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El. knyga: Enamels, Crowns, Relics and Icons: Studies on Luxury Arts in Byzantium

  • Formatas: 328 pages
  • Serija: Variorum Collected Studies
  • Išleidimo metai: 28-Oct-2024
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781040244623
  • Formatas: 328 pages
  • Serija: Variorum Collected Studies
  • Išleidimo metai: 28-Oct-2024
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781040244623

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This volume gathers together 17 articles published over the last 30 years, together with one appearing here for the first time. Their focus is primarily on enamel, the brilliant and colourful art form for which the Byzantines were famous throughout the medieval world, but sculpture and glyptics also figure. The author examines not only works which have retained the form in which they were first created, but others which have had their original Byzantine elements re-used, often by artists in the West. While most of the works featured here have been known to scholars before, one was unknown prior to its first publication in 2006.
Preface xi
Acknowledgements xii
Byzantine cloisonne enamel: production, survival and loss
215
Byzantion
76. Louvain-la-Neuve, 2006
Enamels in the Byzantine world: ownership and distribution
38(130)
Byzantinische Zeitschrift
81. Munich, 1988
The jewels from the crown: symbol and substance in the later Byzantine imperial regalia
168
Byzantinische Zeitschrift
96. Munich/Leipzig, 2003
La couronne grecque de la Sainte Couronne de Hongrie: le contexte de ses emaux et de ses bijoux
38(99)
Acta Historiae Artium
43. Budapest, 2002
Byzantine and Russian enamels in the treasury of Hagia Sophia in the late fourteenth Century
137(8)
Byzantinische Zeitschrift
93. Munich/Leipzig, 2000
Byzantine enamels on a Venetian book-cover
145
Cahiers archeologiques
27. Paris, 1978
A purchase of Byzantine relics and reliquaries in fourteenth-century Venice
38(173)
Arte Veneta
37. Venice, 1983, pp. 9-30
Vecchi, e non antichi: differing responses to Byzantine culture in fifteenth-century Tuscany
211
Rinascimento
32. Florence, 1992
Studying the Byzantine staurotheque at Esztergom
18(306)
Through a Glass Brightly: Studies in Byzantine and Medieval Art and Archaeology Presented to David Buckton, ed C. Entwistle. Oxford: Oxbow Books, 2003, pp. 82-94
Byzantine enamels for a Russian prince: the book-cover of the Gospels of Mstislav
324
Zeitschrift fur Kunstgeschichte
59. Munich, 1996
The enamels on a mitre from Linkoping Cathedral, and art in thirteenth-century Constantinople
16(22)
First publication
Who is this king of glory? The Byzantine enamels of an icon frame and revetment in Jerusalem
38
Zeitschrift fur Kunstgeschichte
53. Munich, 1990
The gold and enamel triptych of Constantine proedros (In collaboration with David Buckton)
11(9)
Apollo. London, August 2006, pp. 28-33
The frame of the Sacro Volto icon in S. Bartolomeo degli Armeni, Genoa: the reliefs and the artist
20
Cahiers archeologiques
50. Paris, 2002, pp. 175-184
The Byzantine enamels on the staurotheque from the treasury of the Prieure d'Oignies, now in Namur (With excursus: pearls and their association with Byzantine enamels)
19
Cahiers archeologiques
48. Paris, 2000, pp. 59-69
The Cross of Zavis and its Byzantine enamels: a contribution to its history
8(17)
Thymiama ste mneme tes Laskarinas Mboura [ Memorial Volume: 2 Vols, Text and Plates]. Vol. I, pp. 119-122 and Vol. II, pp. 61-62. Athens: Benaki Museum, 1994
Byzantine steatites in the possession of the Knights of Rhodes
25(451)
The Burlington Magazine
120. London, 1978, pp. 811-820. With `Afterword' from: Portable Altars of Malta, ed. J. Azzopardi. Valetta: Progress Press Publications, 2000, pp. 51-52
A well-head in Iznik: an example of Laskarid taste?
476
Byzantinische Zeitschrift 86/87. Stuttgart/Leipzig, 1993/94
Addenda 3(3)
Index 6
Paul Hetherington is an independent scholar, specialising in the study of Byzantine art.