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El. knyga: Film Noir Compendium: Key Selections from the Film Noir Reader Series

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  • Formatas: EPUB+DRM
  • Serija: Limelight
  • Išleidimo metai: 11-Jan-2024
  • Leidėjas: Limelight Editions
  • Kalba: eng
  • ISBN-13: 9781493082292
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  • Formatas: EPUB+DRM
  • Serija: Limelight
  • Išleidimo metai: 11-Jan-2024
  • Leidėjas: Limelight Editions
  • Kalba: eng
  • ISBN-13: 9781493082292
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This collection brings together 23 readings and 11 case studies from the Film Noir Reader series (along with new illustrations), previously published in the series and drawn from various sources (originally published from 1945 to 2012). They discuss topics like visual and existential motifs, the openings of film noirs, style and content, neo-film noir, film noir as psychodrama, and specific films, such as Kiss Me Deadly, Angel Face, and Phantom Lady. Annotation ©2017 Ringgold, Inc., Portland, OR (protoview.com)

(Limelight). In this essential study of film noir, editors Alain Silver and James Ursini select the most significant and influential articles on the movement from their highly respected Film Noir Reader series and assemble them into a single, convenient, heavily illustrated volume. Still included, of course, are many rare early articles and such seminal essays as Borde and Chaumeton's "Towards a Definition of Film Noir" from Panorama du Film Noir Americain , Paul Schrader's "Notes on Film Noir," and "Paint It Black: the Family Tree of the Film Noir" by Raymond Durgnat. With newer studies such as "Lounge Time" by Vivian Sobchack, "Manufacturing Heroines in Classic Noir Films" by Sheri Chinen Biesen, and "Voices from the Deep: Film Noir as Psychodrama" J. P. Telotte, this collection of over 30 articles probes this most influential American film movement from varying angles: formalist, feminist, structuralist, sociological, and stylistic; narrative-thematic historical, and even from the point of view of a pure aficionado. There is something in this volume for every student or devotee of film noir. Plus like the readers that have proven an invaluable tool for academics planning a syllabus, it can serve as the most complete core text for any of the myriad of film noir courses taught throughout the world.

FILM NOIR COMPENDIUM: KEY SELECTIONS FROM THE FILM NOIR READER SERIES
Acknowledgments 7(3)
Introduction 10(16)
Classic Texts
Crime Certainly Pays on the Screen (1945)
26(6)
Lloyd Shearer
A New Kind of Police Drama: the Criminal Adventure (1946)
32(4)
Nino Frank
Americans Also Make Noir Films (1946)
36(4)
Jean-Pierre Chartier
The Evolution of the Crime Film (1955)
40(10)
Claude Chabrol
Towards a Definition of Film Noir (1955)
50(10)
Raymond Borde
Etienne Chaumeton
Noir Cinema (1968)
60(12)
Charles Higham
Joel Greenberg
Paint it Black: The Family Tree of the Film Noir (1970)
72(16)
Raymond Durgnat
Notes On Film Noir (1972)
88(12)
Paul Schrader
Three Faces of Film Noir (1972)
100(10)
Tom Flinn
Some Visual Motifs of Film Noir (1974)
110(12)
Janey Place
Lowell Peterson
Violence and the Bitch Goddess (1974)
122(10)
Stephen Farber
No Way Out: Existential Motifs in the Film Noir (1976)
132(14)
Robert G. Porfirio
Film Noir: A Modest Proposal (1978)
146(10)
James Damico
Out of What Past? Notes on the B Film Noir (1979)
156(16)
Paul Kerr
The Filmic Transaction: On the Openings of Film Noirs (1983)
172(12)
Marc Vernet
Film Noir: Style and Content (1988)
184(8)
Dale E. Ewing, Jr.
Kill Me Again: Movement Becomes Genre (1990)
192(18)
Todd Erickson
Son of Noir: Neo-Film Noir and the Neo-B Picture (1992)
210(8)
Alain Silver
Lounge Time: Postwar Crises and the Chronotope of Film Noir (1998)
218(30)
Vivian Sobchack
"Lounge Time" Reconsidered: Spatial Discontinuity and Temporal Contingency in Out of the Past (2004)
248(12)
R. Barton Palmer
Voices from the Deep: Film Noir as Psychodrama (2004)
260(16)
J. P. Telotte
Manufacturing Heroines: Gothic Victims and Working Women in Classic Noir Films (2004)
276(14)
Sheri Chinen Biesen
The Strange Case of Film Noir (2012)
290(12)
Robert G. Porfirio
Case Studies
Kiss Me Deadly: Evidence of a Style
302(24)
Alain Silver
At the Margins of Film Noir: Preminger's Angel Face
326(12)
Richard Lippe
The Killers: Expressiveness of Sound and Image in Film Noir
338(8)
Robert G. Porfirio
What Is This Thing Called Noir?
346(14)
Alain Silver
Linda Brookover
Phantom Lady, Cornell Woolrich, and the Masochistic Aesthetic
360(14)
Tony Williams
Noir 101
374(12)
Philip Gaines
Ride the Pink Horse: Money, Mischance, Murder, and the Monads of Film Noir
386(12)
Alain Silver
Dark Jazz: Music in the Film Noir
398(8)
Robert G. Porfirio
Creativity and Evaluation: Two Film Noirs of the Fifties
406(10)
Robin Wood
Film Noir, Voice-Over, and the Femme Fatale
416(14)
Karen Hollinger
The Camouflaged Femme Fatale: The File on Thelma Jordon and Pushover
430(8)
Elizabeth Ward
Notes on Contributors 438
ALAIN SILVER (Los Angeles, CA) is the co-editor of the Film Noir Reader series and co-writer of The Noir Style and L.A. Noir, as well as The Samurai Film and Raymond Chandler s Los Angeles. His commentaries may be heard and seen on numerous DVDs, including Murder, My Sweet and Kiss Me Deadly. He is a writer/producer/director in independent feature productions. With Alain Silver, JAMES URSINI (Los Angeles, CA) has co-written studies of David Lean, Robert Aldrich, and Roger Corman and on such genres as the vampire film, the zombie film, and most recently American neo-noir. He has also done numerous DVD commentaries on classic film noir DVDs such as Out of the Past, Kiss of Death, and Ride the Pink Horse. He recently completed his first neo-noir feature film.