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Divine Comedy (complete) [Minkštas viršelis]

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  • Formatas: Paperback / softback, 544 pages, aukštis x plotis: 203x127 mm, Illustrations
  • Serija: Mint Editions
  • Išleidimo metai: 01-Apr-2021
  • Leidėjas: Mint Editions
  • ISBN-10: 1513279645
  • ISBN-13: 9781513279640
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 544 pages, aukštis x plotis: 203x127 mm, Illustrations
  • Serija: Mint Editions
  • Išleidimo metai: 01-Apr-2021
  • Leidėjas: Mint Editions
  • ISBN-10: 1513279645
  • ISBN-13: 9781513279640
Kitos knygos pagal šią temą:

The Divine Comedy (1320) is a narrative poem by Dante Alighieri. Begun in 1308 while Dante was exiled from his native Florence, The Divine Comedy—a long poem divided into three books of 33 cantos each—presents the author’s spiritual journey from sinfulness and despair to salvation and self-understanding. Written in the Tuscan vernacular, the poem was influential in establishing a standardized Italian language.

In the first book, Inferno, Dante is led by the Roman poet Virgil into Hell. There, he comes to terms with his own sinfulness while observing the horrors and tortures suffered by those condemned to eternity in its circles. Along the way, Dante encounters historical figures, acquaintances, and other individuals whose violence, fraud, treachery, and betrayal led their spirits to terrible suffering. This technique, which incorporates dialogue with detailed description, is used throughout The Divine Comedy to provide context on historical, theological, and political subjects while simultaneously situating the poet as narrator and interlocutor in his own work. In this way, the physical and spiritual journey portrayed in the poem becomes a journey for Dante himself, a way of transcending the despair he describes at its beginning. In Purgatorio, Dante follows Virgil on an ascent of the Mountain of Purgatory, where he encounters the souls of sinners who must atone for their actions in life before entering Heaven. Leaving Virgil behind, Dante, in Paradiso, follows a divine Beatrice through the celestial spheres of Heaven. As he approaches God and his own salvation, changed by a newfound sense of “the Love which moves the sun and the other stars,” Dante ascends to the heights of world literature, uniting the created soul and the artist’s creation as no other poet has done before or since.

With a beautifully designed cover and professionally typeset manuscript, this edition of Dante Alighieri’s The Divine Comedy is a classic of Italian literature reimagined for modern readers.

Inferno
I The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil
17(5)
II The Descent. Dante's Protest and Virgil's Appeal. The Intercession of the Three Ladies Benedight
22(5)
III The Gate of Hell. The Inefficient or Indifferent. Pope Celestine V. The Shores of Acheron. Charon. The Earthquake and the Swoon
27(5)
IV The First Circle, Limbo: Virtuous Pagans and the Unbaptized. The Four Poets, Homer, Horace, Ovid, and Lucan. The Noble Castle of Philosophy
32(6)
V The Second Circle: The Wanton. Minos. The Infernal Hurricane. Francesca da Rimini
38(5)
VI The Third Circle: The Gluttonous. Cerberus. The Eternal Rain. Ciacco. Florence
43(4)
VII The Fourth Circle: The Avaricious and the Prodigal. Plutus. Fortune and her Wheel. The Fifth Circle: The Irascible and the Sullen. Styx
47(5)
VIII Phlegyas. Philippo Argenti. The Gate of the City of Dis
