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Fashion Design: The Complete Guide 2nd edition [Minkštas viršelis]

(Winchester School of Art at the University of Southampton, UK)
  • Formatas: Paperback / softback, 168 pages, aukštis x plotis x storis: 268x208x16 mm, weight: 581 g, 150 colour illus
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1350116572
  • ISBN-13: 9781350116573
  • Formatas: Paperback / softback, 168 pages, aukštis x plotis x storis: 268x208x16 mm, weight: 581 g, 150 colour illus
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1350116572
  • ISBN-13: 9781350116573
"From researching new concepts to incorporating sustainable practices into design, production and distribution - this is the ultimate introduction to the fashion industry"--

From the first sketch to handling a prototype, Fashion Design: The Complete Guide is an all-inclusive overview of the entire design process. This second edition begins with an exploration of fashion in the context of different histories and cultural moments, before fashion designer, and educator John Hopkins walks you through fashion drawing, colour, fibres, research methods, and studio must-knows such as pattern making, draping and fitting. You'll also learn how to develop your portfolio and practice as a professional designer. Each of the six chapters ends with activities to help you hone your skills.

Interviewees include Stefan Siegel (founder and CEO of Not Just A Label), Maggie Norris (Founder of Maggie Norris Couture and former designer at Ralph Lauren), Samson Soboye (Creative Director and Founder of Soboye Boutique) and Jessica Bird (a fashion illustrator, whose clients include Vivienne Westwood and matchesfashion.com). With discussion of the evolving role of social media and the practicalities of incorporating sustainability at the centre of the design process this is an essential text for any aspiring fashion designer.

Daugiau informacijos

From researching new concepts to incorporating sustainable practices into design, production and distribution - this is the ultimate introduction to the fashion industry.
Introduction viii
1.0 Fashion in context
1(26)
Understanding fashion
2(1)
Fashion as change
3(1)
Fashion design, gender and the body
4(2)
Historical timeline of fashion
6(3)
Orientalism
9(1)
Fashion and modernism
10(2)
Postmodern fashion and deconstruction
12(2)
Supply chain
14(1)
Sustainability
14(1)
Fashion capitals
15(1)
Cultural currency
16(1)
Fashion identities
16(1)
Modest fashion
17(1)
Fashion as communication
17(5)
Q&A Samson Soboye
22(2)
Discussion questions & Activities
24(1)
Further reading
25(2)
2.0 Visual language of fashion
27(24)
Understanding the fashion figure
28(1)
Figurative drawing in fashion
28(1)
Proportion
29(1)
Balance and flow
30(1)
Line quality
30(1)
Working drawings
31(1)
Developing poses and gestures
32(1)
Fashion heads, faces and hair
33(1)
Arms, legs, hands and feet
34(1)
Silhouettes
35(1)
The male fashion figure
36(1)
Drawing men
37(1)
Drawing media for fashion
38(2)
Technical drawings
40(1)
Fashion flats
41(1)
CAD for fashion design
42(1)
Fashion illustration
43(3)
Q&A Jessica Bird
46(2)
Discussion questions & Activities
48(1)
Further reading
49(2)
3.0 Colour and fabrics
51(32)
Colour in context
52(1)
Colour theory
53(1)
Saturation
53(1)
Hue
53(1)
Value
54(1)
Additive colours
54(1)
Suhtractive colours
54(1)
Colour schemes
55(1)
Colourways
56(1)
Colour palettes
56(1)
Working with colour
56(2)
Working with print in fashion design
58(1)
Seasonal palettes
59(1)
Colour forecasting
59(1)
Fashion and material culture
60(1)
Selecting fabrics and materials
60(1)
Fibres
61(1)
Natural fibres
61(2)
Manufactured fibres
63(1)
Organic and eco-friendly options
64(2)
Technological materials
66(1)
Fashion fabrics
67(1)
Alternative processes
68(1)
Finish
69(1)
Designing for fabrics
69(1)
Fabric awareness
69(1)
Weight
70(2)
Width
72(1)
Colour
72(1)
Finish
72(1)
Price
72(1)
Working with knitwear in fashion design
73(1)
Sustainable futures
74(1)
Sustainable by design
75(1)
Q&A Andrew Bell
76(3)
Discussion questions & Activities
79(1)
Further reading
80(3)
4.0 Research and design
83(22)
Research for fashion design
84(1)
Creativity and fashion design
85(1)
Object and image analysis
85(2)
Research process
87(2)
Sources of research and inspiration
89(1)
Museums and exhibitions
90(3)
Vintage garments
93(1)
Muse
94(1)
Zero waste design
95(1)
Street style
95(1)
Textile samples and techniques
96(1)
Working with sketchbooks
97(1)
Developing a sketchbook
98(1)
Q&A Aurelie Fontan
99(3)
Discussion questions & Activities
102(1)
Further reading
103(2)
5.0 Concept to prototype
105(22)
The fashion studio
106(1)
Sizing and measurements
106(2)
Taking measurements
108(1)
Pattern making
108(1)
Sample pattern
109(3)
Drafting a pattern no Draping no Draping techniques
112(1)
Sewing
113(1)
Machine sewing
114(1)
The toile
115(1)
How to use a toile/muslin
116(1)
Fittings and finishings
117(1)
Fit
117(1)
Ease
117(1)
Finishing
118(3)
The prototype sample
121(1)
Developing prototypes
121(1)
Q&A Maggie Norris
122(2)
Discussion questions & Activities
124(1)
Further reading
125(2)
6.0 Portfolio and professional practice
127(23)
Professional contexts
128(1)
Fashion design and technology
129(1)
Fashion design portfolios
130(1)
Developing a portfolio
131(2)
Personal promotion
133(1)
Job roles and career paths
134(2)
Womenswear designer
136(1)
Menswear designer
137(6)
Fashion design futures
143(3)
Q&A Stefan Siegel, Not Just A Label
146(2)
Discussion questions & Activities
148(1)
Further reading
149(1)
Conclusion 150(1)
Acknowledgements 151(1)
Index 152
John Hopkins is a principal teaching fellow of fashion design within the Winchester School of Art at the University of Southampton, UK. He has previously worked as a fashion designer for prestigious British luxury brands such as Jaeger and Burberry.