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Designing with Light: An Introduction to Stage Lighting 7th edition [Kietas viršelis]

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  • Formatas: Hardback, 374 pages, aukštis x plotis: 235x191 mm, weight: 1180 g, 7 Tables, black and white; 12 Line drawings, color; 158 Line drawings, black and white; 120 Halftones, color; 13 Halftones, black and white
  • Išleidimo metai: 19-Dec-2019
  • Leidėjas: Routledge
  • ISBN-10: 0367000628
  • ISBN-13: 9780367000622
Kitos knygos pagal šią temą:
Designing with Light: An Introduction to Stage Lighting 7th editionDidesnis paveikslėlis
  • Formatas: Hardback, 374 pages, aukštis x plotis: 235x191 mm, weight: 1180 g, 7 Tables, black and white; 12 Line drawings, color; 158 Line drawings, black and white; 120 Halftones, color; 13 Halftones, black and white
  • Išleidimo metai: 19-Dec-2019
  • Leidėjas: Routledge
  • ISBN-10: 0367000628
  • ISBN-13: 9780367000622
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780367000622.html
Raktažodžiai:

Now in its seventh edition, Designing with Light introduces readers to the art, craft, and technology of stage lighting and media projection.

The new edition is fully updated to include current information on the technology of stage lighting: lighting fixtures, lamps, cabling, dimmers, control boards, as well as electrical theory. Readers will learn how designed light is used to enhance the audience’s understanding and enjoyment of a production. The book includes specific information on drafting the light plot, explores the challenges of designing for different stage configurations, and provides examples of lighting designs for dramas, musicals, and dance. It also features comments and thoughts from active designers from both mainstream theatrical productions and related industries.

Written for students of Lighting Design and Technology as well as professional technicians and designers, Designing with Light offers a comprehensive survey of the practical and aesthetic aspects of stage lighting design.

