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El. knyga: Final Cut Pro X 10.4 - Apple Pro Training Series: Professional Post-Production

  • Formatas: 560 pages
  • Serija: Apple Pro Training
  • Išleidimo metai: 10-Jul-2018
  • Leidėjas: Peachpit Press Publications
  • Kalba: eng
  • ISBN-13: 9780135171899
  • Formatas: 560 pages
  • Serija: Apple Pro Training
  • Išleidimo metai: 10-Jul-2018
  • Leidėjas: Peachpit Press Publications
  • Kalba: eng
  • ISBN-13: 9780135171899

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The Apple-Certified Way to Learn

This fully updated Apple-certified guide presents a real-world workflow from raw media to finished project to demonstrate the features of Final Cut Pro X 10.4 and the practical techniques you will use in editing projects. Using professionally acquired media, you’ll utilize the same tools and editing techniques used by editors worldwide in this revolutionary editing software. Renowned editor and master trainer Brendan Boykin starts with basic video editing techniques and takes you all the way through Final Cut Pro’s powerful features.

 

The lessons start as real world as it gets—with an empty application. After downloading the media files, you will be guided through creating a project from scratch to finished draft. The basic workflow and tools are covered in Lessons 1 through 4 where you create a rough cut. The real-world workflow continues through the remaining lessons as you take the basic project and enhance it with a dive into more robust features including the newest Final Cut Pro X 10.4 tools for 360° editing, precision color grading, and more.  

 

•   Downloadable lesson and media files to work sequentially through exercises for hours of hands-on training.

•   Focused lessons teach concepts and take students step by step through professional, real-world editing scenarios to create a final project.

•   Chapter review questions summarize what students learn to prepare them for the Apple certification exam.

•   Web Edition provides full text of the book available online with revised content for significant software updates.

 

The Apple Pro Training Series is both a self-paced learning tool and the official curriculum of the Apple Training and Certification program. Upon completing the course material in this guide, you can become Apple Certified by passing the certification exam at an Apple Authorized Training Center. To find an Apple Authorized Training Center near you, please visit training.apple.com.

