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Fashioning the Future in Roman Greece: Memory, Monuments, Texts [Kietas viršelis]

(Lecturer in Classics, Australian National University)
  • Formatas: Hardback, 394 pages, aukštis x plotis x storis: 253x198x22 mm, weight: 1024 g, 83 photographs and other half tones
  • Serija: Oxford Studies in Ancient Culture Representation
  • Išleidimo metai: 09-Feb-2023
  • Leidėjas: Oxford University Press
  • ISBN-10: 0192866109
  • ISBN-13: 9780192866103
  • Formatas: Hardback, 394 pages, aukštis x plotis x storis: 253x198x22 mm, weight: 1024 g, 83 photographs and other half tones
  • Serija: Oxford Studies in Ancient Culture Representation
  • Išleidimo metai: 09-Feb-2023
  • Leidėjas: Oxford University Press
  • ISBN-10: 0192866109
  • ISBN-13: 9780192866103
Fashioning the Future in Roman Greece: Memory, Monuments, Texts uses literature, inscriptions, art, and architecture to explore the relationship of elite Greeks of the Roman imperial period to time. This wide-ranging work challenges conventional thinking about the temporal positioning of imperial Greece and the so-called 'Second Sophistic', which holds that it was obsessed above all with the Classical past. Instead, the volume establishes that imperial Greek temporality was far more complex than scholarship has previously allowed by detailing how contemporary cultural output used the past to position itself within tradition but was crafted to speak to the future. At the same time, the book emphasizes the value of interdisciplinary analysis in any explication of elite culture in Roman Greece, since abundant extant evidence reveals its purveyors were often responsible for the production of both literature and material culture. Strazdins shows how these two modes of cultural
production in the hands of elites, such as Herodes Atticus, Arrian, Aelius Aristides, Lucian, Dio Chrysostom, Polemon, Pausanias, and Philostratus, exhibit a shared rhetoric oriented towards posterity and informed by a heightened awareness of the fragility of cultural and personal memory over large spans of time. The book thus provides a sophisticated analysis of the tensions, anxieties, and opportunities that attend the fashioning of commemorative strategies against the background of the 'Second Sophistic' and the Roman empire, and details the consequences of embroilment with futurity on our understanding of the cultural and political concerns of elite imperial Greeks.

Recenzijos

The book is well informed and thoroughly researched; and despite the richness of details and the sophistication of the thesis developed, it is captivating and pleasant to read. Ancient evidence, both literary and material, is treated with great accuracy, several illustrations are provided, and the bibliography is vast and up to date... The book achieves its aim of drawing out the tensions, preoccupations and interests (which were certainly not one-sided) of the Greek imperial elite; by doing so it offers a remarkable contribution to the understanding of their political and cultural agenda, and, ultimately, of their historical role under the Roman empire. * Giorgia Proietti, The Classical Review * This remarkable book ... brings together literary, epigraphic and archaeological material to make the case that the Greeks living under the Empire--or at least the elite who produced the literature and set up the monuments--were profoundly concerned with posterity and went to considerable effort to shape the reception of their cultural legacy by future generations ... [ The author's interpretations] combine to create a powerful, cohesive and convincing picture of a Roman period Greek elite that was deeply concerned that they should not be forgotten. * Christopher P. Dickenson, Bryn Mawr Classical Review * Strazdins writes clearly and persuasively, and supports her argument with judicious use of 83 photos and drawings. Scholars and students of the Second Sophistic will profit much from this work. * Choice *

List of Figures
xi
Abbreviations xxi
A Note on Names xxiii
1 The Future and the 'Second Sophistic'
1(28)
PART I GLORIOUS PAST, TENSE PRESENT, PENDING FUTURE
2 Back to the Future
29(48)
2.1 Postclassicism, the Canon, and the Future
30(18)
2.1.1 Temporality, Sublimity, and Canonicity in On the Sublime
30(7)
2.1.2 Temporality, Beauty, and Culture in Dio Chrysostom's Oration 21
37(3)
2.1.3 Competitive and Passive Imitation in Theory and Practice
40(8)
2.2 Remaking Space, Time, and Memory in Arrian's Periplous
48(11)
2.3 Novelty and the Problem of Audience with Philostratos and Lucian
59(8)
2.4 Creating Original Artistic Space in Aelius Aristeides' Sacred Tales
67(8)
2.5 Conclusion
75(2)
3 Monuments and Rhetorical Materiality
77(46)
3.1 Material Memories
79(26)
3.2 Textual Curation of Artefactual Memory
105(10)
3.3 Rhetorical Materiality
115(4)
3.4 Conclusion
119(4)
PART II TEXTUAL MONUMENTS AND MONUMENTAL TEXTS
4 The Epitaphic Habit
123(71)
4.1 Speech, Text, Monument
124(12)
4.2 Authority and Dominion: Boundaries and Limina
136(23)
4.2.1 Revising Alexander's Altars in Philostratos' In Honour of Apollonios of Tyana
138(4)
4.2.2 Transposing the Pillars of Herakles in Lucian's True Stories
142(5)
4.2.3 Reshaping Spatial Memory with Herodes' Herms
147(12)
4.3 Arrian, Alexander, and the Textual Appropriation of Memory
159(15)
4.3.1 The Tomb of Achilles
161(5)
4.3.2 The Tomb of Kyros
166(8)
4.4 Herodes Attikos and the Physical Appropriation of Memory
174(18)
4.5 Conclusion
192(2)
5 Commemoration Embodied
194(53)
5.1 Statue Honours and Their Limitations
194(13)
5.2 Amplification: Statue Programmes on Monuments
207(10)
5.3 Imaginary Spaces of Honour
217(4)
5.4 Replication
221(16)
5.5 Animation and Writing
237(6)
5.6 Conclusion
243(4)
PART III CONTROLLING THE FUTURE?
6 The King of Athens
247(58)
6.1 The Isthmus of Corinth: Hero, King, Tyrant, God?
251(5)
6.2 Sophistic Tyranny, Imperial Democracy
256(9)
6.3 The King of Words
265(2)
6.4 Roman Philosopher, Greek Tyrant
267(10)
6.5 Herodes and Theseus
277(25)
6.6 Conclusion
302(3)
7 The Politics of Posterity
305(4)
Bibliography 309(38)
General Index 347(13)
Index Locorum 360
Estelle Strazdins is Lecturer in Classics at the Australian National University. Her research revolves around Greek literature and material culture of the Roman Imperial period and early European travellers to Ottoman lands. Prior to coming to ANU, she was Lecturer in Greek History at the University of Queensland, a Research Associate at the University of Cambridge, a Research Fellow at the Australian Archaeological Institute at Athens, and completed her DPhil at the University of Oxford.