Introduction |
|
viii | |
|
|
1 | (26) |
|
|
2 | (1) |
|
|
3 | (1) |
|
Fashion design, gender and the body |
|
|
4 | (2) |
|
Historical timeline of fashion |
|
|
6 | (3) |
|
|
9 | (1) |
|
|
10 | (2) |
|
Postmodern fashion and deconstruction |
|
|
12 | (2) |
|
|
14 | (1) |
|
|
14 | (1) |
|
|
15 | (1) |
|
|
16 | (1) |
|
|
16 | (1) |
|
|
17 | (1) |
|
|
17 | (5) |
|
|
22 | (2) |
|
Discussion questions & Activities |
|
|
24 | (1) |
|
|
25 | (2) |
|
2.0 Visual language of fashion |
|
|
27 | (24) |
|
Understanding the fashion figure |
|
|
28 | (1) |
|
Figurative drawing in fashion |
|
|
28 | (1) |
|
|
29 | (1) |
|
|
30 | (1) |
|
|
30 | (1) |
|
|
31 | (1) |
|
Developing poses and gestures |
|
|
32 | (1) |
|
Fashion heads, faces and hair |
|
|
33 | (1) |
|
Arms, legs, hands and feet |
|
|
34 | (1) |
|
|
35 | (1) |
|
|
36 | (1) |
|
|
37 | (1) |
|
Drawing media for fashion |
|
|
38 | (2) |
|
|
40 | (1) |
|
|
41 | (1) |
|
|
42 | (1) |
|
|
43 | (3) |
|
|
46 | (2) |
|
Discussion questions & Activities |
|
|
48 | (1) |
|
|
49 | (2) |
|
|
51 | (32) |
|
|
52 | (1) |
|
|
53 | (1) |
|
|
53 | (1) |
|
|
53 | (1) |
|
|
54 | (1) |
|
|
54 | (1) |
|
|
54 | (1) |
|
|
55 | (1) |
|
|
56 | (1) |
|
|
56 | (1) |
|
|
56 | (2) |
|
Working with print in fashion design |
|
|
58 | (1) |
|
|
59 | (1) |
|
|
59 | (1) |
|
Fashion and material culture |
|
|
60 | (1) |
|
Selecting fabrics and materials |
|
|
60 | (1) |
|
|
61 | (1) |
|
|
61 | (2) |
|
|
63 | (1) |
|
Organic and eco-friendly options |
|
|
64 | (2) |
|
|
66 | (1) |
|
|
67 | (1) |
|
|
68 | (1) |
|
|
69 | (1) |
|
|
69 | (1) |
|
|
69 | (1) |
|
|
70 | (2) |
|
|
72 | (1) |
|
|
72 | (1) |
|
|
72 | (1) |
|
|
72 | (1) |
|
Working with knitwear in fashion design |
|
|
73 | (1) |
|
|
74 | (1) |
|
|
75 | (1) |
|
|
76 | (3) |
|
Discussion questions & Activities |
|
|
79 | (1) |
|
|
80 | (3) |
|
|
83 | (22) |
|
Research for fashion design |
|
|
84 | (1) |
|
Creativity and fashion design |
|
|
85 | (1) |
|
Object and image analysis |
|
|
85 | (2) |
|
|
87 | (2) |
|
Sources of research and inspiration |
|
|
89 | (1) |
|
|
90 | (3) |
|
|
93 | (1) |
|
|
94 | (1) |
|
|
95 | (1) |
|
|
95 | (1) |
|
Textile samples and techniques |
|
|
96 | (1) |
|
|
97 | (1) |
|
|
98 | (1) |
|
|
99 | (3) |
|
Discussion questions & Activities |
|
|
102 | (1) |
|
|
103 | (2) |
|
|
105 | (22) |
|
|
106 | (1) |
|
|
106 | (2) |
|
|
108 | (1) |
|
|
108 | (1) |
|
|
109 | (3) |
|
Drafting a pattern no Draping no Draping techniques |
|
|
112 | (1) |
|
|
113 | (1) |
|
|
114 | (1) |
|
|
115 | (1) |
|
How to use a toile/muslin |
|
|
116 | (1) |
|
|
117 | (1) |
|
|
117 | (1) |
|
|
117 | (1) |
|
|
118 | (3) |
|
|
121 | (1) |
|
|
121 | (1) |
|
|
122 | (2) |
|
Discussion questions & Activities |
|
|
124 | (1) |
|
|
125 | (2) |
|
6.0 Portfolio and professional practice |
|
|
127 | (23) |
|
|
128 | (1) |
|
Fashion design and technology |
|
|
129 | (1) |
|
Fashion design portfolios |
|
|
130 | (1) |
|
|
131 | (2) |
|
|
133 | (1) |
|
Job roles and career paths |
|
|
134 | (2) |
|
|
136 | (1) |
|
|
137 | (6) |
|
|
143 | (3) |
|
Q&A Stefan Siegel, Not Just A Label |
|
|
146 | (2) |
|
Discussion questions & Activities |
|
|
148 | (1) |
|
|
149 | (1) |
Conclusion |
|
150 | (1) |
Acknowledgements |
|
151 | (1) |
Index |
|
152 | |