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El. knyga: Fiery Temporalities in Theatre and Performance: The Initiation of History

(City University of New York, USA)
  • Formatas: 264 pages
  • Serija: Methuen Drama Engage
  • Išleidimo metai: 14-Jun-2018
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781474281713
Kitos knygos pagal šią temą:
Fiery Temporalities in Theatre and Performance: The Initiation of HistoryDidesnis paveikslėlis
  • Formatas: 264 pages
  • Serija: Methuen Drama Engage
  • Išleidimo metai: 14-Jun-2018
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781474281713
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Fiery Temporalities in Theatre and Performance: The Initiation of History takes up the urgent need to think about temporality and its relationship to history in new ways, focusing on theatre and performance as mediums through which politically innovative temporalities, divorced from historical processionism and the future, are inaugurated. Wickstrom is guided by three temporal concepts: the new present, the penultimate, and kairos, as developed by Alain Badiou, Giorgio Agamben, and Antonio Negri respectively. She works across a field of performance that includes play texts by Aimé Césaire and C.L.R. James, and performances from Ni'Ja Whitson to Cassils, the Gob Squad to William Kentridge and African colonial revolts, Hofesh Schechter to Forced Entertainment to Andrew Schneider and Omar Rajeh. Along the way she also engages with Walter Benjamin, black international and radical thought and performance, Bruno Latour, Stefano Harney and Fred Moten's logistics and the hold, and accelerationism.

Representing a significant contribution to the growing interest in temporality in Theatre and Performance Studies, the book offers alternatives to what have been prevailing temporal preoccupations in those fields. Countering investments in phenomenology, finitude, ghosting, repetition, and return, Wickstrom argues that theatre and performance can create a fiery sense of how to change time and thereby nominate a new possibility for what it means to live.

Recenzijos

The book comes alive in its loving exploration of emblematic performances that blaze thrilling new directions for performance and for the narratives that support them There is a wealth of inspiration here. Summing Up: Highly recommended. * CHOICE * In a wonderful book that sets itself compellingly against death, against tragedy, against the closures and comforts of (theatrical) repetition, Maurya Wickstrom designates the theatre she loves as the source of an irruptive force of initiation. An initiation that is not against anything, that is not mere resistance, but insists instead upon being for something, for something before the end, for revolution, perhaps. Its bold claims are sustained through illuminating attention to the experience of a contemporary theatre that wrestles with its own contemporaneity. -- Nicholas Ridout, Queen Mary, University of London, UK

Daugiau informacijos

A highly sophisticated study of the question of time and temporality as we experience them in the theatre.
Acknowledgments ix
1 Introduction
1(56)
Political Mother: Introductory Remarks on Chronological Time and Changing Time
2(6)
Fire
8(5)
Theatre and Beginnings
13(2)
Initiations of History
15(3)
Processional History, Historicism, and Walter Benjamin's Radical Time
18(6)
The Now, the New, and the Present
24(3)
The Field: In Three Sections
27(15)
Methodology/Positionality
42(3)
The
Chapters
45(12)
2 There Are No More Slaves: The New Present and a Temporal Philosophy of Revolt (Plays on the Haitian Revolution)
57(58)
The Problem with Tragedy
58(4)
C. L. R. James, Communism, and Black International Radicalism
62(5)
Plays on the Haitian Revolution
67(3)
Toussaint Louverture: The Story of the Only Successful Slave Revolt in History
70(20)
The Tragedy of King Christophe
90(25)
3 Changing Time in the Time Before the End
115(58)
You Are Nowhere
120(15)
Refuse the Hour
135(19)
Before Your Very Eyes
154(12)
On the Concept of the Face: Regarding the Son of God
166(7)
4 The Volatility of Time in the Hold: Kairos and the To-Come
173(42)
Real Magic
174(11)
Tiresias
185(15)
Beytna
200(6)
Thoughts in the Time Before the End
206(9)
Notes 215(16)
Bibliography 231(8)
Index 239
MAURYA WICKSTROM is Professor of Theatre at The Graduate Center and College of Staten Island, City University of New York, USA.
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