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El. knyga: Drama, Politics, and Evolution: Cliodynamics in Play

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This book outlines the evolution of our political nature over two million years and explores many of the rituals, plays, films, and other performances that gave voice and legitimacy to various political regimes in our species’ history. Our genetic and cultural evolution during the Pleistocene Epoch bestowed a wide range of predispositions on our species that continue to shape the politics we support and the performances we enjoy. The book’s case studies range from an initiation ritual in the Mbendjela tribe in the Congo to a 1947 drama by Bertolt Brecht and include a popular puppet play in Tokugawa Japan. A final section examines the gradual disintegration of social cohesion underlying the rise of polarized politics in the USA after 1965, as such films as The Godfather, Independence Day, The Dark Knight Rises, and Joker accelerated the nation’s slide toward authoritarian Trumpism.
Part I Orientations
1 Genes, Culture, and History in Coevolution
3(26)
1.1 Coevolution and Human Nature
3(10)
1.2 Sociology, History, and Cliodynamics
13(9)
1.3 Consilience and Cooperative Naturalism
22(7)
References
26(3)
2 Ritual and Dramatic Performatives in History
29(34)
2.1 Evolution, Cognition, and Rituals
30(6)
2.2 Moving Rituals into Thick Explanation for Drama
36(4)
2.3 Empathy, Emotion, and Narrative
40(16)
2.4 Politics, Social Cohesion, and Altruism
56(7)
References
59(4)
Part II Political Universals in History and Performance
3 Coevolution in the Pleistocene
63(30)
3.1 Coevolution in the Early and Middle Pleistocene
64(6)
3.2 Cooperative Cultures in the Late Pleistocene
70(4)
3.3 The Invention of Language
74(6)
3.4 Ritual Interactions in Egalitarian Cultures
80(13)
References
89(4)
4 Destructive Creation in World History, 9000 BCE--1700
93(34)
4.1 From Farming Villages to Macro-States
94(5)
4.2 Mega-Empires and a Democratic Opponent
99(10)
4.3 Accommodating Complexity Through Universal Religions
109(5)
4.4 Bunraku Politics in Tokugawa Japan
114(13)
References
125(2)
5 Capitalism, Tribalism, and Democracy, 1500--1960
127(42)
5.7 Reformation and Enlightenment in Europe
128(4)
5.2 Mozart in Josephean Vienna
132(7)
5.3 Capitalism and Imperialism, 1500--1900
139(3)
5.4 European and American Tribalisms, 1770--1945
142(7)
5.5 Postwar Attempts to Transcend Racist Tribalism
149(20)
References
163(6)
Part III Neoliberal Capitalism and Political Disintegration in the US
6 Postwar Hegemony and the Reagan Reversal, 1945--1985
169(24)
6.1 The Domestic Consequences of World Hegemony, 1945--1975
170(6)
6.2 From the Great Society to Reagan's Neoliberalism, 1960--1985
176(4)
6.3 Dysphoric Films Before and After the Reversal, 1950--1980
180(13)
References
191(2)
7 Neoliberalism and Political Realignment, 1980--2015
193(34)
7.7 American Life Under Neoliberalism
193(10)
7.2 Realignment and Polarized Politics
203(6)
7.3 The Better Angels of Our Nature
209(5)
7.4 The Internet and Neoliberalism
214(5)
7.5 Internet News and Politics
219(8)
References
224(3)
8 Neoliberal Politics, Polarized Films, and Authoritarianism, 2000--2020
227(60)
8.1 Polarization and Authoritarianism
227(12)
8.2 Polarized Films, 2000--2012
239(12)
8.3 Rage and Violence in Left- and Right-wing Films, 2012--2018
251(12)
8.4 Trumpian Carnage in the Time of COVID-19
263(8)
8.5 Insurrection and Beyond
271(8)
8.6 The Difficult Path Ahead
279(8)
References
284(3)
Index 287
Since retiring from the University of Pittsburgh, Bruce McConachie has published Theatre Histories: An Introduction (3rd edn) with three co-authors and The Routledge Companion to Theatre, Performance and Cognitive Science, co-authored with Rick Kemp.  Previous single-authored books include: Melodramatic Formations: American Theatre and Society, 1820-1870 (1992), American Theatre in the Culture of the Cold War (2003), Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (2008), Theatre and Mind (2013), and Evolution, Cognition, and Performance (2015).  A past President of the American Society for Theatre Research, he also continues to serve as an editor and reader for several academic publishers.