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Designing with Light: An Introduction to Stage Lighting 6th edition [Minkštas viršelis]

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  • Formatas: Paperback / softback, 400 pages, aukštis x plotis x storis: 231x185x18 mm, weight: 597 g, 167 Illustrations
  • Išleidimo metai: 16-Feb-2013
  • Leidėjas: McGraw-Hill Professional
  • ISBN-10: 0073514233
  • ISBN-13: 9780073514239
Kitos knygos pagal šią temą:
Designing with Light: An Introduction to Stage Lighting 6th editionDidesnis paveikslėlis
  • Formatas: Paperback / softback, 400 pages, aukštis x plotis x storis: 231x185x18 mm, weight: 597 g, 167 Illustrations
  • Išleidimo metai: 16-Feb-2013
  • Leidėjas: McGraw-Hill Professional
  • ISBN-10: 0073514233
  • ISBN-13: 9780073514239
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780073514239.html
Raktažodžiai:
Designing with Light is a comprehensive survey of the practical and aesthetic aspects of stage lighting design. The authors approach stage lighting design as an art that integrates the vision of director, actor, and playwright, and as a craft that provides practical solutions for the manipulation of stage space. The sixth edition offers a wealth of new information on new trends in lighting design.
Preface iv
Chapter 1 An Introduction to Designing with Light
1(11)
Light and Perception
1(3)
Design Characteristics of Light
4(1)
Controllable Qualities of Light
5(2)
Distribution
7(1)
Intensity
7(1)
Movement
7(1)
Color
7(1)
Functions of Stage Lighting
8(1)
Visibility
8(1)
Selective Focus
8(1)
Modeling
8(2)
Mood
10(1)
Psychological Effects of Light
11(1)
Chapter 2 Lighting Production Team: Organization and Responsibilities
12(11)
Lighting Designer
12(1)
Assistant Lighting Designer
13(5)
Programmer
18(1)
Master Electrician
19(1)
Electricians
19(1)
Production Design Team
20(3)
Chapter 3 Electrical Theory and Practice
23(19)
Electricity---What Is It?
23(3)
Electricity at Work
26(1)
Direct and Alternating Current
26(1)
A Simple Electrical Circuit
27(1)
Basic Circuits
28(1)
Power Calculations
29(4)
More Practical Information
33(9)
Chapter 4 Lenses, Lamps, Reflectors, and Lighting Instruments
42(38)
Lenses
42(1)
Types of Lenses
43(4)
Fresnel Lens
47(1)
Lamps and Light Sources
48(1)
Incandescent Lamp
48(1)
Tungsten-Halogen Lamp
48(1)
Arc Sources
49(1)
Light-Emitting Diodes
50(2)
Light-Emitting Plasma
52(1)
Lamp Structure
52(1)
Color Temperature
53(3)
Light Output of Lamps
56(2)
Reflectors
58(3)
Lighting Instruments
61(1)
Ellipsoidal Reflector Spotlight
62(5)
Fresnel Spotlight
67(2)
Striplight
69(2)
Cyc Light
71(1)
Ellipsoidal Reflector Floodlight
72(1)
PAR Can
72(1)
Followspot
73(3)
Specialty Equipment
76(1)
Low-Voltage Systems
76(2)
Booms and Ladders
78(2)
Chapter 5 Cables and Connectors
80(12)
Electrical Cable for Stage Use
80(1)
Wire Gauge
81(1)
Connecting Devices
82(2)
Extension Cables
84(2)
Circuiting
86(1)
Permanent Wiring
86(1)
Spidering
86(1)
Connecting Strips and Patch Panels
87(4)
Dimmer per Circuit
91(1)
Chapter 6 Intensity Control
92(20)
Dimmers
92(1)
Dimmer Control Techniques
92(3)
Autotransformer Dimmer
95(1)
Silicon Controlled Rectifier Dimmer
95(1)
Sine Wave Dimmer
95(2)
Digital Control Systems for Electronic Dimmers
97(2)
Wireless Dimmer Control
99(1)
Control Consoles
99(1)
Group Master
99(2)
Preset
101(2)
Combination
103(1)
Computer Memory
104(1)
Computer Board Control Capabilities
105(3)
Lighting System Electrical Flow
108(4)
Chapter 7 Practicals and Effects
112(12)
Lighting Fixtures
113(1)
Gas Lamps
114(1)
Candles
114(1)
Lanterns
115(1)
Torches
116(1)
Fire Effects
117(2)
Moon Effects
119(1)
Star Effects
120(1)
Lightning
121(1)
Explosions and Flashes
122(1)
Water Effects
122(2)
Chapter 8 Color
124(16)
Defining Color
124(1)
Color Terminology
124(1)
Seeing Color
125(1)
Color Mixing
126(1)
Primary Colors
127(1)
Secondary Colors
127(1)
Complementary Colors
127(1)
Filtered Light
127(1)
Integrated Color Wheel
128(1)
The Practical Application of Colored Light in the Theatre
129(1)
Meaning of Color
129(1)
Practical Color Use
130(2)
Warm and Cool Colors
132(1)
Color Direction
132(1)
Complementary Tint Theory
133(1)
Complementary Color Shadowing
134(1)
Color Media
134(6)
Chapter 9 Projections and Media
140(19)
Film-Based Media
140(1)
Digital Projectors
141(1)
Liquid Crystal Display
141(2)
Digital Light Processor
143(2)
Digital Projector Characteristics