Lesson 1 Getting Started 1(12)
Learned from a Legacy
2(1)
Reference 1.1 Using This Book
3(1)
Exercise 1.1.1 Downloading the Source Media Files
4(1)
Exercise 1.1.2 Preparing the Source Media Files
5(3)
Reference 1.2 Introducing the Job and the Workflow
8(3)
Lesson Review
11(2)
Lesson 2 Importing Media 13(36)
Reference 2.1 Understanding Clips, Events, and Libraries
13(3)
Exercise 2.1.1 Creating a Library
16(5)
Exercise 2.1.2 Preparing to Import Camera Source Files
21(1)
Reference 2.2 Using the Media Import Window
22(3)
Exercise 2.2.1 Creating a Camera Archive
25(3)
Reference 2.3 Importing Source Media from a Camera
28(1)
Exercise 2.3.1 Navigating Within a Filmstrip Preview
29(3)
Exercise 2.3.2 Importing Files from a Camera Card
32(3)
Reference 2.4 Choosing Media Import Options
35(4)
Exercise 2.4.1 Applying Media Import Options
39(1)
Reference 2.5 Import Files from a Volume
40(2)
Exercise 2.5.1 Importing Existing Files from a Volume
42(5)
Lesson Review
47(2)
Lesson 3 Organizing Clips 49(64)
Reference 3.1 Introducing the Libraries sidebar, Browser, and Viewer Areas
49(3)
Reference 3.2 Using Keywords
52(1)
Exercise 3.2.1 Keywording a Clip
53(13)
Exercise 3.2.2 Keywording a Range
66(4)
Exercise 3.2.3 Adding Notes to a Clip
70(3)
Reference 3.3 Assigning Ratings
73(1)
Exercise 3.3.1 Applying Ratings
74(9)
Exercise 3.3.2 Customizing a Favorite
83(2)
Reference 3.4 Search, Sort, and Filter
85(6)
Exercise 3.4.1 Filtering an Event
91(3)
Exercise 3.4.2 Working with Smart Collections
94(3)
Exercise 3.4.3 Creating a Library-Wide Smart Collection
97(3)
Exorcise 3.4.4 Detecting People and Shot Composition
100(2)
Reference 3.5 Roles
102(2)
Exercise 3.5.1 Assigning Roles
104(8)
Lesson Review
112(1)
Lesson 4 Making the First Edit 113(92)
Reference 4.1 Understanding a Project
113(1)
Exercise 4.1.1 Creating a Project
114(2)
Reference 4.2 Defining the Primary Storyline
116(2)
Exercise 4.2.1 Appending the Primary Storyline
118(7)
Exercise 4.2.2 Rearranging Clips in the Primary Storyline
125(2)
Reference 4.3 Modifying Clips in the Primary Storyline
127(1)
Exercise 4.3.1 Performing Insert Edits
128(3)
Exercise 4.3.2 Rippling the Primary Storyline
131(6)
Reference 4.4 Timing the Primary Storyline
137(2)
Exercise 4.4.1 Inserting a Gap Clip
139(2)
Exercise 4.4.2 Blading and Deleting
141(4)
Exercise 4.4.3 Joining a Through Edit
145(1)
Exercise 4.4.4 Refining Some Sound Bite Edits
146(2)
Reference 4.5 Editing Above the Primary Storyline
148(1)
Exercise 4.5.1 Adding and Trimming Connected B-roll
149(8)
Exercise 4.5.2 Understanding Connected Clip Sync and Trimming Behaviors
157(3)
Reference 4.6 Creating a Connected Storyline
160(1)
Exercise 4.6.1 Converting Connected Clips into a Connected Storyline
161(3)
Exercise 4.6.2 Appending Clips to a Connected Storyline
164(15)
Reference 4.7 Editing Below the Primary Storyline
179(1)
Exercise 4.7.1 Connecting a Music Clip
179(1)
Reference 4.8 Finessing the Rough Cut
180(2)
Exercise 4.8.1 Adjusting the Edits
182(4)
Exercise 4.8.2 Adjusting Clip Volume Levels
186(2)
Exercise 4.8.3 Connecting Two Additional B-Roll Clips
188(3)
Exercise 4.8.4 Refining Edits Using Cross Dissolves and Fade Handles
191(5)
Reference 4.9 Sharing Your Progress
196(1)
Exercise 4.9.1 Sharing an iOS-Compatible File
196(5)
Lesson Review
201(4)
Lesson 5 Revising the Edit 205(58)
Reference 5.1 Versioning a Project
206(1)
Exercise 5.1.1 Snapshotting a Project
207(1)
Reference 5.2 Lifting from a Storyline
208(1)
Exercise 5.2.1 Lifting Clips Out of a Storyline
209(1)
Reference 5.3 Replacing a Clip
210(2)
Exercise 5.3.1 Replacing the Primary Storyline
212(2)
