Preface |
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iv | |
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An Introduction to Designing with Light |
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1 | (11) |
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1 | (3) |
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Design Characteristics of Light |
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4 | (1) |
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Controllable Qualities of Light |
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5 | (2) |
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7 | (1) |
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7 | (1) |
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7 | (1) |
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7 | (1) |
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Functions of Stage Lighting |
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7 | (4) |
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8 | (1) |
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8 | (1) |
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8 | (2) |
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10 | (1) |
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Psychological Effects of Light |
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11 | (1) |
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Lighting Production Team: Organization and Responsibilities |
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12 | (10) |
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12 | (1) |
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Assistant Lighting Designer |
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13 | (5) |
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18 | (1) |
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18 | (1) |
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19 | (1) |
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20 | (2) |
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Electrical Theory and Practice |
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22 | (19) |
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Electricity---What Is It? |
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22 | (4) |
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26 | (15) |
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Direct and Alternating Current |
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26 | (1) |
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A Simple Electrical Circuit |
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26 | (1) |
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27 | (2) |
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29 | (4) |
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More Practical Information |
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33 | (8) |
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Lenses, Lamps, Reflectors, and Lighting Instruments |
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41 | (39) |
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41 | (5) |
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Double Plano-Convex Lens Train |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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46 | (14) |
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46 | (1) |
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47 | (1) |
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47 | (1) |
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47 | (3) |
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50 | (1) |
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51 | (4) |
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55 | (1) |
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55 | (5) |
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60 | (15) |
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Ellipsoidal Reflector Spotlight |
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60 | (6) |
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66 | (2) |
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68 | (2) |
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70 | (1) |
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Ellipsoidal Reflector Floodlight |
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70 | (1) |
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71 | (1) |
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71 | (2) |
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73 | (2) |
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75 | (5) |
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75 | (2) |
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77 | (3) |
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80 | (12) |
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Electrical Cable for Stage Use |
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80 | (6) |
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81 | (1) |
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82 | (2) |
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84 | (2) |
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86 | (6) |
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86 | (1) |
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86 | (1) |
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Connecting Strips and Patch Panels |
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86 | (4) |
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90 | (2) |
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92 | (20) |
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92 | (7) |
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Dimmer Control Techniques |
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93 | (2) |
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95 | (1) |
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Silicon Controlled Rectifier Dimmer |
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95 | (1) |
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Insulated Bipolar Transistor (IGBT) Dimmer |
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95 | (2) |
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97 | (1) |
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Digital Control Systems for Electronic Dimmers |
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97 | (2) |
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99 | (10) |
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99 | (3) |
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102 | (1) |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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Computer Board Control Capabilities |
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106 | (3) |
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Lighting System Electrical Flow |
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109 | (3) |
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112 | (17) |
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112 | (5) |
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115 | (2) |
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Other Lensless Projectors |
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117 | (1) |
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117 | (6) |
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117 | (2) |
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119 | (2) |
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121 | (1) |
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122 | (1) |
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123 | (1) |
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123 | (1) |
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123 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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General Projection Techniques and Hints |
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127 | (2) |
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129 | (11) |
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130 | (1) |
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131 | (1) |
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131 | (1) |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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137 | (1) |
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138 | (1) |
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138 | (2) |
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140 | (16) |
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140 | (1) |
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141 | (1) |
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141 | (2) |
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143 | (2) |
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143 | (1) |
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143 | (1) |
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143 | (1) |
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143 | (1) |
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144 | (1) |
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The Practical Application of Colored Light in the Theatre |
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145 | (11) |
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145 | (1) |
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146 | (2) |
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148 | (1) |
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148 | (1) |
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Complementary Tint Theory |
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149 | (1) |
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Complementary Color Shadowing |
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150 | (1) |
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151 | (5) |
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Advanced Technology Instruments |
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156 | (17) |
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157 | (11) |
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157 | (2) |
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159 | (1) |
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159 | (1) |
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160 | (1) |
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161 | (2) |
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163 | (1) |
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163 | (1) |
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164 | (1) |
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164 | (1) |
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164 | (1) |
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Examples of Moving Light Fixtures |
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165 | (2) |
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167 | (1) |
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168 | (2) |
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170 | (1) |
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Previsualization Software |
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170 | (3) |
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173 | (11) |
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175 | (1) |
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175 | (3) |
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176 | (2) |
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178 | (1) |
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178 | (1) |
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178 | (1) |
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178 | (2) |
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180 | (1) |
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181 | (1) |
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181 | (3) |
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184 | (8) |
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186 | (2) |
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186 | (1) |
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187 | (1) |
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187 | (1) |
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Analysis of the Image of Light |
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188 | (4) |
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Analysis for Distribution and Intensity |
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188 | (2) |
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190 | (1) |
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190 | (2) |
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192 | (11) |
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192 | (3) |
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Creating the Lighting Key |
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195 | (8) |
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Using the Lighting Key to Draw the Light Plot |
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203 | (19) |
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Acting and Lighting Areas |
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203 | (2) |
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Using the Lighting Key to Draw the Light Plot |
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205 | (1) |
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Determining the Sectional Angle |
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206 | (4) |
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Selecting Instrument Size |
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210 | (3) |
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213 | (4) |
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Designing Lighting Keys for Thrust and Arena Stages |
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217 | (5) |
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Drafting the Lighting Design |
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222 | (18) |
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Graphic Standards for Lighting Design |
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222 | (13) |
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222 | (1) |
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223 | (1) |
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The Instrument Schedules and Hookup Sheets |
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223 | (1) |
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Standards for Drafting in Lighting Design |
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223 | (12) |
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235 | (5) |
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235 | (5) |
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240 | (30) |
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Designing for Theatre Type |
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240 | (8) |
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241 | (2) |
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243 | (2) |
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245 | (3) |
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Designing for Theatrical Form |
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248 | (22) |
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Drama: The Glass Menagerie |
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248 | (12) |
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260 | (4) |
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264 | (6) |
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Rehearsal and Performance Procedures |
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270 | (15) |
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270 | (12) |
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271 | (1) |
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Recording Dimmer Intensity Levels |
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272 | (2) |
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Computer Board Cueing Techniques |
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274 | (2) |
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276 | (1) |
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277 | (5) |
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282 | (3) |
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282 | (1) |
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Technical and Dress Rehearsals |
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283 | (1) |
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Instrument and Dimmer Check |
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283 | (2) |
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An Introduction to Lighting for Film and Video |
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285 | (38) |
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286 | (15) |
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286 | (2) |
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Light Sources and Their Effects on Film and Video |
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288 | (2) |
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290 | (1) |
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291 | (1) |
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292 | (1) |
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292 | (2) |
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294 | (3) |
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297 | (3) |
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300 | (1) |
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301 | (2) |
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301 | (1) |
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Visually Analyze the Scene |
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302 | (1) |
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Meter the Highlight/Shadow Areas |
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302 | (1) |
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Media Lighting Instruments |
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303 | (7) |
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303 | (1) |
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304 | (2) |
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306 | (4) |
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310 | (13) |
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Example 1: Dunston's Discovery |
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311 | (6) |
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Example 2: Julio and Kate |
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317 | (6) |
Appendix A. A Revised Standard Graphic Language for Lighting Design |
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323 | (18) |
Glossary |
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341 | (18) |
Index |
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359 | |