As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of 'curating' are undergoing rapid change. Today, everyone is seemingly able to 'curate', but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of 'the curatorial' in fashion exhibitions, commercial settings, and the virtual world.
From fashion's earliest forays into the museum to creative collaborations between luxury fashion brands and artists, this book challenges understandings of fashion curation by drawing on the palpably new spaces, places, and actors in today's curating scene. Exploring poetic and performative museum displays in venues such as the V&A, Somerset House, MoMu and the Royal Ontario Museum, alongside the ways that brands such as Dior, Chanel and Louis Vuitton have made use of 'the curatorial' in their own commercial strategies, Fashion Curating asks pressing questions about controversial funding and collaboration from the commercial fashion sector, and the limitations of producing exhibitions that are at the same time critical and popular.
Bringing together approaches from fashion curators, designers and world-renowned academics, curation is positioned as a critical practice that opens up new ways of conceptualizing and theorizing fashion, challenging how we think and what we already know.
Brings together international approaches to fashion curation in the 21st century as practiced in the museum, commercial spaces and online, analysing new spaces and methods for critical display.
Recenzijos
Through the brilliant analysis of famous exhibitions and fruitful collaborations between artists and brands, critics, fashion curators and lecturers draw on the history of costume of the past 50 years. * GQ Italia (Bloomsbury Translation) * The informed contributions gathered in Fashion Curating give a thought-provoking and timely reflection on vital aspects of the discipline. -- Jeffrey Horsley, London College of Fashion, UK.
Daugiau informacijos
Brings together international approaches to fashion curation in the 21st century as practiced in the museum, commercial spaces and online, analysing new spaces and methods for critical display.
List of Figures
List of Plates
Acknowledgements
Introduction
Annamari Vänskä, Turku Institute for Advanced Studies, Finland and Hazel
Clark, Parsons School of Design, New York, USA
I. Inside the Museum
Inside the Museum: Introduction
1. Confronting Fashion's Death Drive: Conservation, Ghost Labor, and the
Material Turn within Fashion Curation.
Sarah Scaturro
2. Permanence and Impermanence: Curating Western Textiles & Fashion at the
Royal Ontario Museum
Alexandra Palmer
3. Unfamiliar places, local voices: Four emerging curatorial narratives in
Australia (2010-2016)
Robyn Healey
4. Fashion curation at MoMu: Digital challenges
Kaat Debo
II. The Independents
The Independents: Introduction
5. Props and Other Attributes: Fashion and Exhibition-making
Judith Clark
6. Staging Fashion in Somerset House, London
Alistair ONeill
7. Boutique Where Art and Fashion Meet. Curating as collaboration and as
cultural critique
Annamari Vänskä
8. From Lesbian and Gay to Queer: Challenging the Hegemony in Collecting and
Exhibiting LGBT Fashion and Dress
Shaun Cole
9. Intervening Fashion: A case for feminist approaches to fashion curation.
Nathalie Khan
III. Beyond the Museum
Beyond the Museum: Introduction
10. Fashion museums and fashion exhibitions in Italy. New perspectives in
Italian fashion studies
Simona Segre Reinach
11. Beyond Garments: Reorienting the Practice and Discourse of Fashion
Curating
Marco Pecorari
12. Fashion curates art: Takashi Murakami for Louis Vuitton
Peter Bengtsen
13. Artification and Authenticity: Museum Exhibitions of Luxury Fashion
Brands in China
Yuli Bai
Hazel Clark is Professor of Design Studies and Fashion Studies, and Research Chair of Fashion at Parsons School of Design, The New School, New York, USA.
Annamari Vänskä is Professor of Fashion Research at the Aalto University, Finland, and Adjunct Professor of Art History and Gender Studies at the University of Helsinki, Finland. She is also a Visiting Professor at Shanghai College of Fashion, Donghua University, China.
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