Much has been written about the transformation of China from being a clothing-manufacturing site to a fast-rate fashion consuming society. Less, however, has been written on the process of making Chinese fashion. The expert contributors to Fashion in Multiple Chinas explore how the many Chinese fashions operate across the widespread, fragmented and diffused, Chinese diaspora. They confront the idea of Chinese nationalism as `one nation', as well as of China as a single reality, in revealing the realities of Chinese fashion as diverse and comprising multiple practices. They also demonstrate how the making of Chinese fashion is composed of numerous layers, often involving a web of global entanglements between manufacturing and circulation, retailing and branding. They cover the mechanics of the PRC fashion industry, the creative economy of Chinese fashion, its retail and branding, and the cultural identity of Chinese fashion from the diasporas comprising the transglobal landscape of fashion production.
Daugiau informacijos
Much has been written about the transformation of China from being a clothing-manufacturing site to a fast-rate fashion consuming society.
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| Acknowledgements |
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1 Fashion-Making in the Transglobal Landscape |
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1 | (14) |
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Part I People's Republic of China's Fashion Industry |
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2 Textiles and Apparel in the Mao Years: Uniformity, Variety and the Limits of Autarchy |
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15 | (29) |
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3 Local Productions, Global Connections: Making Fashion in China |
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44 | (25) |
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4 Designed in China: Multiple Approaches to Fashion and Retail |
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69 | (25) |
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5 `Creative Economy' in China: A Case Study of Shanghai's Fashion Industries |
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94 | (29) |
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Part II Fashion in Other Chinas |
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6 Beneath the Co-created Chinese Fashion: Translocal and Transcultural Exchange Between China and Hong Kong |
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123 | (27) |
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7 Multiple Faces of Cosplay: Raiding the Dressing-Up Box across the China Region |
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150 | (25) |
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8 Hybrid Fashion: A Study of Singapore's Cosmopolitan Identity from the 1950s to the Present |
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175 | (24) |
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Part III Chinese Fashion and the West |
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9 Chinese Fashion Designers: Becoming International |
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199 | (22) |
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10 Romeo Gigli Reborn in China? |
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221 | (20) |
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| Bibliography |
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241 | (16) |
| Contributors |
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257 | (6) |
| Index |
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263 | |
Wessie Ling is Professor of Transcultural Art and Design at London Metropolitan University and the Director of the Research Centre for Creative Arts, Cultures and Engagement (CREATURE). She was ASEAN Research Fellow at Mahidol University, Rita Bolland Fellow at Nationaal Museum van Wereculturen and inaugural Research Fellow at LASALLE College of the Arts. Author of Fusionable Cheongsam, she has written widely on fashion making of China. Her co-edited special journal issues include Modern Italy on Italianerie: Transculturality, Co-creation and Transforming Identities between Italy and Asia, and ZoneModa Journal on Global Fashion, and Fashion Theory, and The Journal of Dress, Body & Culture on Global China. She serves on the editorial board of Critical Studies in Fashion & Beauty, Clothing Cultures, and ZoneModa Journal. She is the co-editor of the long running series, Studies in Design and Material Culture.
Simona Segre-Reinach is cultural anthropologist and associate professor of Fashion Studies at Bologna University. She has written on fashion from a global perspective in the books such as Berg Encyclopedia of World Dress and Fashion, The Fashion History Reader, Fashion Media: Past and Present, Biki. French Visions for Italian Fashion, and The Cambridge Global History of Fashion. She is a member of the Editorial Board of Fashion Theory, Critical Studies in Fashion and Beauty, Anthem Studies in Fashion, Dress Cultures and China Matters. She curated the fashion exhibitions 80's-90's Facing Beauties. Italian Fashion and Japanese Fashion at a Glance at Rimini Museum, Jungle: The Imagery of Animals in Fashion at Torino Venaria Reale and Rodrigo Pais Sguardi sulla moda at Bologna BUB.
