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Fabric of Cultures: Fashion, Identity, and Globalization [Kietas viršelis]

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Edited by (City University of New York, USA), Edited by (Parsons the New School for Design, USA)
  • Formatas: Hardback, 236 pages, aukštis x plotis: 234x156 mm, weight: 600 g, 43 Halftones, black and white
  • Išleidimo metai: 26-Sep-2008
  • Leidėjas: Routledge
  • ISBN-10: 0415775426
  • ISBN-13: 9780415775427
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 236 pages, aukštis x plotis: 234x156 mm, weight: 600 g, 43 Halftones, black and white
  • Išleidimo metai: 26-Sep-2008
  • Leidėjas: Routledge
  • ISBN-10: 0415775426
  • ISBN-13: 9780415775427
Kitos knygos pagal šią temą:
Clothes make the man, the woman, and, the articles in this study suggest, cultural and national identities. This book grew from a project that included an exhibition, seminar, lecture series, and a symposium, at which many of the papers in the volume were first presented. Paulicelli (Italian, comparative literature and women's studies, Queens College) and Clark (art and design history and theory, Parsons the New School for Design, New York) have selected work by anthropologists, historians, and specialists in design. After an historical introductory chapter, the chapters in the first half of the book address aspects of post World War II fashion in France, Italy, India, and Soviet Russia. Following are contributions on micro-national fashion in the 1990s, in the countries of Brazil, Viet Nam, China, Zambia and Greece, with discussion of artistic expression as well as political influence in the shaping of collective identities. The fortunes of the ubiquitous blue jeans are also discussed, and the book closes with an anthropological study of the fashion industry in New York City, including how it has changed with the exportation of production. The book as a whole is greater than the sum of its parts, demonstrating the multi-layered nature of the subject and how fashion has been a focal point of both social and political revolutions and will, no doubt, continue as such. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)
List of Figures Notes on Contributors Acknowledgements Introduction
Eugenia Paulicelli and Hazel Clark
1. From Potlach to Wal-Mart: Courtly and
Capitalist Hierarchies through Dress Jane Schneider
2. Dressing the Nation:
Indian Cinema Costume and the Making of a National Fashion, 1947-1957 Rachel
Morris
3. Made in America: Paris, New York, and Postwar Fashion Photography
Helena Cunha Ribeiro
4. Framing the Self, Staging Identity: Clothing and
Italian Style in the Films of Michelangelo Antonioni (1950-1964) Eugenia
Paulicelli
5. The Art of Dressing. Body, Gender and Discourse on fashion in
Soviet Russia in the 1950s and 1960s Olga Gurova
6. Making Modernity
Appropriate and Tradition Fashionable: Debates about Dress, Identity, and
Gender in Ho Chi Minh City Ann Marie Leshkowich
7. Youth, Gender, and
Secondhand Clothing in Lusaka, Zambia: Local and Global Styles Karen Tranberg
Hansen
8. Fashion Design and Technologies in a Global Context Michiel
Scheffer
9. Fabricating Greekness: from Fustanella to the Glossy Page Michael
Skafidas
10. Fashion Brazil: South American Style, Culture and Industry
Valéria Brandini
11. Fashioning "China Style" in the Twenty First Century
Hazel Clark
12. From Factories to Fashion: An Interns Experience of a Global
Fashion Capital Christina H. Moon Index
Eugenia Paulicelli is Professor of Italian, Comparative Literature and Womens Studies at Queens College and the Graduate Center of the City University of New York. She is also Co-Director of the Graduate Center Fashion Studies Concentration. Her recent publications include Fashion under Fascism: Beyond the Black Shirt (2004) and her articles on fashion have appeared in the journals, Fashion Theory and Gender & History.

Hazel Clark is Dean, School of Art and Design History and Theory, Parsons The New School for Design, New York. She is a design historian and theorist, with a specialist interest in fashion, design and cultural identity. She is the author of The Cheongsam (2000) and co-editor, with A. Palmer of Old Clothes, New Looks: Second Hand Fashion (2005).