145(1)
Contrast Ratios
145(1)
Resolution and Format
146(1)
Image Size and Lenses
147(2)
Additional Functions and Concerns
149(1)
Projection Surfaces
150(1)
Front-Screen Materials
150(1)
Rear-Screen Materials
151(1)
Reflective Characteristics of Screen Materials
152(1)
Keystoning
153(1)
Projection Mapping
154(1)
Focus Grid
154(1)
Three-Dimensional Modeling
155(1)
Playback
155(1)
Slide-Based Digital Systems
155(1)
Cue-Based Systems
155(1)
Timeline Systems
156(1)
Media Servers
157(1)
Display Technologies
158(1)
The Future
158(1)
Chapter 10 Advanced Technology Instruments
159(19)
Moving Light Fixtures
160(1)
Control
160(2)
Lamps
162(1)
Color Changing
162(2)
24-VDC Power Supplies
164(1)
Dimming
165(1)
Gobos
165(2)
Beam Shape
167(1)
Movement
168(1)
Directional Control
168(1)
Examples of Moving Light Fixtures
168(2)
LED-Sourced Fixtures
170(3)
Fog and Haze
173(2)
Stage Scaffolding
175(1)
Previsualization Software
176(2)
Chapter 11 The Design Process
178(11)
Commitment
180(1)
Analysis
180(1)
The Questioning Process
181(2)
Research
183(1)
Background Research
183(1)
Conceptual Research
183(1)
Incubation
183(2)
Selection
185(1)
Implementation
186(1)
Evaluation
186(3)
Chapter 12 The Image of Light
189(7)
Script Analysis
190(1)
First Reading
190(1)
Second Reading
191(1)
Third Reading
192(1)
Analysis of the Image of Light
193(1)
Analysis for Distribution and Intensity
193(1)
Analysis for Movement
194(1)
Analysis for Color
195(1)
Chapter 13 The Lighting Key
196(10)
Modeling with Light
196(2)
Creating the Lighting Key
198(8)
Chapter 14 Using the Lighting Key to Draw the Light Plot
206(20)
Acting and Lighting Areas
206(3)
Using the Lighting Key to Draw the Light Plot
209(1)
Determining the Sectional Angle
209(4)
Selecting Instrument Size
213(3)
Duplicating the Lighting Key
216(2)
Layering
218(1)
Designing Lighting Keys for Thrust and Arena Stages
219(7)
Chapter 15 Drafting the Lighting Design
226(19)
Graphic Standards for Lighting Design
226(1)
The Light Plot
226(1)
The Lighting Section
227(1)
The Instrument Schedules and Channel Hookup Sheets
227(5)
Standards for Drafting in Lighting Design
232(6)
Drafting the Plot
238(2)
Computer Graphics
240(5)
Chapter 16 Design Examples
245(30)
Designing for Theatre Type
245(1)
Proscenium Stage
246(2)
Thrust Stage
248(3)
Arena Stage
251(2)
Designing for Theatrical Form
253(1)
Drama: The Glass Menagerie
253(12)
Musicals: Cabaret
265(3)
Dance: The Nutcracker
268(7)
Chapter 17 Rehearsal and Performance Procedures
275(14)
Organizational Tools
275(1)
Board Operator's or Electrician's Cue Sheet
276(1)
Recording Dimmer Intensity Levels
277(2)
Computer Board Cueing Techniques
279(2)
Designer's Cue Sheet
281(2)
Magic Sheet
283(4)
Rehearsals
287(1)
Lighting Rehearsal
287(1)
Technical and Dress Rehearsals
288(1)
Instrument and Dimmer Check
288(1)
Chapter 18 An Introduction to Lighting for Film and Video
289(40)
Technical Information
290(1)
Color Temperature
290(3)
Light Sources and Their Effects on Film and Video
293(3)
F-Stops
296(1)
Shutter Speed
297(1)
Gray Scale
298(1)
Film Latitude
298(4)
Light Meters
302(2)
Gels and Filters
304(4)
Film Speed
308(1)
Exposure Control
309(1)
Take a Base Reading
310(1)
Visually Analyze the Scene
310(1)
Meter the Highlight/Shadow Areas
311(1)
Media Lighting Instruments
311(1)
Media Lighting Fixtures
312(2)
Fixtures Used on Small-Budget Productions
314(3)
Design Examples
317(12)
Example 1 A Short Film, Dunston's Discovery
317(6)
Example 2 Julio and Kate
323(6)
Appendix A USITT RP-2, Recommended Practice for Theatrical Lighting Design Graphics (2006) 329(18)
Glossary 347(20)
Index 367
J. Michael Gillette is a Professor Emeritus from the School of Theatre, Film and Television at the University of Arizona. In addition to being the author of the eight editions of Theatrical Design and Production, Gillette has authored seven editions of Designing With Light and co-authored the third edition of Stage Scenery: Its Construction and Rigging. He authored numerous articles and technical presentations on theatrical design and production for a variety of professional organizations and journals. During his career he taught technical production, stage lighting, sound for the theatre, scene design, cinematography, media lighting. He also designed sets, lights, sound and projections for numerous academics and professional productions. He also authored a published novel and screenplay.