Atnaujinkite slapukų nuostatas

El. knyga: Fake It: Fictions of Forgery

  • Formatas: 370 pages
  • Išleidimo metai: 13-Aug-2021
  • Leidėjas: University of Virginia Press
  • Kalba: eng
  • ISBN-13: 9780813946283
  • Formatas: 370 pages
  • Išleidimo metai: 13-Aug-2021
  • Leidėjas: University of Virginia Press
  • Kalba: eng
  • ISBN-13: 9780813946283

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.

How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story—and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original.

From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving’s fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.

Recenzijos

Lively, accessible, perceptive, witty, informative, and entertaining. Osteens research and scholarship are impeccable. The book offers an excellent gloss on postmodernist pastiche through the lens of forgery fictionsstories about forgery that often verge on, or cross entirely over to, the status of forgeries themselves. "Margaret Russett, University of Southern California, author of Fictions and Fakes: Forging Romantic Authenticity, 17601845

Acknowledgments ix
Prologue: Genuine Articles 1(24)
Part I Fake Lit: Mockeries
25(156)
1 Thomas Chatterton's Ghosts
27(51)
2 "What King Forged I?" Fathers, Frauds, And The Works Of William Fakespeare
78(42)
3 Hideous Progeny: Forgery, Frankenstein, And Peter Carey's My Life As A Fake
120(27)
4 Fuck It: Percival Everett's Fake Book
147(34)
Part II Fake Art: Masks
181(114)
5 Original Sins: Painting The Perfect Fake In The Recognitions
183(46)
6 But Is It Art? Orson Welles's Cubist Portrait Of The Forger In F For Fake
229(27)
7 Misrecognizing Harry: The Blazing World's Hermaphroditic Polyphony
256(39)
Epilogue 295(4)
Notes 299(20)
Works Cited 319(18)
Index 337
Mark Osteen, Professor of English and Director of the Center for the Humanities at Loyola University Maryland, is author of Nightmare Alley: Film Noir and the American Dream.