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With Fists Raised: Radical Art, Contemporary Activism, and the Iconoclasm of the Black Arts Movement [Kietas viršelis]

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  • Formatas: Hardback, 328 pages, aukštis x plotis: 239x163 mm, 7 Illustrations, black and white
  • Išleidimo metai: 01-May-2021
  • Leidėjas: Liverpool University Press
  • ISBN-10: 1800859775
  • ISBN-13: 9781800859777
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 328 pages, aukštis x plotis: 239x163 mm, 7 Illustrations, black and white
  • Išleidimo metai: 01-May-2021
  • Leidėjas: Liverpool University Press
  • ISBN-10: 1800859775
  • ISBN-13: 9781800859777
Kitos knygos pagal šią temą:
There are deep black nationalist roots for many of the images and ideologies of contemporary racial justice efforts. This collection reconsiders the Black Aesthetic and the revolutionary art of the Black Arts Movement (BAM), forging connections between the recent past and contemporary social justice activism. Focusing on black literary and visual art of the Black Arts Movement, this collection highlights artists whose work diverged from narrow definitions of the Black Aesthetic and black nationalism. Adding to the reanimation of discourses surrounding BAM, this collection comes at a time when today's racial justice efforts are mining earlier eras for their iconography, ideology, and implementation. As numerous contemporary activists ground their work in the legacies of mid-twentieth century activism and adopt many of the grassroots techniques it fostered, this collection remembers and re-envisions the art that both supported and shaped that earlier era. It furthers contemporary conversations by exploring BAM's implications for cultural and literary studies and its legacy for current social justice work and the multiple arts that support it.

Recenzijos

'A unique text that will make an important contribution by fresh voices to the growing body of scholarship on the Black Arts Movement.' Jonathan Fenderson, Associate Professor, African & African-American Studies, Washington University in St. Louis

Foreword: The Umbra Origins of the Black Arts Movement vii
Ishmael Reed
Introduction: Why the Black Arts Movement Matters Now 1(20)
Tru Leverette
1 Roots
1 "Mother of us poets": Margaret Walker and the Black Arts Movement
21(20)
Seretha D. Williams
2 Myths, Stereotypes, Sexual Politics, and the Black Power Movement in Alice Childress's Wine in the Wilderness
41(24)
Ama S. Wattley
3 Sonia Sanchez: A Dynamic Voice of Black Arts Poetry
65(20)
John Zheng
4 Against the Grain: Alice Childress and the Black Arts Movement
85(24)
Elizabeth Smith
2 Re-Envisionings
5 Humor in Hue: Gag Cartoons as Satire in Black World Magazine during the Black Arts Movement, 1970-1976
109(16)
Nathaniel Frederick
William Schulte
6 Freeing Black: Myth, Language, and Revolution via Fran Ross's Oreo
125(16)
Tru Leverette
7 Stepping to His Own Music: Influences and Plurality of Black Identities in the Work of William Melvin Kelley
141(20)
Yannick Blec
8 Fighting the Wrongheaded Doppelganger: Ishmael Reed and the Media
161(26)
Sdmi Ludwig
9 Rage Against the Machine: Black Impotency and the Failures of Liberalism in Amiri Baraka's Dutchman and The Slave
187(22)
Kel Martin
3 Revivals
10 The Black Arts Movement: A Visual Arts Perspective
209(24)
Paul Von Blum
11 Updating the Legacy of the Black Arts Movement and Staying Relevant: Reconnecting with Africa in Ishmael Reed's Japanese by Spring
233(20)
Jiri Salamoun
12 BAM Legacies and the "Inner Life" in the Contemporary Poetry of Rickey Laurentiis and Danez Smith: Discovering a Twenty-First-Century Dialogic Sublime
253(24)
Leila Kamali
13 Being Alive. Being a Woman. Being Colored: The Dilemma of Being Black and Female at the Intersection of Visual and Performance Art during the Black Arts Movement
277(22)
Erin Kendrick
Conclusion: Black Love, Black Beauty, Black Abundance, and the Ongoing Work of Becoming 299
Tru Leverette
Tru Leverette is an Associate Professor of English and Director of Africana Studies at the University of North Florida.