| Preface |
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ix | |
| Introduction: Situated Dancing |
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1 | (18) |
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19 | (42) |
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1 Pooh Kaye and Eccentric Motions |
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22 | (3) |
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25 | (2) |
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3 Improvisations by Simone Forti and Pooh Kaye |
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27 | (4) |
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31 | (2) |
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5 Joseph Holmes, Sizzle and Heat |
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33 | (3) |
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6 Performing across Identity |
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36 | (4) |
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7 In Dialogue with Firebird |
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40 | (4) |
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8 Dancing Bodies and the Stories They Tell |
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44 | (6) |
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9 Embodying History: The New Epic Dance |
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50 | (5) |
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10 Desire and Control: Performing Bodies in the Age of AIDS |
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55 | (6) |
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61 | (78) |
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11 Mining the Dancefield: Spectacle, Moving Subjects, and Feminist Theory |
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64 | (12) |
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12 Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs |
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76 | (16) |
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13 Auto-Body Stories: Blondell Cummings and Autobiography in Dance |
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92 | (23) |
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14 Femininity with a Vengeance: Strategies of Veiling and Unveiling in Loie Fuller's Performances of Salome |
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115 | (24) |
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139 | (70) |
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15 The Long Afternoon of a Faun: Reconstructions and Discourses of Desire |
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142 | (6) |
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16 Embodying History: Epic Narrative and Cultural Identity in African-American Dance |
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148 | (27) |
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17 Matters of Tact: Writing History from the Inside Out |
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175 | (13) |
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18 The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece |
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188 | (21) |
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209 | (38) |
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19 A Particular History: Contact Improvisation at Oberlin College |
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212 | (6) |
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20 Open Bodies: (X)changes of Identity in Capoeira and Contact Improvisation |
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218 | (12) |
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21 Present Tense: Contact Improvisation at Twenty-five |
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230 | (7) |
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22 Feeling In and Out: Contact Improvisation and the Politics of Empathy |
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237 | (10) |
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247 | (32) |
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23 Dancing across Difference: Experience and Identity in the Classroom |
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250 | (13) |
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24 Channeling the Other: An Embodied Approach to Teaching across Cultures |
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263 | (7) |
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25 Training Bodies to Matter |
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270 | (9) |
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279 | (100) |
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281 | (7) |
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27 Through Yours to Mine and Back Again: Reflections on Bodies in Motion |
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288 | (4) |
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292 | (2) |
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29 Researching Bodies: The Politics and Poetics of Corporeality |
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294 | (3) |
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30 Strategic Abilities: Negotiating the Disabled Body in Dance |
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297 | (21) |
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31 Dancing in and out of Africa |
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318 | (3) |
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321 | (4) |
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33 Moving Contexts: Dance and Difference in the Twenty-first Century |
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325 | (10) |
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34 Three Beginnings and a Manifesto |
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335 | (3) |
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35 Improvisation as Radical Politics |
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338 | (5) |
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36 Space and Subjectivity |
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343 | (5) |
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348 | (6) |
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38 Resurrecting the Future: Body/Image/Technology |
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354 | (6) |
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360 | (7) |
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40 The Tensions of Techne: On Heidegger and Screendance |
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367 | (3) |
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370 | (9) |
| Afterword |
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379 | (2) |
| Acknowledgments |
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381 | (2) |
| Index |
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383 | |
