Atnaujinkite slapukų nuostatas

El. knyga: Emergence of the Antique and Curiosity Dealer in Britain 1815-1850: The Commodification of Historical Objects

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 18151850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets.

Set against the recent art market turn in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.18031887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects.

This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
List of figures
vii
Acknowledgements ix
Introduction 1(19)
The John Coleman Isaac archive
2(3)
The spaces of the discourse
5(2)
The emergence of historical objects
7(2)
The emergence of the antique and curiosity dealer
9(1)
The spaces of consumption
9(1)
The commodification of historical objects
10(2)
The emergence of the antique and curiosity dealer 1815-1850
12(3)
Notes
15(5)
Part One The spaces of the discourse
20(30)
Framing the subject I: Writing the art market, marginalia to mainstream
20(4)
Framing the subject II: Writing the dealer, footnote to fulcrum
24(2)
Framing the subject III: The `idea' of the antique and curiosity dealer
26(5)
`The Jew Broker'
31(2)
Fakes, forgeries and the nineteenth-century antique and curiosity dealer
33(2)
Framing the subject IV: Figuring the dealer
35(5)
Notes
40(10)
Part Two The emergence of historical consciousness
50(66)
The consumption of the past
50(11)
Specimens of Ancient Furniture: The emergence of the historical object
61(11)
Notes
72(6)
Part Three The emergence of the antique and curiosity dealer
78(1)
John Coleman Isaac (c.1803-1887)
78(7)
The market for antiques and curiosities 1815-1850
85(4)
The market for ancient furniture and woodwork
89(6)
Antique and curiosity dealing
95(2)
Antique and curiosity dealers, `brokers' and the second-hand trade
97(5)
Antique dealers and `antiques'
102(4)
Classifying the trade
106(2)
Notes
108(8)
Part Four The spaces of consumption - shops, auctions, exhibitions
116(36)
Spaces of consumption I: The antique and curiosity shop
116(2)
The antique and curiosity shop: Locations
118(6)
Wardour Street
124(10)
Spaces of consumption II: Auctions
134(7)
Spaces of consumption III: Exhibitions
141(11)
Notes 152(9)
Epilogue 161(1)
Bibliography 162(20)
Index 182
Mark Westgarth is Associate Professor in Art History & Museum Studies at the University of Leeds, UK.