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Exercises in Architecture: Learning to Think as an Architect 2nd edition [Kietas viršelis]

3.91/5 (32 ratings by Goodreads)
(University of Dundee, UK)
  • Formatas: Hardback, 230 pages, aukštis x plotis: 276x219 mm, weight: 1160 g, 761 Line drawings, black and white; 122 Halftones, black and white; 883 Illustrations, black and white
  • Išleidimo metai: 01-Aug-2022
  • Leidėjas: Routledge
  • ISBN-10: 1032265663
  • ISBN-13: 9781032265667
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 230 pages, aukštis x plotis: 276x219 mm, weight: 1160 g, 761 Line drawings, black and white; 122 Halftones, black and white; 883 Illustrations, black and white
  • Išleidimo metai: 01-Aug-2022
  • Leidėjas: Routledge
  • ISBN-10: 1032265663
  • ISBN-13: 9781032265667
Kitos knygos pagal šią temą:
This revised edition of Exercises in Architecture: Learning to Think as an Architect is full of new content, building on the success of the previous edition. All the original exercises have been revised and new ones added, with the format changing to allow the inclusion of more supplementary material. The aim remains the same, to help pre- or early-course architecture students begin and develop their ability to think as architects.

Learning to do architecture is tricky. It involves awakening abilities that remain dormant in most people. It is like learning language for the first time; a task made more mystifying by the fact that architecture deals not in words but in places: places to stand, to walk, to sit, to hide, to sleep, to cook, to eat, to work, to play, to worship

This book was written for those who want to be architects. It suggests a basis for early experiences in a school of architecture; but it could also be used in secondary schools and colleges, or as self-directed preparation for students in the months before entering professional education.

Exercises in Architecture builds on and supplements the methodology for architectural analysis presented in the authors previous book Analysing Architecture: the Universal Language of Place-Making (fifth edition, 2021) and demonstrated in his Twenty-Five Buildings Every Architect Should Understand (Routledge, 2015). Together, the three books, deal with the three aspects of learning any creative discipline: 1. Analysing Architecture provides a methodology for analysis that develops an understanding of the way architecture works; 2. Twenty-Five Buildings explores and extends that methodology through analysis of examples as case studies; and 3. Exercises in Architecture offers a way of expanding understanding and developing fluency by following a range of rudimentary and more sophisticated exercises.

Those who wish to become professional architects (wherever in the world they might be) must make a conscious effort to learn the universal language of architecture as place-making, to explore its powers and how they might be used. The exercises in this book are designed to help.

Recenzijos

One of those books I wish I had come across when I was studying design. Its a wonderful educational endeavour. Michael Andersson, Amazon.co.uk

