Atnaujinkite slapukų nuostatas

El. knyga: Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art [Taylor & Francis e-book]

  • Formatas: 320 pages
  • Išleidimo metai: 18-Sep-1997
  • Leidėjas: Routledge
  • ISBN-13: 9781315005775
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 320 pages
  • Išleidimo metai: 18-Sep-1997
  • Leidėjas: Routledge
  • ISBN-13: 9781315005775
In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays.
The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include:
* installations by Mary Kelly and Dawn Dedeaux,
* plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka
* performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana
* stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well.
List of illustrations
x(2)
Acknowledgments xii
1 INTRODUCTION: PERFORMING TRAUMA: THE SCARE OF ACADEMIC COOL
1(30)
Forget Shakespeare?
5(4)
"I know what you mean, I can't find mine either"
9(6)
Televisual fear
15(5)
What lurks ahead
20(5)
Notes
25(6)
Part I Sounding silence in Shakespeare 31(70)
2 GETTING STONED: PSYCHOANALYSIS AND THE EPISTEMOLOGY OF TRAGEDY IN SHAKESPEARE
31(26)
Narrative transference, hyperbolized matter
33(4)
Nation and narration
37(2)
The gor'd state sustain
39(7)
Stained stones
46(3)
Seeing feelingly
49(5)
Notes
54(3)
3 OTHELLO, AN INDEX AND OBSCURE PROLOGUE TO THE HISTORY OF FOUL GENERIC THOUGHTS
57(21)
Tragic dissolution
58(3)
Tragic skepticism
61(2)
Not black enough to decipher
63(3)
Beguiling the Thing
66(6)
The gastness of her eye
72(1)
Notes
73(5)
4 "MISSHAPEN CHAOS OF WELL-SEEMING FORMS": SPECTERS OF JOINTURE IN ROMEO AND JULIET
78(23)
Spirits resort
80(3)
Can you read?
83(3)
Death's accident
86(2)
Impossible synchronization
88(3)
Dark seduction
91(2)
Specters of jointure
93(4)
Notes
97(4)
Part II Writing women's vision 101(44)
5 PATRIARCHAL PANOPTICISM, OR THE ENIGMA OF A WOMAN'S SMILE: GETTING OUT IN THEORY
101(19)
Political economies
103(7)
Libidinal economies
110(3)
The enigmatic smile
113(3)
Notes
116(4)
6 THE PLAY OF LETTERS: WRITING AND POSSESSION IN CHUCKY'S HUNCH
120(25)
Self-restoration
122(5)
Oozing signs, early memories
127(5)
Primal digressions
132(4)
Rebirth or lack?
136(4)
Notes
140(5)
Part III Color adjustments 145(44)
7 DIFFERA(N)CE: SCREENING THE CAMERA'S EYE IN AFRO-AMERICAN DRAMA
145(24)
A cast of cameras
147(3)
The veil of visible consensus: a theoretical interlude
150(7)
Framing world views
157(4)
Combat breath
161(3)
Notes
164(5)
8. IN EXILE AT HOME: TORNADO BREATH AND UNRIGHTEOUS FANTASY IN ROBBIE MCCAULEY'S INDIAN BLOOD
169(20)
Tornado breath
170(5)
Unrighteous fantasy
175(4)
The sigh of a long scream
179(4)
Notes
183(6)
Part IV Televisual fear 189(85)
9 CAMERA OBSCURA IDEOLOGICA: FROM VERMEER TO VIDEO IN ALL'S WELL THAT ENDS WELL
189(28)
Inversion with a difference
191(3)
Ideology of the visible
194(4)
"Truth in pleasure flow"
198(6)
Camera obscura
204(3)
"A most hideous object"
207(3)
Kinsey-winsey fantasy
210(3)
Stained judgment?
213(1)
Notes
214(3)
10 THE CONTRAST HURTS: CENSORING THE LADIES LIBERTY IN PERFORMANCE
217(23)
Consuming Lady Liberty
219(4)
Tele-visions
223(7)
The contrast hurts
230(6)
Notes
236(4)
11 TELEVISUAL FEARS AND WARRIOR MYTHS: MARY KELLY MEETS DAWN DEDEAUX
240(34)
The archeology of material affect
242(5)
Displaying the skin of the shield
247(10)
Interactive videomatics
257(9)
Televisual incorporations, or golden fleecings
266(6)
Notes
272(2)
Bibliography 274(21)
Index 295
Timothy Murray is Professor of English at Cornell University. His most recent publications include Like a Film: Ideological Fantasy on Screen, Camera and Canvas (Routledge 1993) and Mimesis, Masochism and Mime: The Politics of Theatricality in Contemporary French Thought (1997).