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Dramaturgy in American Theatre : A Source Book: A source book New edition [Kietas viršelis]

3.79/5 (84 ratings by Goodreads)
  • Formatas: Hardback, 608 pages
  • Išleidimo metai: 02-Dec-1996
  • Leidėjas: Wadsworth Publishing Co Inc
  • ISBN-10: 0155025864
  • ISBN-13: 9780155025868
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 608 pages
  • Išleidimo metai: 02-Dec-1996
  • Leidėjas: Wadsworth Publishing Co Inc
  • ISBN-10: 0155025864
  • ISBN-13: 9780155025868
Kitos knygos pagal šią temą:
This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this collection, rather than being reprinted. Its currency and importance cannot be overestimated. A review of the history of dramaturgy as a profession, together with its European antecedents, gives students a sense of historical context. Selections from respected and recognized names in theater provoke student interest and communicate the benefits of those experts' experiences.

Recenzijos

Dedication. Introduction. Acknowledgements. Part I: Precedents and New Beginnings. Preview. Anne Cattaneo, Dramaturgy: An Overview. Joel Schechter, In the Beginning There Was Lessing...Then Brecht, Muller, and Other Dramaturgs. Martin Esslin, Towards an American Dramaturg: Adapting the Function of Dramaturgy to US Conditions. Jonathan Marks, On Robert Brustein and Dramaturgy. Robert Brustein, from The Future of an un-American Activity. Jonathan Kalb, Notes for a Definition. Part II: Toward a Dramaturgical Sensibility. Preview. Oscar G. Brockett, Dramaturgy in Education: Introduction. Mark Bly, Bristling with Multiple Possibilities. Art Borreca, Dramaturging New Play Dramaturgy: The Yale and Iowa Models. Jane Ann Crum, Toward a Dramaturgical Sensibility. Arthur Ballet, Why in the Hell Are We So Serious? Heidi Gilpin, Shaping Critical Spaces: Issues in the Dramaturgy of Movement Performance. Mark Lord, The Dramaturgy Reader. Richard Pettengill, Dramaturgy Education. Michael Lupu, There Is Clamor in the Air. Leon Katz, The Complete Dramaturg. Part III: Models of Collaboration. Preview. Geoff Proehl, The Images Before Us: Metaphors for the Role of the Dramaturgy in American Theater. Tori Haring-Smith, The Dramaturgy as Androgyne: Thoughts on the Nature of Dramaturgical Collaboration. Allen Kuharski, Joseph Chaikin and the Presence of the Dramaturg. Mira Rafalowicz, Mira Rafalowicz: Dramaturg in Collaboration with Joseph Chaikin. Royston Coppenger and Travis Preston, The Way We Work Together. Gregory Gunter, Exploration Through Imagery: Gregory Gunter Talks About Working with Anne Bogart. "How to Talk to a Playwright": Panel Discussion with Steve Carter, Constance Congdon, John Glore, Philip Kan Gotanda, Eric Overmyer, and Sandy Shinner Allen Kennedy. Professional Theater and Education:Contexts for Dramaturgy . Richard Pettengill, Education and Community Programs at the Goodman Theater, 1996. Lee Devin, Conceiving the Forms: Play Analysis for Production Dramaturgy. John H. Lutterbie, Theory and the Practice of Dramaturgy. Part IV: New Contexts. Preview. Susan Jonas, The Dramaturg-Director: Aiming the Canon at Now. Carl Weber, Foreign Drama in Translation - Some Reflections on Otherness, Xenophobia, the Translator's Task.