Great book by a great author. jgfw, Amazon.com

Prelude - the essence of architecture 3(12)
The origin of architecture - place-making
5(1)
Selling apples - a girl `architects' her world
6(1)
Degas' vitrine - making frames
7(1)
La Bajouliere - a place enclosed
8(1)
Introduction
9(1)
`Architecting'
10(1)
Studying the architectural mind at work
10(2)
Drawing (and its limitations)
12(1)
The exercises
12(1)
Interludes and observations
12(1)
Materials and equipment
12(1)
Keeping a notebook
12(1)
Producing good work
13(2)
SECTION ONE Fundamentals
15(40)
Materials
16(1)
Exercise 1 The substance without substance
17(6)
1a Imposing an idea
17(1)
1b centre
18(1)
1c Identification of place (by object)
18(1)
1d Introducing the person
18(1)
1e Person at the centre
19(1)
1f Identification of place (by person)
19(1)
1g Circle of place
19(1)
1h threshold
20(1)
In Your Notebook: circles of place
21(1)
Urban circles of place
22(1)
Exercise 2 Flipping perceptions
23(6)
2a Container for a dead person
23(1)
2b pyramid
24(1)
2c Theatre and house
25(1)
In Your Notebook: examples of flipping
26(1)
Competing priorities
27(1)
Tensions
28(1)
Exercise 3 Axis (and its denial)
29(18)
3a Doorway axis
29(1)
3b quartering
30(1)
3c Relating to the remote
30(1)
3d temple
31(1)
A timeless syntax - `The Artist is Present'
32(1)
Axis in use - Woodland Chapel
33(1)
IN YOUR NOTEBOOK: exploring axis
34(2)
Axis in urban design
36(1)
3e Lines of doorways (enfilade)
37(1)
Enfilade - lines of doorways
38(3)
3f Denying the axis
41(2)
Denying the axis - a few historical examples
43(1)
3g Senseless doorway axis arrangements
44(1)
In Your Notebook: denying or avoiding axis
45(2)
Exercise 4 Doorway places
47(8)
4a Doorway place
47(2)
In Your Notebook: doorway places
49(2)
4b Hierarchies of transition
51(1)
In Your Notebook: hierarchies of transition
52(3)
SECTION TWO Geometry
Exercise 5 alignment
55(4)
5a Geometries of the world and person
55(1)
5b Geometries aligned
56(1)
In Your Notebook: alignment
57(2)
Exercise 6 anthropometry
59(5)
6a The `Goldilocks' principle
59(1)
Human measure
60(1)
6b Some key points of measure
61(1)
In Your Notebook: human measure
62(2)
Exercise 7 Social geometry
64(6)
7a Social circle
64(2)
7b Other situations framing social geometry
66(2)
A choir stall - personal and social geometry
68(1)
In Your Notebook: social geometry
69(1)
Exercise 8 Geometry of making
70(28)
8a Form and geometry
70(2)
8b Adding a roof
72(1)
8c Parallel walls
72(1)
Geometry of making - Welsh house
73(1)
8d Try toothpicks
74(1)
Geometry of making-building materials
75(1)
In Your Notebook: geometry of a house
76(3)
Geometries of being - regarding the circle
79(1)
8e Squaring the circle
80(1)
Geometry - Korowai house
81(1)
Geometry - Farnsworth House
82(1)
Classic form-megaron variations
83(1)
8f Roofing greater spans
84(1)
Corbel structures
84(1)
Geometry of making - corbel dome
85(1)
Columns and beams
86(1)
Arch
87(1)
In Your Notebook: structural geometry
88(1)
Conflict in geometry - for a poetic reason
89(1)
Geometry - attitudes
90(1)
Mind-nature dialectic
91(1)
`God's law'
92(1)
Stretching the geometry of making
93(1)
Disregarding the geometry of making
94(1)
Excavation
94(1)
Sensational distortion
95(1)
8g- transcending the geometry of making
96(1)
In Your Notebook: attitudes to the geometry of making
97(1)
Exercise 9 Geometry of planning
98(18)
9a squares, rectangles
98(1)
9b Parallel walls
99(1)
9c multi-room buildings
100(2)
9d Relations with places open to the sky
102(2)
In Your Notebook: enclosed places open to the sky
104(2)
Harmony of the rectangle
106(1)
Modifying the rectangle
107(3)
IN YOUR NOTEBOOK: modifying geometry
110(1)
9e Columned spaces/free plan
111(2)
In Your Notebook: free'plan
113(3)
Exercise 10 Ideal geometry
116(17)
10a A (perfectly) square space
116(1)
10b Extending the square
117(2)
10c cube
119(1)
10d Problems with ideal geometry
120(1)
Problems of thickness
121(2)
9 Square Grid House
123(1)
Fascinating geometry 1
124(1)
Fascinating geometry 2
125(1)
Fascinating geometry 3
126(1)
In Your Notebook: ideal geometry
127(4)
Sphere
131(2)
Exercise 11 Axial symmetry
133(10)
11a Axis of symmetry
133(2)
Is perfect axial symmetry possible?
135(1)
11b Subverting axial symmetry
136(4)
In Your Notebook: symmetry and asymmetry
140(2)
Nuanced symmetry
142(1)
Exercise 12 Playing with geometry
143(22)
12a Layering geometry
143(3)
12b Twisted geometry
146(1)
12c Breaking ideal geometry
147(2)
Forces beyond your control
149(1)
In Your Notebook: forces beyond control
150(1)
Artificial ruin - broken geometry
151(1)
Geometry challenged by conditions
152(1)
12d More complex geometry
153(1)
Catenary curve
153(1)
Spiral
154(2)
Mobius strip
156(1)
12e Distorting geometry
157(2)
In Your Notebook: distorted geometry
159(2)
Computer-generated form
161(1)
Thinking in geometry
162(1)
SECTION THREE Out into the real world
163(2)
Exercise 13 Making places in the landscape
165(12)
13a preparation
165(1)
What you could learn
166(1)
Place as frame
167(1)
13b- identify place by choice and occupation
168(1)
In Your Notebook: place-making by recognition
169(1)
Dunino Den
170(1)
Prospect and refuge; refuge and arena
171(1)
Relationship with the horizon
172(1)
Place and memory
173(1)
Uluru (Ayer's Rock)
174(1)
13c Begin to make your place better
175(1)
Senses other than sight
176(1)
Exercise 14 Making places just by being
177(13)
Richard Long
178(1)
14a Circle of place
179(1)
14b Modifying your circle of place
180(1)
Marker or focus
180(1)
Performance place
181(1)
Doorways and axes
182(1)
Temple, church, mosque
182(1)
14c Making places with people
183(3)
Australian aborigine place-making
186(2)
Ettore Sottsass
188(1)
14d anthropometry
189(1)
Exercise 15 Geometry of making
190(4)
Nick's camp
192(1)
Ray Mears - places in the landscape
193(1)
Exercise 16 Responding to conditions
194(6)
IN YOUR NOTEBOOK: responding to conditions
198(2)
Exercise 17 Framing atmosphere
200(8)
IN YOUR NOTEBOOK: draw your places
202(4)
Drawing plans and sections
206(2)
Exercise 18 Measured drawing
208(2)
Exercise 19 Setting down space-time rules
210(7)
19a Make up your own spatial rules
212(2)
19b Experiment with time as an element
214(2)
In Your Notebook: space-time rules
216(1)
SECTION FOUR Additional exercises
217(7)
Exercise 20 Place descriptions in literature
219(1)
Exercise 21 Architecture without sight
220(1)
Exercise 22 Eliciting an emotional response
221(1)
Exercise 23 framing
222(2)
Acknowledgements 224(1)
Bibliography 224(2)
Index 226
Simon Unwin is Emeritus Professor of Architecture at the University of Dundee, Scotland. He has lived in Great Britain and Australia, and taught or lectured on his work in China, Israel, India, Sweden, Turkey and the United States. Analysing Architectures international relevance is indicated by its translation into various languages and its adoption for architecture courses around the world. Now retired, Simon Unwin continues to teach at The Welsh School of Architecture in Cardiff, UK.