Preface xiii
1 An Introduction to Designing with Light
1(12)
Light and Perception
1(3)
Design Characteristics of Light
4(1)
Controllable Qualities of Light
5(3)
Distribution
7(1)
Intensity
7(1)
Movement
7(1)
Color
7(1)
Functions of Stage Lighting
8(4)
Visibility
8(1)
Selective Focus
8(1)
Modeling
9(1)
Mood
10(1)
Given Circumstances
10(2)
Psychological Effects of Light
12(1)
2 Lighting Production Team: Organization and Responsibilities
13(11)
Lighting Designer
13(4)
Assistant Lighting Designer
17(2)
Programmer
19(1)
Master Electrician
20(1)
Electricians
20(1)
Production Design Team
21(3)
3 Electrical Theory and Practice
24(21)
Electricity---What Is It?
24(3)
Electricity at Work
27(4)
Direct and Alternating Current
27(1)
A Simple Electrical Circuit
28(1)
Basic Circuits
29(2)
Power Calculations
31(4)
More Practical Information
35(10)
4 Lenses, Lamps, Reflectors, and Lighting Instruments
45(44)
Lenses
45(7)
Types of Lenses
45(6)
Fresnel Lens
51(1)
Lamps and Light Sources
52(15)
Incandescent Lamp
52(1)
Tungsten-Halogen Lamp
53(1)
Arc Sources
54(1)
Light-Emitting Diodes
54(2)
Lamp Structure
56(2)
Color Temperature
58(2)
CRI
60(1)
Light Output of Lamps
61(2)
Reflectors
63(4)
Lighting Instruments
67(17)
Ellipsoidal Reflector Spotlight
67(7)
Fresnel Spotlight
74(3)
Striplight
77(2)
Cyc Light
79(1)
Ellipsoidal Reflector Floodlight
80(1)
PAR Can
80(2)
Followspot
82(2)
Specialty Equipment
84(5)
Low-Voltage Systems
84(2)
Booms and Ladders
86(3)
5 Cables and Connectors
89(16)
Electrical Cable for Stage Use
89(8)
Wire Gauge
90(1)
Connecting Devices
91(3)
Extension Cables
94(3)
Circuiting
97(8)
Permanent Wiring
98(1)
Spidering
98(1)
Connecting Strips
99(2)
Dimmer-per-Circuit
101(1)
Patch Panel
101(4)
6 Intensity Control
105(22)
Dimmers
105(8)
Dimmer Control Techniques
106(2)
Autotransformer Dimmer
108(1)
Silicon Controlled Rectifier Dimmer
108(2)
Sine Wave Dimmer
110(1)
Digital Control Systems for Electronic Dimmers
110(2)
Wireless Dimmer Control
112(1)
Control Consoles
113(10)
Group Master
113(2)
Preset
115(3)
Combination
118(1)
Computer Memory
118(2)
Computer Board Control Capabilities
120(3)
Lighting System Electrical Flow
123(4)
7 Practicals and Effects
127(16)
Lighting Fixtures
128(1)
Gas Lamps
128(1)
Candles
129(1)
Lanterns
130(1)
Torches
131(1)
Fire Effects
132(2)
Moon Effects
134(1)
Star Effects
135(1)
Lightning
136(1)
Explosions and Flashes
137(1)
Water Effects
137(1)
Fog and Haze
138(5)
8 Color
143(25)
Defining Color
143(2)
Color Terminology
143(2)
Seeing Color
145(3)
Color Mixing
148(5)
Primary Colors
148(1)
Secondary Colors
148(1)
Complementary Colors
148(2)
Filtered Light
150(2)
Integrated Color Wheel
152(1)
The Practical Application of Colored Light in the Theatre
153(15)
Meaning of Color
153(1)
Practical Color Use
154(2)
Warm and Cool Colors
156(1)
Color Direction and Blending
156(4)
Complementary Color Shadowing
160(2)
Color Media
162(6)
9 Projections and Media
168(22)
Film-Based Media
169(1)
The Design Process in Projection
170(1)
Digital Projectors
170(4)
Liquid Crystal Display
170(1)
Digital Light Processor
171(3)
Digital Projector Characteristics
174(4)
Brightness
174(1)
Contrast Ratio
175(1)
Resolution and Format
175(1)
Image Size and Lenses
175(2)
Additional Functions and Considerations
177(1)
Projection Surfaces
178(4)
Front-Screen Materials
179(1)
Reflective Characteristics of Front-Screen Materials
179(1)
Rear-Screen Materials
180(2)
Keystoning
182(1)
Projection Mapping
183(1)
Masking
183(1)
Three-Dimensional Modeling
184(1)
Playback
184(6)
Slide-Based Digital Systems
184(1)
Cue-Based Systems
185(1)
Object Oriented Programming Environment (OOPE) Systems
186(1)
Timeline Systems
186(1)
Media Servers
187(1)
Display Technologies
188(1)
The Future
188(2)
10 Advanced Technology Instruments
190(19)
Moving Light Fixtures
191(12)
Control
191(2)
Lamps
193(1)
Color Changing
194(1)
24-VDC Power Supplies
195(2)
Dimming
197(1)
Gobos
197(3)
Beam Shape
200(1)
Movement
200(1)
Directional Control
201(1)
Examples of Moving Light Fixtures
202(1)
LED-Sourced Fixtures
203(2)
Stage Scaffolding
205(1)
Previsualization Software
206(3)
11 The Design Process
209(12)
Commitment
211(1)
Analysis
211(3)
The Questioning Process
213(1)
Research
214(1)
Background Research
214(1)
Conceptual Research
215(1)
Incubation
215(3)
Selection
218(1)
Implementation
218(1)
Evaluation
219(2)
12 The Image of Light
221(8)
Script Analysis
222(3)
First Reading
222(1)
Second Reading
223(1)
Third Reading
224(1)
Analysis of the Image of Light
225(4)
Analysis for Distribution and Intensity
225(2)
Analysis for Movement
227(1)
Analysis for Color
228(1)
13 The Lighting Key
229(12)
Modeling with Light
230(2)
Creating the Lighting Key
232(9)
14 Using the Lighting Key to Draw the Light Plot
241(22)
Acting and Lighting Areas
241(4)
Using the Lighting Key to Draw the Light Plot
245(1)
Determining the Sectional Angle
246(4)
Selecting Instrument Size
250(2)
Duplicating the Lighting Key
252(2)
Layering
254(3)
Designing Lighting Keys for Thrust and Arena Stages
257(6)
15 Drafting the Lighting Design
263(21)
Graphic Standards for Lighting Design
263(12)
The Light Plot
263(3)
The Lighting Section
266(1)
Channel Hookup Sheets and Instrument Schedules
266(3)
Standards for Drafting in Lighting Design
269(6)
Drafting the Plot
275(9)
Computer Graphics
278(6)
16 Design Examples
284(32)
Designing for Theatre Type
284(8)
Proscenium Stage
284(3)
Thrust Stage
287(3)
Arena Stage
290(2)
Designing for Theatrical Form
292(24)
Drama: The Glass Menagerie
293(14)
Musicals: Cabaret
307(3)
Dance: The Nutcracker
310(6)
17 Rehearsal and Performance Procedures
316(16)
Organizational Tools
316(13)
Board Operator's or Electrician's Cue Sheet
316(2)
Recording Dimmer Intensity Levels
318(2)
Computer Board Cueing Techniques
320(2)
Designer's Cue Sheet
322(2)
Magic Sheet
324(5)
Rehearsals
329(3)
Lighting Rehearsal
329(1)
Technical and Dress Rehearsals
330(1)
Instrument and Dimmer Check
330(2)
Appendix A USITT RP-2, Recommended Practice for Theatrical Lighting Design Graphics (2006) 332(14)
Appendix B Lens Selection: An Old-Fashioned Manual Calculation Method 346(2)
Glossary 348(2)
Selected Bibliography 350(2)
Index 352
J. Michael Gillette is a Professor Emeritus from the Department of Theatre, Film and Television at the University of Arizona. Over his thirty-three-year teaching career he taught stage lighting, media lighting, scenic design, sound design and technical production, and designed over a hundred productions. He is also the author of Theatrical Design and Production.

Michael McNamara is an Associate Professor of Theatre at Purdue University and has taught theatrical lighting at the graduate and undergraduate levels for over fifteen years. He has worked as a professional lighting designer for more than twenty-five years, including eight years as an Assistant Lighting Designer with the Washington National Opera at the Kennedy Center where he worked on over fifty productions. He is a Jeff Award winner and a member of United Scenic Artists.