Atnaujinkite slapukų nuostatas

Figurations and Sensations of the Unseen in Judaism, Christianity and Islam: Contested Desires [Kietas viršelis]

Edited by (University of Oslo, Norway), Edited by (University of Utrecht, the Netherlands)
  • Formatas: Hardback, 352 pages, aukštis x plotis: 234x156 mm, weight: 868 g, 60 colour
  • Serija: Bloomsbury Studies in Material Religion
  • Išleidimo metai: 13-Jun-2019
  • Leidėjas: Bloomsbury Academic
  • ISBN-10: 1350078638
  • ISBN-13: 9781350078635
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 352 pages, aukštis x plotis: 234x156 mm, weight: 868 g, 60 colour
  • Serija: Bloomsbury Studies in Material Religion
  • Išleidimo metai: 13-Jun-2019
  • Leidėjas: Bloomsbury Academic
  • ISBN-10: 1350078638
  • ISBN-13: 9781350078635
Kitos knygos pagal šią temą:

This book is open access and available on www.bloomsburycollections.com. It is funded by the University of Oslo and Utrecht University.

Judaism, Christianity and Islam are known to privilege words over images. This book shows, however, that the reality is more complex. Figurations and Sensations of the Unseen explores the complex procedures used to render the invisible as visible and the elusive as tangible in these three traditions. Working from different disciplinary angles, contributors reflect on figuration and sensation in biblical culture, medieval Jewish culture, the imagination of the unseen in Islamic settings, Christian assaults on 'idolatry' in Africa, baroque and modern Church art, contemporary Eastern Orthodox tradition, photography on the East African coast, European opera and literature, and more.

The book shows that the three religious traditions have formed sensorial regimes: embodied habits, traditions and standards for seeing, sensing, displaying, and figuring that which could not, or should not, be seen. So, the desire for seeing the invisible and experiencing the beyond are paradoxically confirmed, contested and controlled, by the sensorial regimes in vogue. This carries over even into secularized use of religious figurations in arts and literature.

Figurations and Sensations of the Unseen is important reading for scholars of anthropology, religious studies, Jewish studies, Christian studies, Islamic studies, art history, cultural studies, biblical studies and archaeology.

Recenzijos

Ambitious ... highly interesting. * Zeitschriften- und Bücherschau (trans. by Bloomsbury Academic) * This is a bold and ambitious volume, not only in its conceptual scope, but also for its range of disciplinary perspectives and comparative focus. Taken together, the essays convey the vibrancy of religious studies today, as well as the centrality of approaches that take account of materiality and the senses. A must-have book for all serious students of the role of images within Jewish, Christian, and Muslim traditions. -- MATTHEW ENGELKE, Professor of Religion, Columbia University, USA Combining theoretical sophistication with a vital awareness of historical diversity, this book provides a series of refreshing studies of the broad repertoire of mediations of, and contentions over, the unseen realm. It moves beyond the normative preference for the word as the singular canonical medium of Judaism, Christianity and religion and pictorial media. -- LIV INGEBORG LIED, Professor of Religious Studies, MF Norwegian School of Theology, Religion and Society, Norway In the study of visual culture, it is hard to imagine a subject of investigation more important and telling than the tension between invisibility and visibility. For the visual cultures of Christianity, Islam, and Judaism, this book explores that tension with sophistication, precision, and aplomb. It is essential reading. -- SIMON OMEARA, Lecturer in the History of Architecture & Archaeology of the Islamic Middle East, SOAS, University of London, UK

Daugiau informacijos

Argues that the common perception that Judaism, Christianity and Islam are aniconic and text-centered is problematic, and examines practices of figuration and sensation in these traditions.
List of Figures
vii
Notes on Contributors xi
Preface xv
Birgit Meyer
Terje Stordalen
Introduction: Figurations and Sensations of the Unseen in Judaism, Christianity and Islam
1(20)
Birgit Meyer
Terje Stordalen
Part One Reconfiguring the Image Question
1 Imagining Solomon's Temple: Aesthetics of the Non-Representable
21(16)
Terje Stordalen
2 Seeing with the Ear, Recognizing with the Heart: Rethinking the Ontology of the Mimetic Arts in Islam
37(20)
Wendy M. K. Shaw
3 The Hypericon of the Golden Calf
57(20)
Yvonne Sherwood
4 Idolatry beyond the Second Commandment: Conflicting Figurations and Sensations of the Unseen Birgit Meyer
77(22)
Part Two Genealogies of Figuration
5 Beyond `Image Ban' and `Aniconism': Reconfiguring Ancient Israelite and Early Jewish Religion\s in a Visual and Material Religion Perspective
99(25)
Christoph Uehlinger
6 Visual Images in Medieval Jewish Culture before the Age of Art
124(8)
Kalman P. Bland
7 Real Absence: Imagining God in Turco-Persian Book Arts, 1300--1600 CE
132(23)
Christiane J. Gruber
Part Three Figurations and Sensations - Lives and Regimes
8 Aesthetic Sensations of Mary: The Miraculous Icon of Meryem Ana and the Dynamics of Interreligious Relations in Antakya
155(17)
Jens Kreinath
9 The Ahl-i Beyt Bodies: The Mural Paintings of Lahijan in the Tradition of Persian Shiite Figurations
172(13)
Pedram Khosronejad
10 Photographic Practices and the `Aesthetics of Withdrawal' among Muslims of the East African Coast
185(13)
Heike Behrend
11 Moulded Imaginaries: Icons, Idols and the Sensory Environments of Eastern Orthodox Christianity
198(15)
Sonja Luehrmann
Part Four Desires for the Unseen: Art and Religion
12 From Ponte Sant 'Angelo to Basilica di San Pietro: Figuration and Sensation in Bernini's Pilgrimage Route in Rome
213(16)
Oyvind Norderval
13 Figuration and `Aesthetics of the Sublime': Aspects of Their Interplay in Christian Art
229(16)
Else Marie Bukdahl
14 Seeing, Hearing and Narrating Salome: Modernist Sensual Aesthetics and the Role of Narrative Blanks
245(15)
Ulrike Brunotte
15 The Art of Incarnation: Loss and Return of Religion in Houellebecq's Submission
260(15)
Christians Kruse
Afterword: The Visual Culture of Revelation 275(8)
David Morgan
Notes 283(12)
References 295(32)
Index 327
Birgit Meyer is Professor of Religious Studies at the University of Utrecht, The Netherlands.

Terje Stordalen is Professor of Hebrew Bible and Old Testament Studies at the University of Oslo, Norway and Visiting Professor at the Institute of Law, Aalborg University, Denmark.