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Fictions of Presence: Theatre and Novel in Eighteenth-Century Britain [Kietas viršelis]

  • Formatas: Hardback, 340 pages, aukštis x plotis: 234x156 mm, weight: 630 g
  • Serija: Studies in the Eighteenth Century
  • Išleidimo metai: 21-Aug-2020
  • Leidėjas: The Boydell Press
  • ISBN-10: 1783275588
  • ISBN-13: 9781783275588
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 340 pages, aukštis x plotis: 234x156 mm, weight: 630 g
  • Serija: Studies in the Eighteenth Century
  • Išleidimo metai: 21-Aug-2020
  • Leidėjas: The Boydell Press
  • ISBN-10: 1783275588
  • ISBN-13: 9781783275588
Kitos knygos pagal šią temą:
In the years following the 1737 Licensing Act, the English stage found itself for the first time facing serious competition from the novel - newly respectable and increasingly fashionable. But the story is not one of theatre's decline and the novel's rise. As Ros Ballaster shows in this lively and innovative study, the relationship between the two media was one of an intensely creative and productive rivalry. Novelists sent their heroes to the theatre, dramatists appropriated the plots of popular novels, the celebrity status of actors was advanced through guest appearances in printed prose fictions. Some figures, like Richardson's virtuous serving maid Pamela, or Sterne's eccentric humourist Tristram Shandy, acquired such independent lives in the minds of the public that they migrated into the mainstream of popular culture.
Fictions of Presence describes how major authors of the period - Eliza Haywood, Henry Fielding, Charlotte Lennox and Oliver Goldsmith - spanned both genres. It charts the movement of popular fictional characters between stage and page. And it looks at the representation of contemporary audiences and readers in the new types of the (female) mimic and the (male) critic. Crucially, Ballaster delineates the ground over which the two media competed: the ability to create 'presence' - a sense of being present with the moment of action, of finding 'being' in fictional worlds - in the mind's eye of readers and theatregoers. In so doing, she not only illuminates the shared history of the theatre and the novel, but describes the power of aesthetic experience itself.

ROS BALLASTER is Professor of Eighteenth Century Studies in the Faculty of English, University of Oxford and a Fellow of Mansfield College. She has written extensively on women's writing of the eighteenth and nineteenth centuries, in addition to investigating the effect of oriental culture on literature of the Enlightenment.

An absorbing study of the contested embodiment of the idea of "presence" in the plays and novels of the eighteenth century.

Recenzijos

[ T]his analysis of the theater-novel relationship is significant and goes beyond questions of influence or source study. * CHOICE * Given the insights it offers and the questions it raises, Fictions of Presence is sure to be key reading for scholars of the theatre and novel for years to come. * EIGHTEENTH CENTURY STUDIES *

Acknowledgements ix
Introduction: Being There 1(24)
Part I Authors: Unconcealment and Withdrawal
1 Introducing the Authors
25(10)
2 Eliza Haywood: Authoring Adultery
35(20)
3 Henry Fielding: Ghost Writing
55(20)
4 Charlotte Lennox: (In)dependent Authorship
75(20)
5 Oliver Goldsmith: Keeping Up Authorial Appearances
95(20)
6 From Author to Character
115(6)
Part 2 Characters: Occupying Space
7 Introducing Characters
121(12)
8 Outdoing Character: Lady Townly
133(22)
9 The Sway of Character: Pamela
155(22)
10 The Expanse of Character: Ranger
177(20)
11 The Play of Character: Tristram
197(22)
12 From Character to Consumer
219(6)
Part 3 Consumers: What is Seen
13 Introducing Consumers
225(10)
14 The Mimic
235(20)
15 The Critic
255(20)
Conclusion 275(8)
Bibliography 283(22)
Index 305
ROS BALLASTER is Professor of Eighteenth Century Studies in the Faculty of English, University of Oxford and a Fellow of Mansfield College. She has written extensively on women's writing of the eighteenth and nineteenth centuries, in addition to investigating the effect of oriental culture on literature of the Enlightenment.