52(5)
IX The Furies and Medusa. The Angel. The City of Dis. The Sixth Circle: Heresiarchs
57(5)
X Farinata and Cavalcante de' Cavalcanti. Discourse on the Knowledge of the Damned
62(5)
XI The Broken Rocks. Pope Anastasius. General Description of the Inferno and its Divisions
67(4)
XII The Minotaur. The Seventh Circle: The Violent. The River Phlegethon. The Violent against their Neighbours. The Centaurs. Tyrants
71(5)
XIII The Wood of Thorns. The Harpies. The Violent against themselves. Suicides. Pier della Vigna. Lano and Jacopo da Sant' Andrea
76(6)
XIV The Sand Waste and the Rain of Fire. The Violent against God. Capaneus. The Statue of Time, and the Four Infernal Rivers
82(5)
XV The Violent against Nature. Brunetto Latini
87(5)
XVI Guidoguerra, Aldobrandi, and Rusticucci. Cataract of the River of Blood
92(5)
XVII Geryon. The Violent against Art. Usurers Descent into the Abyss of Malebolge
97(5)
XVIII The Eighth Circle, Malebolge: The Fraudulent and the Malicious. The First Bolgia: Seducers and Panders. Venedico Caccianimico. Jason. The Second Bolgia: Flatterers. Allessio Interminelli. Thais
102(5)
XIX The Third Bolgia: Simoniacs. Pope Nicholas III. Dante's Reproof of corrupt Prelates
107(5)
XX The Fourth Bolgia: Soothsayers. Amphiaraus, Tiresias, Aruns, Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente. Virgil reproaches Dante's Pity. Mantua's Foundation
112(5)
XXI The Fifth Bolgia: Peculators. The Elder of Santa Zita. Malacoda and other Devils
117(5)
XXII Ciampolo, Friar Gomita, and Michael Zanche. The Malabranche quarrel
122(6)
XXIII Escape from the Malabranche. The Sixth Bolgia: Hypocrites. Catalano and Loderingo. Caiaphas
128(5)
XXIV The Seventh Bolgia: Thieves. Vanni Fucci. Serpents
133(6)
XXV Vanni Fucci's Punishment. Agnello Brunelleschi, Buoso degli Abati, Puccio sciancato, ClANFA de' DoNATI, and Guercio Cavalcanti
139(6)
XXVI The Eighth Bolgia: Evil Counsellors. Ulysses and Diomed. Ulysses' Last Voyage
145(5)
XXVII GuiDO da montefeltro. HlS deception by Pope Boniface VIII
150(5)
XXVIII The Ninth Bolgia: Schismatics. Mahomet and All Pier da Medicina, Curio, Mosca, and Bertrand de Born
155(5)
XXIX Geri del Bello. The Tenth Bolgia: Alchemists Griffolino d'Arezzo and Capocchino
160(5)
XXX Other Falsifiers or Forgers. Gianni Schicchi, Myrrha, Adam of Brescia, Potiphar's Wife, and Sinon of Troy
165(5)
XXXI The Giants, Nimrod, Ephialtes, and Antaeus Descent to Cocytus
170(5)
XXXII The Ninth Circle: Traitors. The Frozen Lake of Cocytus. First Division, Caina: Traitors to their Kindred. Camicion de' Pazzi. Second Division, Antenora: Traitors to their Country. Dante questions Bocca degli Abati. Buoso da Duera
175(5)
XXXIII Count Ugolino and the Archbishop Ruggieri. The Death of Count Ugolino's Sons. Third Division of the Ninth Circle, Ptolomaea: Traitors to their Friends. Friar Alberigo, Branco d'Oria
180(6)
XXXIV Fourth Division of the Ninth Circle, the Judecca: Traitors to their Lords and Benefactors. Lucifer, Judas Iscariot, Brutus, and Cassius. The Chasm of Lethe. The Ascent
186(7)
Purgatorio
I The Shores of Purgatory. The Four Stars. Cato of Utica. The Rush
193(5)
II The Celestial Pilot. Casella. The Departure
198(5)
III Discourse on the Limits of Reason. The Foot of the Mountain. Those who died in Contumacy of Holy Church. Manfredi
203(5)
IV Farther Ascent. Nature of the Mountain. The Negligent, who postponed Repentance till the last Hour. Belacqua
208(5)
V Those who died by Violence, but repentant. buonconte di monfeltro. La Pia
