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Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500-1800 [Kietas viršelis]

4.20/5 (9 ratings by Goodreads)
Edited by (Professor of Renaissance Studies, King's College London)
  • Formatas: Hardback, 400 pages, aukštis x plotis x storis: 242x163x32 mm, weight: 1180 g, Colour illustrations throughout
  • Serija: Pasold Studies in Textile History 18
  • Išleidimo metai: 23-Feb-2017
  • Leidėjas: Oxford University Press
  • ISBN-10: 019873817X
  • ISBN-13: 9780198738176
Kitos knygos pagal šią temą:
Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500-1800Didesnis paveikslėlis
  • Formatas: Hardback, 400 pages, aukštis x plotis x storis: 242x163x32 mm, weight: 1180 g, Colour illustrations throughout
  • Serija: Pasold Studies in Textile History 18
  • Išleidimo metai: 23-Feb-2017
  • Leidėjas: Oxford University Press
  • ISBN-10: 019873817X
  • ISBN-13: 9780198738176
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780198738176.html
Raktažodžiai:
How did fashion work in Europe before modern media? Why were beards suddenly stylish after 1500? Why did the ruff come in and out of use in the sixteenth and seventeenth centuries? Why did men from Spain to Sweden suddenly decide to adopt wigs around 1660 only to drop them less than fifty years later? How did manufacturers and merchants encourage and then respond to changing demands for colourful printed patterns and new cuts and styles of tailoring in the seventeenth and eighteenth centuries? As importantly, why were others unsuccessful in terms of their cross-European adoption? This book explores the ways in which men, women, state industries, guilds and entrepreneurs in early modern Europe created, innovated and promoted new textiles, novel products and unusual forms of dress. Challenging conventional explanations that explain fashion as spreading from the court elite downwards, it demonstrates the complexity of the relationships that made fashions successful.

Recenzijos

Overall, changing styles are interpreted in front of a wide continental backdrop of politics, law, religion, trade, science, and technology. Useful bibliography of 41 pages of primary/secondary sources and unpublished papers....Highly recommended. * B.B. Chico, CHOICE * It is rare to find an edited volume of such consistently high caliber across its contributions. ... The high-quality production of the volume with its generous colour illustrations of portraits and genre paintings, furniture and decorative objects, fashion albus and sample fabric books, individual garments and accessories brings this point home, beautifully evoking the materiality of early modern fashion * Laura R. Bass, Bulletin of the Comediantes * Important and original volume...Fashioning the Early Modern is beautifully illustrated and offers a wide geographical range. * Ulinka Rublack, Times Literary Supplement * [ The book] offers a welcome variety of approaches to the history of dress and textiles. It is hoped [ it may] now encourage future research into the cultural anthropology of human clothing, an area that has yet to be fully integrated into the study of the history of dress. * Jane Bridgeman, The Art Newspaper *

List of Illustrations
viii
List of Figures
xiii
List of Tables
xiv
Acknowledgements xv
Introduction 1(32)
Evelyn Welch
PART I Innovation
1 Fashion and Innovation in Early Modern Europe
33(24)
John Styles
2 Governing Innovation: The Political Economy of Textiles in the Eighteenth Century
57(30)
Giorgio Riello
Object In Focus I A Robe A L'Anglaise Retroussee
83(4)
Johannes Pietsch
3 Easy Innovation in Early Modern Europe
87(24)
Evelyn Welch
Juliet Claxton
4 Innovation and Tradition at the Court of Philip IV of Spain (1621--1665): The Invention of the Golilla and the Guardainfante
111(32)
Amanda Wunder
Object In Focus II The Mouche Or Beauty Patch
135(4)
Corinne Thepaut-Cabasset
Object In Focus III AN EIGHTEENTH-CENTURY ENGLISH CAMPAIGN WIG
139(4)
Emma Markiewicz
5 Dress, Dissemination, and Innovation: Artisan Fashions in Sixteenth- and Early Seventeenth-Century Italy
143(26)
Paula Hohti
PART II Reputation and Dissemination
6 A Glittering Reputation: Gaultier's Retailing Innovations in Seventeenth-Century Paris
169(18)
Corinne Thepaut-Cabasset
7 Making a Reputation from Innovation: Silk Designers in Lyon, 1660--1789
187(36)
Lesley Ellis Miller
Object In Focus IV The Miniature Suit
215(4)
Corinne Thepaut-Cabasset
Object In Focus V John Kelly's Counterpart Book Of Patterns
219(4)
Clare Browne
8 `Beauty in Search of Knowledge': Eighteenth-Century Fashion and the World of Print
223(32)
Peter McNeil
9 Caricature and Fashion Critique on the Move: Establishing European Print and Fashion Culture in Eighteenth-Century Sweden
255(28)
Patrik Steorn
Object In Focus VI An Incredible Fan
279(4)
Patrik Steorn
Peter McNeil
10 Framing Early Modern Knitting
283(38)
Maj Ringgaard
Object In Focus VII The Knitted Sugar-Loaf Hat
313(4)
Maj Ringgaard
Object In Focus VIII Gustav Vasa's Cinnamon Cane
317(4)
Patrik Steorn
11 Filtering Impressions: Encounters with Fashionable Goods in Danish Everyday Life in the Eighteenth Century
321(34)
Mikkel Venborg Pedersen
Object In Focus IX A Man's Banyan
349(6)
Moira Thunder
12 Fashion in a Restricted Market: European Commodities in Greenland in the Eighteenth and Nineteenth Centuries
355(30)
Peter Andreas Toft
Bibliography 385(42)
Notes on Contributors 427(6)
Index 433
Evelyn Welch is Professor of Renaissance Studies in the History Department at King's College London. A specialist in Renaissance and Early Modern history and its material remains, she has published extensively on Italian and European consumption practices. She is the author of Shopping in the Renaissance (Yale University Press, 2005) which won the Wolfson Prize for History and, with Dr James Shaw, Making and Marketing Medicine in Renaissance Florence (Rodopi Press, 2011). Between 2009- and 2012, Professor Welch led the Humanities in the European Research Area project, Fashioning the Early Modern: Creativity and Innovation in Europe, 1500-1800.