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El. knyga: Documentary Filmmaking in the Middle East and North Africa

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  • Formatas: 514 pages
  • Išleidimo metai: 18-Oct-2022
  • Leidėjas: The American University in Cairo Press
  • Kalba: eng
  • ISBN-13: 9781649030368
  • Formatas: 514 pages
  • Išleidimo metai: 18-Oct-2022
  • Leidėjas: The American University in Cairo Press
  • Kalba: eng
  • ISBN-13: 9781649030368

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A comprehensive, in-depth study of Arab documentary filmmaking by leading experts in the field

While many of the Arab documentary films that emerged after the digital turn in the 1990s have been the subject of close scholarly and media attention, far less well studied is the immense wealth of Arab documentaries produced during the celluloid era. These ranged from newsreels to information, propaganda, and educational films, travelogues, as well as more radical, artistic formats, such as direct cinema and film essays. This book sets out to examine the long history of Arab nonfiction filmmaking in the Middle East and North Africa across a range of national trajectories and documentary styles, from the early twentieth century to the present.

Bringing together a distinguished group of film scholars, practitioners, and critics, Documentary Filmmaking in the Middle East and North Africa traces the historical development of documentary filmmaking with an eye to the widely varied socio-political, ethnic, linguistic, and cultural contexts in which the films emerged. Thematically, the contributions provide insights into a whole range of relevant issues, both theoretical and historical, such as structural development and state intervention, formats and aesthetics, new media, politics of representation, auteurs, subjectivity, minority filmmaking, ‘Artivism,’ and revolution. Also unearthing previously unrecognized scholarly work in the field, this rich and theoretically informed collection sheds light on a hitherto neglected part of international film history.

Contributors:

Ali Abudlameer, Hend Alawadhi, Jamal Bahmad, Ahmed Bedjaoui, Dore Bowen, Shohini Chaudhuri, Donatella della Ratta, Yasmin Desouki, Kay Dickinson, Ali Essafi, Nouri Gana, Mohannad Ghawanmeh, Olivier Hadouchi, Ahmad Izzo, Alisa Lebow, Peter Limbrick, Florence Martin, Irit Neidhardt, Stefan Pethke, Mathilde Rouxel, Viviane Saglier, Viola Shafik, Ella Shohat, Mohamad Soueid, Hanan Toukan, Oraib Toukan, Stefanie van der Peer, Nadia Yaqub, Alia Yunis, Hady Zaccak

Recenzijos

"Tracing the complex histories of documentary filmmaking in the Arab region to the present day is made especially challenging by decades of official disregard for archiving film, let alone funding it. Elegantly arranged according to the sectors macro, meso, and micro levelsfrom structures to the politics of representation and individual worksthis rich collection of cutting-edge scholarship rises to the challenge in ways that will stimulate further research."Naomi Sakr, University of Westminster

The variety of historical documentaries across the Arab world comes to life. . . . An important resource as it uncovers the history of documentary film heritage that is often eclipsed by the rise of the star-system and fame culture. NADIM Foundation

PRAISE FOR VIOLA SHAFIKS ARAB CINEMA:

"Intelligent, perceptive, and elegantly written, this volume deserves a broad readership. Highly recommended. All readers, all levels."CHOICE

Daugiau informacijos

A comprehensive, in-depth study of Arab documentary filmmaking by leading experts in the field
Contributor Profiles ix
Acknowledgments xv
List of Illustrations
xvii
Introduction: Histories of `Arab' Documentaries or Documentary Forms South and East of the Mediterranean? 1(18)
Viola Shafik
Histories and Structures
1 Tracing Early News Cinema through the Pages of Egyptian Magazine al-Suwar al-Mutaharrika
19(14)
Mohannad Ghawanmeh
2 Documenting Lebanon
33(14)
Mohamad Soueid
3 Documentary Filmmaking in Iraq
47(16)
Ali Abdulameer
4 Palestine Fights: Behind the Scenes of PLO-GDR Cooperation in Filmmaking
63(16)
Irit Neidhardt
5 Documents Without Documentaries: Filmmaking in Postrevolutionary Tunisia
79(20)
Nouri Gana
6 Algerian War for Independence: Documentaries Questioning History
99(16)
Ahmed Bedjaoui
7 A Brief History of Documentary Film in Morocco
115(18)
Alt Essafi
8 Funding the "Creative Documentary": An Art Cinema of Refugees
133(20)
Kay Dickinson
Viviane Saglier
9 Arab Documentary Landscapes: Transnational Flow of Solidarity at Festivals
153(24)
Stefanie Van de Peer
Aesthetics/Politics of Representation
10 Negative/Positive: Newsreels in Nasserite Egypt and the Crafting of National Identity
177(18)
Yasmin Desouki
11 From Poetics of Revolution to the Poetics of the Human: Voice-over in Egyptian Documentary, 1956-82
195(18)
Viola Shafik
12 From Silhouettes to Superstars: Documenting FHV/AIDS in Egyptian Cinema
213(20)
Hend F. Alawadhi
13 Me and Not Me: The Personal-collective Voice of First-person Films from the Egyptian Revolution
233(14)
Alisa Lebow
14 Gardening a Pitiless Mountain: Transcript of a Lecture Performance, 2011
247(12)
Oraib Toukan
15 The Arab-Jew and the Inscription of Memory
259(20)
Ella Shobat
16 Lacan, Sontag and Israel on Screen
279(10)
Hanan Toukan
17 Political Issues in Tunisian Women's Cinema
289(16)
Mathilde Rouxel
18 Memories and Legacies of Algerian Women's Struggles During and After Independence
305(8)
Olivier Hadouchi
19 Spaces of Dispossession: Experiments with the Real in Contemporary Algerian Cinema
313(16)
Peter Limbrick
20 The Daring Lyrics of Women Music Documentary Filmmakers in the Maghreb
329(16)
Florence Martin
21 Three Hundred Kilometers South of Marrakech: Imider, Artivism, and the Environmental Documentary in Morocco
345(14)
Jamal Bahmad
22 Screen Fighters: Filming and Killing in Contemporary Syria
359(14)
Donatella Delia Ratta
Filmmakers and Individual Works
23 Jean Chamoun and Lebanon's Suspended History
373(12)
Hady Zaccak
24 Paper Airplanes: An Interview with Akram Zaatari
385(18)
Dore Bowen
25 Catastrophe and Post-Catastrophe in the Films of Kamal Aljafari
403(18)
Nadia Yaqub
26 Syria Portrayed in Two Documentaries by Omar Amiralay
421(16)
Ahmad Izzo
27 The Berlin Ashlaa Incident: A Letter to Filmmaker Hakim Belabbes
437(10)
Stefan Pethke
28 The UAE's Nujoom Alghanem: The Past, the Present, the Nation, and the Individual
447(10)
Alia Yunis
29 Iraq War Home Movies: Abbas Fahdel's Slow Documentary Homeland (Iraq Year Zero)
457(18)
Shohini Chaudhuri
Notes 475
Viola Shafik studied Film and Middle Eastern Studies in Hamburg and works as a film scholar, creative consultant, and filmmaker. She has directed several documentaries, most notably My Name Is Not Ali (2011) and Arij: Scent of Revolution (2014). She is the author of Popular Egyptian Cinema: Gender, Class, and Nation (AUC Press, 2007) and Arab Cinema: History and Cultural Identity (revised and updated edition, AUC Press, 2016).