Preface vii Section 1: Precedents and New Beginnings 1(38) Dramaturgy: An Overview 3(13) Anne Cattaneo In the Beginning There Was Lessing...Then Brecht, Muller, and Other Dramaturgs 16(9) Joel Schechter Towards An American Dramaturg: Adapting the function of dramaturgy to U.S. conditions 25(6) Martin Esslin On Robert Brustein and Dramaturgy 31(2) Jonathan Marks From ``The Future of an Un-American Activity 33(4) Robert Brustein Notes for a Definition 37(2) Jonathan Kalb Section 2: Toward a Dramaturgical Sensibility 39(82) Dramaturgy In Education: Introduction 42(6) Oscar G. Brockett Bristling with Multiple Possibilities 48(8) Mark Bly Dramaturging New Play Dramaturgy: The Yale and Iowa Ideals 56(14) Art Borreca Toward a Dramaturgical Sensibility 70(8) Jane Ann Crum Why in the Hell Are We So Serious? 78(5) Arthur Ballet Shaping Critical Spaces: Issues in the Dramaturgy of Movement Performance 83(5) Heidi Gilpin The Dramaturgy Reader 88(14) Mark Lord Dramaturging Education 102(7) Richard Pettengill There Is Clamor in the Air 109(6) Michael Lupu The Compleat Dramaturg 115(6) Leon Katz Section 3: Models of Collaboration 121(120) The Images Before Us: Metaphors for the Role of the Dramaturg in American Theater 124(13) Geoffrey S. Proehl The Dramaturg as Androgyne: Thoughts on the Nature of Dramaturgical Collaboration 137(7) Tori Haring-Smith Joseph Chaikin and the Presence of the Dramaturg 144(15) Allen Kuharski Dramaturg in Collaboration with Joseph Chaikin 159(6) Mira Rafalowicz The Way We Work 165(11) Royston Coppenger Travis Preston Exploration Through Imagery: Gregory Gunter Talks About Working with Anne Bogart 176(4) Gregory Gunter How to Talk to a Playwright: Panel Discussion with Steve Carter, Constance Congdon 180(10) John Glore Philip Kan Gotanda Eric Overmeyer Sandy Shinner Professional Theater and Education: Contexts for Dramaturgy 190(15) Allen Kennedy Education and Community Programs at the Goodman Theatre, 1996 205(4) Richard Pettengill Conceiving the Forms: Play Analysis for Production Dramaturgy 209(11) Lee Devin Theory and the Practice of Dramaturgy 220(21) John H. Lutterbie Section 4: New Contexts 241(132) Aiming the Canon at Now: Strategies for Adaptation 244(22) Susan Jonas Foreign Drama in Translation: Some Reflections on Otherness, Xenophobia, the Translators Task, and the Problems They Present 266(10) Carl Weber The Dramaturg and the Irrational 276(7) Jayme Koszyn Textual Collidings: Group Dramaturgy and the Irondale Ensemble Project 283(9) Jim Niesen Rebottling: Dramaturgs, Scholars, Old Plays, and Modern Directors 292(16) Cary M. Mazer Production Dramaturgy of a Classic: Molieres The Misanthrope at La Jolla Playhouse and the Goodman Theatre 308(9) Robert Falls Richard Pettengill Walter Bilderback Love Has Entered my Vocabulary: A Cautionary Tale 317(14) James Magruder Multicultural Approaches in Dramaturgy: A Case Study 331(11) Elizabeth C. Ramirez With a Song in My Art: Dramaturgy and the American Musical Theater 342(13) Laurence Maslon Re-imagining the Other: A Multiracial Production of Mad Forest 355(18) Harriet Power Section 5: Developing New Works 373(144) Garden or Ghetto? The Paradoxy of New Play Development 376(9) Scott T. Cummings How to Do It: A Brief History of Professional Advice 385(13) Stephen Weeks Mea Culpa, Nostra Culpa 398(3) Leon Katz Morgan Jenness Tells the Truth to Paul Selig: An Interview 401(11) Morgan Jenness Paul Selig The Dramaturgical Dialogue: New Play Dramaturgy at Actors Theatre of Louisville 412(9) Michael Bigelow Dixon A Conversation with Mame Hunt, Dramaturg-Artistic Director, and Susan Mason, Dramaturg-Academic, 19 August 1994, Oakland 421(10) Mame Hunt Susan Mason The Dramaturgy of Reading: Literary Management Theory 431(10) Tim Sanford New Play Development and the ``New Dramaturg: the Dramaturgs Approach to the First Draft 441(6) Paul C. Castagno The Once and Future Audience: Dramaturgy and Childrens Theater 447(14) Suzan L. Zeder Making Theater from a Queer Aesthetic 461(11) Susan Finque Tony Kushners Angels: An Interview with Tony Kushner Conducted by Susan Jonas 472(11) Tony Kushner Susan Jonas Dramaturgy on the Road to Immortality: Inside The Wooster Group 483(34) Norman Frisch Marianne Weems Elizabeth Bennett Appendix 517(2) Glossary 519(1) Some Relevant Dates 520(1) Dramaturgy: A Compendium of Quotes 521(6) Literary Managers and Dramaturgs of the Americas 527(4) Victoria Abrash Methods of Dramaturgy: A Sample Syllabus for a Class in Dramaturgy 531(2) Anne Cattaneo Conversation With Anne Cattaneo: On the Sample Syllabus for a Class in Dramaturgy 533(2) Jane Ann Crum Guide to Theater Resources on the Internet 535(23) Deborah A. Torres Martha Vander Kolk Bibliography 558(13) Index 571