Atnaujinkite slapukų nuostatas

Fashioning Professionals: Identity and Representation at Work in the Creative Industries [Minkštas viršelis]

Edited by (University of Applied Arts, Vienna, Austria), Edited by (London College of Fashion, University of the Arts, London, UK)
  • Formatas: Paperback / softback, 224 pages, aukštis x plotis: 234x156 mm, weight: 322 g, 21 bw illus
  • Išleidimo metai: 19-Sep-2019
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1350129275
  • ISBN-13: 9781350129276
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 224 pages, aukštis x plotis: 234x156 mm, weight: 322 g, 21 bw illus
  • Išleidimo metai: 19-Sep-2019
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1350129275
  • ISBN-13: 9781350129276
Kitos knygos pagal šią temą:

From artist to curator, couturier to fashion blogger, 'creative' professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities.

Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy.
Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

Recenzijos

An excellent resource for scholars who are interested in fashion, representation, and identity ... Provides insight into the fragile, and fluctuating nature of in the creative industries and as such, will be of interest to readers from a variety of fields. * The Journal of Dress History * Pulling together far reaching ideas with the concept of fashioning, the authors open the analysis beyond the usual suspects of dress, the fashion system, or self-expression ... the essays collected here will please and challenge readers from a broad swathe of scholarly fields. -- from the Foreword by Elizabeth Wissinger, Professor of Sociology, City University of New York, USA Exploring design, fashion, architecture, and art, this series of essays offers new and provoking insights into shifting conceptions of professional identities in the creative industries. -- Cheryl Buckley, University of Brighton, UK

Daugiau informacijos

Explores the representation of professionals in creative industries from fashion to art to examine changing professional identities from the early 20th century to the digital age.
List of Illustrations
vii
List of Contributors
ix
Acknowledgements xi
Foreword xii
Elizabeth Wissinger
Introduction: Fashioning Professionals: History, Theory and Method 1(26)
Leah Armstrong
Felice McDowell
PART ONE INVENTING
27(56)
1 Media in the Museum: Fashioning the Design Curator at the Boilerhouse Gallery, Victoria and Albert Museum, London
29(22)
Liz Farrelly
2 Fashioning Pop: Stylists, Fashion Work and Popular Music Imagery
51(14)
Rachel Lifter
3 The Labour of Fashion Blogging
65(18)
Agnes Rocamora
PART TWO NEGOTIATING
83(60)
4 Fashioning Professional Identity in the British Advertising Industry: The Women's Advertising Club of London, 1923-1939
85(18)
Philippa Haughton
5 Satirical Representations of the Bauhaus Architect in Simplicissimus Magazine
103(18)
Isabel Rousset
6 The Self as an Art-Work: Performative Self-Representation in the Life and Work of Leonor Fini
121(22)
Andrea Kollnitz
PART THREE MAKING
143(59)
7 Designer Unknown: Documenting the Mannequin Maker
145(18)
June Rowe
8 Fashioning the Contemporary Artist: The Spatial Biography of Sue Tompkins
163(18)
Caroline Stevenson
9 The Maker 2.0: A Craft-Based Approach to Understanding a New Creative Identity
181(21)
Catharine Rossi
Index 202
Felice McDowell is Associate Lecturer in Cultural and Historical Studies at the London College of Fashion, and Central Saint Martins, University of the Arts London, UK.

Leah Armstrong is Senior Lecturer in Design History at the University of Applied Arts, Vienna, Austria.