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El. knyga: European Music, 1520-1640

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The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). It thus provides a complete overview of the music and its context.

Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS,DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

Recenzijos

A fine achievement. * THE CONSORT * A fine book. [ ...] This civilised volume is highly recommended [ and] excellent in content. * EARLY MUSIC REVIEW * This is an extremely useful addition to music historiography that will both aid students and provide many insights to the more general reader who feels in need of an over-arching survey of the period. -- Brian Robins * GOLDBERG * A lively and scholarly account of the multiple complexities and paradoxes that characterise this period...compelling reading with hitherto neglected areas at last gaining accessible recognition. * EARLY MUSIC TODAY *

Preface vii
Abbreviations ix
Renaissance Humanism and Music
1(19)
Gary Tomlinson
The Concept of the Renaissance
20(18)
James Haar
The Concept of the Baroque
38(20)
Tim Carter
Italy, i: 1520--1560
58(17)
Giulio Ongaro
Italy, ii: 1560--1600
75(16)
Noel O'Regan
Italy, iii: 1600--1640
91(10)
Tim Carter
Music for the Mass
101(29)
Allan W. Atlas
The Motet
130(27)
Anthony Cummings
France, i: 1520--1560
157(14)
Richard Freedman
France, ii: 1560--1600
171(11)
Jeanice Brooks
France, iii: 1600--1640
182(11)
David Tunley
Chanson and Air
193(32)
Kate van Orden
Madrigal
225(21)
James Haar
The Netherlands, 1520--1640
246(34)
Kristine K. Forney
Music, Print, and Society in Sixteenth-Century Europe
280(24)
Iain Fenlon
Concepts and Developments in Music Theory
304(25)
Karol Berger
Germany and Central Europe, i: 1520--1600
329(24)
Peter Bergquist
Germany and Central Europe, ii: 1600--1640
353(18)
David Crook
The Reformation and Music
371(30)
Robin A. Leaver
Renewal, Reform, and Reaction in Catholic Music
401(21)
Craig Monson
Spain, i: 1530--1600
422(33)
Todd M. Borgerding
Louise K. Stein
Spain, ii: 1600--1640
455(17)
Louise K. Stein
Early Opera: The Initial Phase
472(15)
Giuseppe Gerbino
Iain Fenlon
England, i: 1485--1600
487(22)
Roger Bray
England, ii: 1603--1642
509(18)
Jonathan P. Wainwright
Instrumental Music
527(30)
Victor Coelho
Keith Polk
Index 557


JEANICE BROOKS is Professor of Music at the University of Southampton.