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El. knyga: Ephemeral Eighteenth Century: Print, Sociability, and the Cultures of Collecting

(University of York)
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Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relationship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for 'ephemerology' as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.

This book revises the view of printed ephemera as a trivial or disposable by giving a history of its role in eighteenth-century culture. It explores how tickets, playbills and posters became a way of facilitating social interaction and, for collectors, a means of preserving the evanescence of daily life.

Recenzijos

'A comprehensive, interdisciplinary examination, Russell's admirable volume will resonate with those researching Romanticism, English literature, print and publishing history, material culture, and the history of collecting. Twenty-four illustrations; a stunning bibliography of collections, primary, and secondary sources; and a thorough index enhance the volume's significance.' J. Decker, Choice

Daugiau informacijos

This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.
List of Figures
viii
Acknowledgements xi
Introduction: `All the Ephemera of Our Lives' 1(29)
1 Accidental Readings and Diurnal Historiographies: The Invention of Ephemera
30(30)
2 Making Collections: Enlightenment Ephemerology
60(38)
3 The Natural History of Sociability: Sarah Sophia Banks and Her Ephemera Collections
98(28)
4 Sarah Sophia Banks's `Magic Encyclopedia'
126(27)
5 `Announcing Each Day the Performances': Playbills as Theatre/Media History
153(33)
6 Transacting Hospitality: The Novel Networks of the Visiting Card
186(28)
7 England in 1814: Frost Fairs, Peace, and Persuasion
214(37)
Conclusion 251(4)
Bibliography 255(26)
Index 281
Gillian Russell is Professor of English at the University of York. A Fellow of the Australian Academy of the Humanities, she is internationally renowned for her innovative interdisciplinary research that began with The Theatres of War: Performance, Culture and Society, 17931815 (1995). She has pioneered field-changing new directions in scholarship on war and theatre and on the study of sociability. Her books include Romantic Sociability: Social Networks and Literary Culture 17701840 (Cambridge, 2002), co-edited with Clara Tuite, Women, Sociability and Theatre in Georgian London (Cambridge, 2007), and Tracing War in British Enlightenment and Romantic Culture, co-edited with Neil Ramsey (2015).