Atnaujinkite slapukų nuostatas

El. knyga: Dramaturgy and Performance

4.11/5 (18 ratings by Goodreads)
(University of Exeter, Exeter), (University of Winchester, Winchester)
Kitos knygos pagal šią temą:
Dramaturgy and PerformanceDidesnis paveikslėlis
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Outlining different perspectives, this classic and field-defining text introduces 'dramaturgy' as a critical concept and a practical process in an accessible and engaging style. The revised edition includes a new introduction and afterword which provides insight into contemporary developments and future directions of scholarship.
Acknowledgements x
General Editors' Preface xi
Introduction 1(20)
Dramaturgy
5(3)
The Dramaturg
8(2)
UK Dramaturgy 1990--2016
10(5)
The Structure of the Book
15(6)
PART I
1 What is Dramaturgy?
21(21)
A Slippery Term
21(2)
A Historical Perspective: Shaping a Dramaturgical Practice
23(6)
Dramaturgical Analysis: Form and Content
29(4)
The Weave of Performance
33(5)
Dramaturgy and Context
38(4)
2 Brecht's Productive Dramaturgy: From Emblem to `Golden Motor'
42(32)
The `radical transformation' of the Theatre
42(4)
Brecht's Dramaturgy: Re-contextualizing the Theatre
46(13)
Brecht and the Dramaturg
59(2)
Brecht as Dramaturg: Early Dialogues
61(5)
Brecht's Dramaturgs: Later Dialogues
66(8)
3 Names and Identities: Political Dramaturgies in Britain
74(27)
`Radical Populism' or `Carnival Agitprop'
76(4)
`Brechtian Dramaturgy' and `State-of-the-Nation' Plays
80(4)
`Socialist Feminism' and a New `Dialectical Dramaturgy'
84(2)
`Radical Feminism' and the Discussion of a `Women's' Dramaturgy
86(3)
`Cultural Hybrids'
89(5)
`New Dramaturgy'
94(7)
PART II
4 The Dramaturg and the Theatre Institution
101(24)
What is a Dramaturg?
102(5)
Politics and Artistic Policy
107(7)
The Dramaturg as Programmer
114(3)
The Dramaturg as Educationalist and Go-between
117(3)
The Freelance Dramaturg
120(3)
The Multiple Roles of the Dramaturg
123(2)
5 The Dramaturg and the Playwright
125(25)
Definitions and UK Working Practices
125(3)
The `German' Dramaturg and the New Play
128(3)
The Literary Manager and the British Playwright
131(7)
The Dramaturg as Mentor or `Buddy'
138(2)
Writer Development and the Theatre Industry
140(4)
European Influences on UK Practice
144(3)
Conclusion
147(3)
6 The Production Dramaturg
150(22)
In Between
150(3)
From Theory to Practice
153(1)
Creating a Context
154(4)
Pre-production
158(2)
Attending Rehearsals
160(3)
Casting -- Shaping a Dramaturgy
163(1)
The Dramaturg as Intermediary and Collaborator
164(5)
The Production Dramaturg in Dance: An Emerging Field
169(1)
Conclusion
170(2)
7 The Dramaturg and Devising: Shaping a Dramaturgy
172(19)
An Emerging Role
172(5)
Beginnings
177(3)
The Dramaturg as Map-maker and Compass-bearer
180(4)
On-the-Spot Dramaturgy
184(1)
Conclusion
185(6)
PART III
8 Millennial Dramaturgies
191(17)
The Real and the Represented
192(2)
Getting the `now' into the Text
194(5)
The `spatial turn'
199(3)
Interactivity and New Technologies
202(4)
Conclusion
206(2)
Afterword 208(5)
Bibliography 213(18)
Index 231
Cathy Turner is Senior Lecturer in Drama at the University of Exeter, UK. She is co-editor of Palgrave's New Dramaturgies series and author of Dramaturgy and Architecture (Palgrave, 2015). She is a core member of Wrights & Sites, a group of four site-specific artists and authors of A Mis-Guide to Anywhere (2006).

Synne Behrndt is Senior Lecturer in Performing Arts at the University of Winchester, UK. She is co-editor of Palgrave's New Dramaturgies series. She is also a dramaturg who has worked for directors and companies both in Denmark and England and is the co-founder of artist network, Secret Hotel.
Daugiau apie elektronines knygas Daugiau apie elektronines knygas
Pastovi nuoroda: https://www.kriso.lt/db/97811375618552e.html
Raktažodžiai: