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Erudite Eyes: Friendship, Art and Erudition in the Network of Abraham Ortelius (1527-1598) [Minkštas viršelis]

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Erudite Eyes explores the network of the Antwerp cartographer Abraham Ortelius (1527-1598), a veritable trading zone of art and erudition. Populated by such luminaries as Pieter Bruegel, Joris Hoefnagel, Justus Lipsius and Benedictus Arias Montanus, among others, this vibrant antiquarian culture yielded new knowledge about local antiquities and distant civilizations, and offered a framework for articulating art and artistic practice. These fruitful exchanges, undertaken in a spirit of friendship and collaboration, are all the more astonishing when seen against the backdrop of the ongoing wars. Based on a close reading of early modern letters, alba amicorum, printed books, manuscripts and artworks, this book situates Netherlandish art and culture between Bruegel and Rubens in a European perspective.

Recenzijos

"The result is a text that usefully illuminates the links between artists, cartographers, antiquarians, humanists, poets, and publishers in the sixteenth-century Low Countries, comprising a book that will be a necessary point of reference for scholars and students of the period."

Stephanie Porras, Tulane University





"Erudite Eyes is a welcome addition to any library strong in Renaissance humanism, antiquarianism, or the history of collecting. An abundance of illustrations, including many color plates, gives this book the feel of an art-history text (Ortelius would approve!)."

John Cunnally, Iowa State University

Acknowledgments vii
List of Figures
ix
Introduction: Erudite Eyes 1(14)
1 The Antiquarian Network as Trading Zone
15(22)
The Network of Ortelius as Trading Zone
15(4)
European Antiquarianism between Erudition and Art
19(18)
2 Local Antiquities
37(28)
Ortelius, Goltzius and Laurinus Explore a Roman Fortress in Ancient Batavia
41(8)
Ortelius and Vivianus Trace the Antiquities of Belgian Gaul
49(16)
3 Illuminating History, Imagining Antiquity
65(26)
Lipsius on Roman Amphitheaters outside Rome
67(12)
Ortelius Imagines the Mores and Customs of the Ancient Germans
79(8)
Ortelius and the Artes Historiae
87(4)
4 Comparing Cultures
91(38)
Antiquity and Urban Ethnography in the Art of Joris Hoefnagel
92(11)
Costume as Emblem in Hoemagel's Four Ages of Man
103(3)
Costume as Civilization in Lucas d'Heere's Theatre de tous les peuples
106(23)
5 Marketing Art and Erudition
129(28)
Braun, Hogenberg and Lampsonius on the Ctvitates Orbis Terrarum
130(11)
Emmanuel van Meteren and the Making of the Historie der Neder-landscher ende haerder na-buren Oorlogen ende Geschiedenissen
141(5)
Getting Published: Jean Jacques Boissard and the Antiquitates Romanae
146(11)
6 Ancients and Modems in the Arts
157(38)
Art and Antiquity in Bruegel's Death of the Virgin
163(8)
Pliny as a Model: Bruegel and Otto van Veen as Eupompus and Pamphilus
171(17)
Art as Refuge in Ortelius's Landscapes Tempe and Daphne
188(7)
7 Art and Erudition as Friendship
195(20)
Friendship, Stoicism and the Limits of Knowledge and Tolerance
198(9)
The Album Amicorum, a Monument more Durable than Bronze
207(8)
Epilogue 215(8)
Appendices 223(24)
Notes 247(41)
Bibliography 288(25)
Index 313
Tine Luk Meganck, Ph.D. (2003), Princeton University, is Assistant Professor at the Vrije Universiteit Brussel (Brussels, Belgium). She is the author of, among others, Pieter Bruegel the Elder, Fall of the Rebel Angels. Art, Knowledge and Politics on the Eve of the Dutch Revolt (Silvana, 2014) and co-editor of Bruegel's Winter Scenes. Historians and Art Historians in Dialogue (Mercatorfonds/Yale University Press, 2018).