213(5)
VI Dante's Inquiry on Prayers for the Dead. Sordello. Italy
218(6)
VII The Valley of Flowers. Negligent Princes
224(5)
VIII The Guardian Angels and the Serpent. Nino di Gallura. The Three Stars. Currado Malaspina
229(5)
IX Dante's Dream of the Eagle. The Gate of Purgatory and the Angel. Seven P's. The Keys
234(5)
X The Needle's Eye. The First Circle: The Proud. The Sculptures on the Wall
239(5)
XI The Humble Prayer. Omberto di Santafiore. Oderisi d'Agobbio. Provenzan Salvani
244(5)
XII The Sculptures on the Pavement. Ascent to the Second Circle
249(5)
XIII The Second Circle: The Envious. Sapia of Siena
254(6)
XIV Guido del Duca and Renier da Calboli. Cities of the Arno Valley. Denunciation of Stubbornness
260(6)
XV The Third Circle: The Irascible. Dante's Visions. The Smoke
266(5)
XVI Marco Lombardo. Lament over the State of the World
271(5)
XVII Dante's Dream of Anger. The Fourth Circle: The Slothful. Virgil's Discourse of Love
276(5)
XVIII Virgil further discourses of Love and Free Will. The Abbot of San Zeno
281(5)
XIX Dante's Dream of the Siren. The Fifth Circle: The Avaricious and Prodigal. Pope Adrian V
286(5)
XX Hugh Capet. Corruption of the French Crown. Prophecy of the Abduction of Pope Boniface VIII and the Sacrilege of Philip the Fair. The Earthquake
291(6)
XXI The Poet Statius. Praise of Virgil
297(5)
XXII Statius' Denunciation of Avarice. The Sixth Circle: The Gluttonous. The Mystic Tree
302(6)
XXIII Forese. Reproof of immodest Florentine Women
308(5)
XXIV Bljonagiunta da lucca. pope martin iv, and others. inquiry into the state of Poetry
313(6)
XXV Discourse of Statius on Generation. The Seventh Circle: The Wanton
319(5)
XXVI Sodomites. Guido Guinicelli and Arnaldo Daniello
324(6)
XXVII The Wall of Fire and the Angel of God. Dante's Sleep upon the Stairway, and his Dream of Leah and Rachel. Arrival at the Terrestrial Paradise
330(5)
XXVIII The River Lethe. Matilda. The Nature of the Terrestrial Paradise
335(5)
XXIX The Triumph of the Church
340(6)
XXX Virgil's Departure. Beatrice. Dante's Shame
346(5)
XXXI Reproaches of Beatrice and Confession of Dante. The Passage of Lethe. The Seven Virtues. The Griffon
351(5)
XXXII The Tree of Knowledge. Allegory of the Chariot
356(6)
XXXIII Lament over the State of the Church. Final Reproaches of Beatrice. The River Eunoe
362(7)
Paradiso
I The Ascent to the First Heaven. The Sphere of Fire
369(5)
II The First Heaven, the Moon: Spirits who, having taken sacred vows, were forced to violate them. The Lunar Spots
374(5)
III Plccarda donati and the empress Constance
379(5)
IV Questionings of the Soul and of Broken Vows
384(5)
V Discourse of Beatrice on Vows and Compensations. Ascent to the Second Heaven, Mercury: Spirits who for the Love of Fame achieved great Deeds
389(5)
VI Justinian. The Roman Eagle. The Empire. Romeo
394(5)
VII Beatrice's Discourse of the Crucifixion, the Incarnation, the Immortality of the Soul, and the Resurrection of the Body
399(5)
VIII Ascent to the Third Heaven, Venus: Lovers. Charles Martel. Discourse on diverse Natures
404(5)
IX Cunizza da Romano, Folco of Marseilles, and Rahab. Neglect of the Holy Land
409(5)
X The Fourth Heaven, the Sun: Theologians and Fathers of the Church. The First Circle. St. Thomas of Aquinas
414(5)
XI St. Thomas recounts the Life of St. Francis. Lament over the State of the Dominican Order
419(5)
XII St. Buonaventura recounts the Life of St. Dominic. Lament over the State of the Franciscan Order. The Second Circle
424(5)