Exercise 5.3.2 Creating Time at 0:00
214(7)
Reference 5.4 Working with Markers
221(2)
Exercise 5.4.1 Creating Markers
223(5)
Reference 5.5 Using the Position Tool
228(1)
Exercise 5.5.1 Realigning Sound Bites and B-roll to Music
229(7)
Reference 5.6 Working with Auditions
236(1)
Exercise 5.6.1 Repositioning Storylines and Deleting Within
237(2)
Exercise 5.6.2 Importing the Aerial Clips Using Finder Tags
239(3)
Exercise 5.6.3 Working with an Audition Clip
242(4)
Reference 5.7 Trimming the Tops and Tails
246(1)
Exercise 5.7.1 Trimming the Aerials
247(14)
Lesson Review
261(2)
Lesson 6 Enhancing the Edit 263(58)
Reference 6.1 Retiming Clips
263(1)
Exercise 6.1.1 Setting a Constant Speed Change
264(5)
Exercise 6.1.2 Editing with Blade Speed
269(6)
Reference 6.2 Working with Video Effects
275(2)
Exercise 6.2.1 Experimenting with Video Effects
277(10)
Exercise 6.2.2 Creating a Depth of Field Effect
287(6)
Reference 6.3 Working with Video Transitions
293(1)
Exercise 6.3.1 Experimenting with Transitions
294(10)
Reference 6.4 Compositing Using Spatial Parameters
304(2)
Exercise 6.4.1 Creating a Two-Up Split Screen
306(6)
Exercise 6.4.2 Exploring the Video Animation Editor
312(4)
Reference 6.5 Compounding Clips
316(1)
Exercise 6.5.1 Collapsing a Composite into a Compound
316(3)
Lesson Review
319(2)
Lesson 7 Finishing the Edit 321(106)
Reference 7.1 Using Titles
321(2)
Exercise 7.1.1 Adding and Modifying a Lower Third
323(6)
Reference 7.2 Creating 3D Titles
329(3)
Exercise 7.2.1 Exploring 3D Options
332(14)
Reference 7.3 Working with Audio
346(1)
Exercise 7.3.1 Adding Sound to a Clip
347(13)
Exercise 7.3.2 Adjusting Volume Levels over Time
360(17)
Reference 7.4 Understanding Audio Enhancements
377(1)
Reference 7.5 Recording a Voiceover
378(1)
Exercise 7.5.1 Using the Voiceover Tool
378(3)
Reference 7.6 Correcting the Image
381(3)
Exercise 7.6.1 Exploring the Color Correction Tools for Luma
384(26)
Exercise 7.6.2 Exploring the Color Correction Tools for Chroma
410(14)
Lesson Review
424(3)
Lesson 8 Sharing a Project 427(18)
Reference 8.1 Creating a Viewable File
427(2)
Exercise 8.1.1 Sharing to an Online Host
429(4)
Exercise 8.1.2 Sharing to a Bundle
433(3)
Exercise 8.1.3 Sharing a Master File
436(4)
Reference 8.2 Creating an Exchangeable File
440(1)
Reference 8.3 Utilizing Compressor
440(1)
Exercise 8.3.1 Adding a Compressor Setting to the Share Destinations
440(1)
Exercise 8.3.2 Sending to Compressor
441(2)
Lesson Review
443(2)
Lesson 9 Managing Libraries 445(26)
Reference 9.1 Storing the Imported Media
445(5)
Exercise 9.1.1 Importing Existing Files as Externally Referenced
450(4)
Exercise 9.1.2 Importing as Internally Managed Clips
454(3)
Exercise 9.1.3 Copying as Externally Referenced
457(3)
Exercise 9.1.4 Moving and Copying Clips Within a Library
460(3)
Exercise 9.1.5 Making a Library Portable
463(6)
Lesson Review
469(2)
Lesson 10 Advancing Your Workflow 471(46)
Sub-workflow 10.1 Using Manual Settings for a New Project
471(4)
Sub-workflow 10.2 Synchronizing Dual System Recordings
475(2)
Sub-workflow 10.3 Using Chroma Key
477(7)
Sub-workflow 10.4 Working with Multicam
484(11)
Sub-workflow 10.5 Manipulating 360-Video
495(7)
Sub-workflow 10.6 Generating Captions
502(13)
Lesson Review
515(2)
Appendix A Keyboard Shortcuts 517(14)
Assigning Keyboard Shortcuts
517(2)
Reviewing the Default Command Set
519(12)
Appendix B Editing Native Formats 531(2)
Native Video Formats
531(1)
Native Still-Image Formats
532(1)
Native Audio Formats
532(1)
Appendix C Checkpoints 533(4)
Downloading and Relinking the Checkpoints Library
533(2)
Using the Checkpoints Library
535(2)
Index 537