Atnaujinkite slapukų nuostatas

Feeling, Skill and Knowledge: Semiotics of the Subject in Environment, Culture and World [Kietas viršelis]

Edited by , Edited by , Edited by
  • Formatas: Hardback, 371 pages, aukštis x plotis: 235x155 mm, 25 Illustrations, color; 18 Illustrations, black and white; V, 371 p. 43 illus., 25 illus. in color., 1 Hardback
  • Serija: Numanities - Arts and Humanities in Progress 32
  • Išleidimo metai: 17-Sep-2025
  • Leidėjas: Springer International Publishing AG
  • ISBN-10: 3031959981
  • ISBN-13: 9783031959981
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 371 pages, aukštis x plotis: 235x155 mm, 25 Illustrations, color; 18 Illustrations, black and white; V, 371 p. 43 illus., 25 illus. in color., 1 Hardback
  • Serija: Numanities - Arts and Humanities in Progress 32
  • Išleidimo metai: 17-Sep-2025
  • Leidėjas: Springer International Publishing AG
  • ISBN-10: 3031959981
  • ISBN-13: 9783031959981
Kitos knygos pagal šią temą:

Marketing text: 

This edited volume includes contributions from scholars worldwide addressing how feeling, skill, and knowledge are present in the processes of signification, the subject’s life, environment, and culture. Understanding signs, signification and their dynamics are now more crucial than ever as meaning affects how human beings flourish in social systems and societies.  This text focuses on how theories and research into meaning and signification address knowledge, skill, and feeling – three concepts that are central to semiosis. The book is primarily of interest to scholars and students working in psychology, philosophy, communication, cultural studies, the arts – and semiotics.

Chapter
1. Sentient Relations: The Semiotic View on the Subject, Its
Environment, Feelings, Knowledge and Skills.
Chapter
2. Feeling
complementarity: Giorgio Prodi and the biosemiotic analysis of
protosemiosis in nature.
Chapter
3. Physicality in Thinking.
Chapter
4.
Multisensory Processing, Affect and Multimodal manipulation: Investigating
Travel Documentaries.
Chapter
5. Why Reality is Not (Just) Discourse: Ecos
Path to Cognitive Semiotics.
Chapter
6. On the Cognitive, Projective and
Evaluative Functions of Spatial Codes.
Chapter
7. Objective and Subjective
Minds in Sacred-Profane Courtyards through Spatial Semiotics.
Chapter
8.
Everyday Narrations of Urban Green: Values of Green Areas in Users Digital
Georeferenced Comments.
Chapter
9. Flat Earth Cartosemiotics and Modelling.-
Chapter
10. The Rumor Phenomenon in the Society of Knowledges and Itsn
Ontological  Status in Semiotics.
Chapter
11. Online Memetic Engagement and
Collective Memory: The Case of Lying Flat.
Chapter
12. Affect as
Discursive Practice and Beyond.
Chapter
13. Assimilation or Annihilation?
The failure of cultural translation in Mahasweta Devis Pterodactyl.-
Chapter
14. Easy Signs, Accessible Signs, Perhaps More Developed
Signs:Reflections on Easy Language and Translation.
Chapter
15. Storying
Humans Brimming Over: To Emote, to Show, to Tell, to Write, or ChatGPT.-
Chapter
16. Unable to Articulate Feelings? Alexithymia in the Context of
Thure von Uexkülls Integrated Medicine.
Chapter
17. The Naming of Pilates
Exercises as an Endeavor to Create Meaning.
Chapter
18. Observing Inner
Speech in Meaning-Making Through Visual Artistic Texts.
Chapter
19.
Ecosemiotic Theatre: Using Forest Modelling to Activate Skills ofnFeeling and
Knowing.
Chapter
20. Meaning and Context in the Electronic Dance Pop Album
Trouble in Paradise by La Roux.
Chapter
21. Music and Indigenous Knowledge
Systems: A Semiotic Deconstruction of Purulia Chhau of Bengal, India.-
Chapter
22. The Role of Fascia in the Semiotics of Feeling, Skill, and
Knowledge in Contact Improvisation.
Chapter
23. Music Analytical Model of
the Skill of Emotional Contagion: Pride and Benevolence in Mozarts Piano
Concerto K. 466.- chapter
24. Peircean Analysis of Feeling, Skill, and
Knowledge as Determinants of Performers Semiotic Space in WAM.
Chapter
25.
Embodied Polysemiotic Communication: A Cognitive Semiotic Perspective on
Speech and Gestures.
Chapter
26. Making and Coming Together: The Life of
Semiotic Forms in the Light of Aboutness and Engagement.
Chapter
27. On
Ones Semiotic Affinities.
Chapter
28. Feeling and Aesthetic Knowledge
According to Peirce.
Chapter
29. Emotions and Feelings in the
Personal-social Construction of Knowledge.
Juha Ojala, Ph.D., is professor of music performance research at the Sibelius Academy of the University of the Arts Helsinki, docent of musicology at the University of Helsinki, and docent of music education research at the University of Oulu, Finland. He is an editorial board member of the Numanities series, and has contributed to the series both as an author and a reviewer. He is a former editor-in-chief of Musiikki, the journal of the Finnish musicological society, and is a board member of, e.g., the Sibelius Academy peer reviewed book series DocMus Research Publications.  He has published extensively also in semiotics, including the Routledge Handbook of Music Signification (2020) and Semiotics and Its Masters (vol. 2, DeGruyter Mouton 2023).



Dr. Merja Bauters is a research professor of digital transformation and life-long learning at the School of Digital Technologies, Tallinn University, Estonia, and a docent of semiotics at the University of Helsinki, Finland. She has held more than 30 different courses on design, design methods, semiotics and project communication. She has been involved in multiple EU and national projects on learning and technology-enhanced learning. She was the President and member of the editorial board at UMWEB International Association of Semiotics, 20042011, and editor of the book at Springer Nature Link Technology Supported called Active Learning: Student-Centered Approaches.



Dr. Lily Dķaz-Kommonen is professor of new media in the Department of Art and Media at Aalto University and distinguished visiting professor at Hunan University, School of Design. She is on the editorial board of She Ji: The Journal of Design, Economics, and Innovation (Elsevier) and the Journal of Visual Arts Practices (Taylor & Francis). She teaches on the topic of systems of representation in art and design, and has published several books that explore the convergence of new media culture, meaning-making and creative research practices. These include Ubiquitous Computing, Complexity and Culture (Routledge 2015), Adaptation and Convergence of Media (Aalto ARTS Books 2018), and Beyond the Hybrid (RIXC 2024).