XIII Of the Wisdom of Solomon. St. Thomas reproaches Dante's Judgement
429(5)
XIV The Third Circle. Discourse on the Resurrection of the Flesh. The Fifth Heaven, Mars: Martyrs and Crusaders who died fighting for the true faith. The Celestial Cross
434(5)
XV Cacciaguida. Florence in the Olden Time
439(5)
XVI Dante's Noble Ancestry. Cacciaguida's Discourse of the Great Florentines
444(6)
XVII Cacciaguida's Prophecy of Dante's Banishment
450(5)
XVIII The Sixth Heaven, Jupiter: Righteous Kings and Rulers. The Celestial Eagle. Dante's Invectives against ecclesiastical Avarice
455(5)
XIX The Eagle discourses of Salvation, Faith, and Virtue. Condemnation of the vile Kings of a.d. 1300
460(5)
XX The Eagle praises the Righteous Kings of old. Benevolence of the Divine Will
465(5)
XXI The Seventh Heaven, Saturn: The Contemplative. The Celestial Stairway. St. Peter Damiano. His Invectives against the Luxury of the Prelates
470(5)
XXII St. Benedict. His Lamentation over the Corruption of Monks. The Eighth Heaven, the Fixed Stars
475(6)
XXIII The Triumph of Christ. The Virgin Mary. The Apostles. Gabriel
481(5)
XXIV The Radiant Wheel. St. Peter examines Dante on Faith
486(6)
XXV The Laurel Crown. St. James examines Dante on Hope. Dante's Blindness
492(5)
XXVI St. John examines Dante on Charity. Dante's Sight. Adam
497(5)
XXVII St. Peter's reproof of bad Popes. The Ascent to the Ninth Heaven, the `Primum Mobile'
502(5)
XXVIII God and the Angelic Hierarchies
507(5)
XXIX Beatrice's Discourse of the Creation of the Angels, and of the Fall of Lucifer. Her Reproof of Foolish and Avaricious Preachers
512(5)
XXX The Tenth Heaven, or Empyrean. The River of Light. The Two Courts of Heaven. The White Rose of Paradise. The great Throne
517(5)
XXXI The Glory of Paradise. Departure of Beatrice. St. Bernard
522(5)
XXXII St. Bernard points out the Saints in the White Rose
527(6)
XXXIII Prayer to the Virgin. The Threefold Circle of the Trinity. Mystery of the Divine and Human Nature
533(8)
Appendix
Six Sonnets on Dante's Divine Comedy 541
Dante Alighieri (1265-1321) was an Italian poet. Born in Florence, Dante was raised in a family loyal to the Guelphs, a political faction in support of the Pope and embroiled in violent conflict with the opposing Ghibellines, who supported the Holy Roman Emperor. Promised in marriage to Gemma di Manetto Donati at the age of 12, Dante had already fallen in love with Beatrice Portinari, whom he would represent as a divine figure and muse in much of his poetry. After fighting with the Guelph cavalry at the Battle of Campaldino in 1289, Dante returned to Florence to serve as a public figure while raising his four young children. By this time, Dante had met the poets Guido Cavalcanti, Lapo Gianni, Cino da Pistoia, and Brunetto Latini, all of whom contributed to the burgeoning aesthetic movement known as the dolce stil novo, or sweet new style. The New Life (1294) is a book composed of prose and verse in which Dante explores the relationship between romantic love and divine love through the lens of his own infatuation with Beatrice. Written in the Tuscan vernacular rather than Latin, The New Life was influential in establishing a standardized Italian language. In 1302, following the violent fragmentation of the Guelph faction into the White and Black Guelphs, Dante was permanently exiled from Florence. Over the next two decades, he composed The Divine Comedy (1320), a lengthy narrative poem that would bring him enduring fame as Italys most important literary figure.