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Epidemic Cinema: The Rise of a Genre [Kietas viršelis]

  • Formatas: Hardback, 238 pages, aukštis x plotis: 234x156 mm, weight: 453 g, 19 Halftones, black and white; 19 Illustrations, black and white
  • Serija: Routledge Advances in Film Studies
  • Išleidimo metai: 08-Dec-2023
  • Leidėjas: Routledge
  • ISBN-10: 1032541350
  • ISBN-13: 9781032541358
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 238 pages, aukštis x plotis: 234x156 mm, weight: 453 g, 19 Halftones, black and white; 19 Illustrations, black and white
  • Serija: Routledge Advances in Film Studies
  • Išleidimo metai: 08-Dec-2023
  • Leidėjas: Routledge
  • ISBN-10: 1032541350
  • ISBN-13: 9781032541358
Kitos knygos pagal šią temą:
"This book examines the recent trend in global cinema to feature infectious disease. As the global crisis of the COVID-19 pandemic materialized the anxieties and discourses of world risk that had long been portrayed in popular media, the book provides a novel definition of the epidemic film genre and offers a systematic look into the narrative and stylistic conventions that characterize it. Epidemic Cinema traces the evolution of the genre from its early cinematic origins to establish the founding principles of a genre standing at the crossroads between science-fiction and horror. It draws on close textual analysis to show how the pandemic reified one of the central predicaments of epidemic narratives: the constant tension existing between free-floating phenomena and the impulse to control and resist such phenomena, ultimately epitomized by the trope of the border. Showing how infectious diseases offer a rich allegorical frame which cinema uses to articulate timely anxieties of growingly invisible and deterritorialized risks, the author presents the prevalence of contagion in popular culture as a symptom of this growingly viral and virus-ridden context, both in its most literal and metaphorical sense. This insightful study will interest students and scholars of film studies, global cinema, science fiction, horror, popular culture and genre theory"--

This book examines the recent trend in global cinema to feature infectious disease.



This book examines the recent trend in global cinema to feature infectious disease.

As the global crisis of the COVID-19 pandemic materialized the anxieties and discourses of world risk that had long been portrayed in popular media, the book provides a novel definition of the epidemic film genre and offers a systematic look into the narrative and stylistic conventions that characterize it. Epidemic Cinema traces the evolution of the genre from its early cinematic origins to establish the founding principles of a genre standing at the crossroads between science-fiction and horror. It draws on close textual analysis to show how the pandemic reified one of the central predicaments of epidemic narratives: the constant tension existing between free-floating phenomena and the impulse to control and resist such phenomena, ultimately epitomized by the trope of the border. Showing how infectious diseases offer a rich allegorical frame which cinema uses to articulate timely anxieties of growingly invisible and deterritorialized risks, the author presents the prevalence of contagion in popular culture as a symptom of this growingly viral and virus-ridden context, both in its most literal and metaphorical sense.

This insightful study will interest students and scholars of film studies, global cinema, science fiction, horror, popular culture and genre theory

Recenzijos

"When it comes to defining the genre of epidemic cinema Echeverrias book is certainly one of the best, if not the best, in laying out the conventions of the iconography of a genre that has finally received its proper attention in cinema studies. Its delineation of the genres epidemiological characteristics of connectivity, containment, and conversion is superb. A must-read for anyone interested in how cinema reflects and shapes our understanding of global crises, collective vulnerability, and the cultural logics of contagion."

-- Tom Zaniello, Northern Kentucky University, USA

"Epidemic Cinema: The Rise of a Genre is absolutely timely, yet its author, Julia Echeverria, had already identified the centrality of the epidemic narrative long before the COVID-19 pandemic. Echeverria makes the bold claim that the epidemic narrative has evolved into a full-feldged film genre, with affinities to horror, science fiction but also melodrama and the action movie. Her book sets out to delineate the genres contours, its history and its function as reflecting contemporary anxieties. More specifically, Echeverria pays special interest to the epidemic as a fundamentally transnational issue in a globalized context and, thus, as a prism through which to investigate the potentials and limitations of cosmopolitanism. Illuminating both obvious and less obvious case studies through rigorous formal analysis, Epidemic Cinema is without doubt an indispensable contribution to the fields of horror, science fiction and transnational studies and essential reading to anyone with an interest in the representation of disease on screen."

-- David Roche, Université Paul Valéry, France

Introduction

Chapter
1. Plague-Metaphors in the Age of the Virus

Chapter
2. The Origins of the Genre

Chapter
3. Defining the Epidemic Genre

Chapter
4. Connectivity: Contagion and Viral (Dis)Information

Chapter
5. Territorial Conversion: Children of Men and Viral Fear

Chapter
6. Bodily Conversion: Warm Bodies and Viral Love

Chapter
7. Containment: Blindness and Viral Media

Conclusion

Julia Echeverrķa is a Doctor in Film Studies from the University of Zaragoza, Spain, where she works as an Assistant Professor in the Faculty of Humanities