130(1)
Gas Lamps
131(1)
Candles
131(1)
Lanterns
132(1)
Torches
133(1)
Fire Effects
134(1)
Moon Effects
135(1)
Star Effects
136(1)
Lightning
137(1)
Explosions and Flashes
138(1)
Water Effects
138(2)
Color
140(16)
Defining Color
140(1)
Color Terminology
141(1)
Seeing Color
141(2)
Color Mixing
143(2)
Primary Colors
143(1)
Secondary Colors
143(1)
Complementary Colors
143(1)
Filtered Light
143(1)
Integrated Color Wheel
144(1)
The Practical Application of Colored Light in the Theatre
145(11)
Meaning of Color
145(1)
Practical Color Use
146(2)
Warm and Cool Colors
148(1)
Color Direction
148(1)
Complementary Tint Theory
149(1)
Complementary Color Shadowing
150(1)
Color Media
151(5)
Advanced Technology Instruments
156(17)
Moving Light Fixtures
157(11)
Control
157(2)
Lamps
159(1)
Color Changing
159(1)
24-VDC Power Supplies
160(1)
Dimming
161(2)
Gobos
163(1)
Beam Shape
163(1)
Effects Projection
164(1)
Movement
164(1)
Directional Control
164(1)
Examples of Moving Light Fixtures
165(2)
LED-Sourced Fixtures
167(1)
Fog and Haze
168(2)
Stage Scaffolding
170(1)
Previsualization Software
170(3)
The Design Process
173(11)
Commitment
175(1)
Analysis
175(3)
The Questioning Process
176(2)
Research
178(1)
Background Research
178(1)
Conceptual Research
178(1)
Incubation
178(2)
Selection
180(1)
Implementation
181(1)
Evaluation
181(3)
The Image of Light
184(8)
Script Analysis
186(2)
First Reading
186(1)
Second Reading
187(1)
Third Reading
187(1)
Analysis of the Image of Light
188(4)
Analysis for Distribution and Intensity
188(2)
Analysis for Movement
190(1)
Analysis for Color
190(2)
The Lighting Key
192(11)
Modeling with Light
192(3)
Creating the Lighting Key
195(8)
Using the Lighting Key to Draw the Light Plot
203(19)
Acting and Lighting Areas
203(2)
Using the Lighting Key to Draw the Light Plot
205(1)
Determining the Sectional Angle
206(4)
Selecting Instrument Size
210(3)
Layering
213(4)
Designing Lighting Keys for Thrust and Arena Stages
217(5)
Drafting the Lighting Design
222(18)
Graphic Standards for Lighting Design
222(13)
The Light Plot
222(1)
The Lighting Section
223(1)
The Instrument Schedules and Hookup Sheets
223(1)
Standards for Drafting in Lighting Design
223(12)
Drafting the Plot
235(5)
Computer Graphics
235(5)
Design Examples
240(30)
Designing for Theatre Type
240(8)
Proscenium Stage
241(2)
Thrust Stage
243(2)
Arena Stage
245(3)
Designing for Theatrical Form
248(22)
Drama: The Glass Menagerie
248(12)
Musicals: Cabaret
260(4)
Dance: The Nutcracker
264(6)
Rehearsal and Performance Procedures
270(15)
Organizational Tools
270(12)
Electrician's Cue Sheet
271(1)
Recording Dimmer Intensity Levels
272(2)
Computer Board Cueing Techniques
274(2)
Designer's Cue Sheet
276(1)
Magic Sheet
277(5)
Rehearsals
282(3)
Lighting Rehearsal
282(1)
Technical and Dress Rehearsals
283(1)
Instrument and Dimmer Check
283(2)
An Introduction to Lighting for Film and Video
285(38)
Technical Information
286(15)
Color Temperature
286(2)
Light Sources and Their Effects on Film and Video
288(2)
F-Stops
290(1)
Shutter Speed
291(1)
Gray Scale
292(1)
Film Latitude
292(2)
Light Meters
294(3)
Filters
297(3)
Film Speed
300(1)
Exposure Control
301(2)
Take a Base Reading
301(1)
Visually Analyze the Scene
302(1)
Meter the Highlight/Shadow Areas
302(1)
Media Lighting Instruments
303(7)
Lamps
303(1)
Studio Fixtures
304(2)
Location Fixtures
306(4)
Design Examples
310(13)
Example 1: Dunston's Discovery
311(6)
Example 2: Julio and Kate
317(6)
Appendix A. A Revised Standard Graphic Language for Lighting Design 323(18)
Glossary 341(18)
Index 359
J. Michael Gillette is a Professor Emeritus from the School of Theatre, Film and Television at the University of Arizona.  In addition to being the author of the eight editions of Theatrical Design and Production, Gillette has authored seven editions of Designing With Light and co-authored the third edition of Stage Scenery: Its Construction and Rigging.  He authored numerous articles and technical presentations on theatrical design and production for a variety of professional organizations and journals.  During his career he taught technical production, stage lighting, sound for the theatre, scene design, cinematography, media lighting.  He also designed sets, lights, sound and projections for numerous academics and professional productions.  He also authored a published novel and screenplay.