Atnaujinkite slapukų nuostatas

El. knyga: Fashion, Desire and Anxiety: Image and Morality in the Twentieth Century

3.55/5 (55 ratings by Goodreads)

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Fashion and the glossy magazines it inhabits allows Western culture to dream. Fashion permits a person to fantasize and to experiment with new identities. It flaunts glamour and success; appearance becomes something to be perfected and admired. These dreams and freedoms, Rebecca Arnold proposes, are contradictory. Fashion and its surrounding imagery elicit fear and anxiety in their consumers as well as pleasure. Fashion has come to incorporate the underside of modern life with violence and decay becoming a dominating theme in clothing design and photography.
Rebecca Arnold draws on diverse written sources to explore the complex nature of modern fashion. She discusses a range of key themes: how fashion uses and abuses the power of wealth; the alienating promotion of 'good' taste; the rising tide of aggression in fashion imagery and street styles; the power-plays of sex and display; and how identities can be blurred to disguise and confuse. Generously illustrated, Fashion, Desire and Anxiety focuses on the last thirty years, from photographic works of the 1970s such as those by Guy Bourdin and Helmut Newton, who set models against backdrops of tarnished glamour, to the decade of threatening femmes fatales conceived by designers Alexander McQueen and John Galliano. It sets the designers and photographers discussed into their historical and cultural contexts to unravel the contradictory emotions of desire and anxiety which they provoke.

This text argues that fashion and the imagery surrounding it give us a vision of Western culture that is both enticing and alienating. Rebecca Arnold exlores the complex nature of modern fashion, attempting to unravel the contradictory emotions of desire and anxiety that it provokes.