Introduction |
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1 | (1) |
About this book |
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1 | (1) |
Using this book |
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2 | (3) |
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5 | (27) |
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Contexts for the design of landscapes |
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6 | (7) |
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7 | (1) |
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Landscape processes and systems |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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11 | (1) |
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11 | (1) |
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Urban greenspace and communications |
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12 | (1) |
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Models of design and qualities of place |
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13 | (8) |
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14 | (1) |
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14 | (1) |
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Recycling versus tobula rasa |
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15 | (1) |
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Robustness and inclusiveness |
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16 | (1) |
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Mystery, legibility, complexity and coherence |
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17 | (1) |
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18 | (1) |
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Prospect and refuge theory |
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19 | (1) |
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Wholeness and integration |
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20 | (1) |
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The integrated design of places |
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21 | (11) |
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Integrated design - an example |
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22 | (4) |
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Integration of spaces and paths |
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26 | (2) |
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Integration of spaces, paths, edges, thresholds and foci |
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28 | (2) |
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Integration of topography, vegetation, structures and water |
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30 | (2) |
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32 | (49) |
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33 | (1) |
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Ground, `wall' and `sky' planes |
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34 | (1) |
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Design planes and landscape elements |
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35 | (1) |
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People's use and experience of spaces |
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36 | (1) |
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37 | (1) |
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Interpretation of existing site forms |
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38 | (1) |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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Abstraction and use of natural forms |
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40 | (1) |
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41 | (1) |
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41 | (1) |
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41 | (1) |
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42 | (1) |
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Degrees and permeability of enclosure |
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42 | (1) |
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Enclosure and character of spaces |
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43 | (1) |
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Enclosure and microclimate |
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44 | (1) |
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45 | (1) |
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46 | (1) |
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47 | (1) |
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47 | (1) |
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48 | (1) |
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49 | (1) |
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49 | (1) |
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Over-vertical and under-vertical enclosure |
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50 | (1) |
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51 | (1) |
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51 | (1) |
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Topographic space relationships |
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51 | (1) |
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Contrast and similarity of spaces |
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52 | (1) |
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Space relationships - an example |
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53 | (1) |
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54 | (8) |
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54 | (1) |
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Flatness and degrees of intervention |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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61 | (1) |
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62 | (7) |
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Ecological and environmental roles of vegetation |
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63 | (1) |
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64 | (1) |
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Forest space and the formalised forest |
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65 | (1) |
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66 | (1) |
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Hedged and herb enclosures |
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67 | (1) |
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68 | (1) |
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68 | (1) |
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69 | (7) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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Permeable enclosing structures |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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76 | (5) |
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77 | (1) |
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78 | (1) |
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Water walls and moving water |
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79 | (1) |
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Moats - water as enclosing element |
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80 | (1) |
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81 | (34) |
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82 | (1) |
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People's use and experience of paths |
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83 | (1) |
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Movement - kinetic experience of landscape |
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83 | (1) |
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Different users, uses and modes of transport |
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84 | (1) |
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Official and unofficial paths |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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86 | (1) |
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Path systems and hierarchies |
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87 | (1) |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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93 | (6) |
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93 | (1) |
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94 | (1) |
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95 | (1) |
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96 | (1) |
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97 | (1) |
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Stepped paths, staircases and ramps |
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98 | (1) |
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99 | (6) |
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100 | (1) |
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101 | (1) |
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102 | (1) |
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103 | (1) |
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Grass, vegetated floors and meadow paths |
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104 | (1) |
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105 | (6) |
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106 | (1) |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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110 | (1) |
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111 | (4) |
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The design of paths adjacent to water |
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112 | (1) |
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Rivers and canals in urban environments |
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113 | (1) |
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Designed linear waterbodies |
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114 | (1) |
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115 | (29) |
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116 | (1) |
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People's use and experience of edges |
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117 | (1) |
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118 | (1) |
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Architecture-landscape interface |
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119 | (1) |
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Public, private and semi-private interfaces |
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120 | (1) |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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Edges and spaces, paths, thresholds and foci |
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123 | (1) |
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124 | (1) |
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Rugged and smooth edges and their juxtaposition |
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124 | (1) |
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125 | (1) |
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Barriers - intentional and unintentional |
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125 | (1) |
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126 | (1) |
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Rhythm, sequence, repetition |
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126 | (1) |
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127 | (1) |
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128 | (4) |
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129 | (1) |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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131 | (1) |
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132 | (4) |
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`Soft' and `colonising' edges |
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133 | (1) |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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135 | (1) |
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136 | (3) |
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Building-landscape interface |
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137 | (1) |
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137 | (1) |
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Walls - buttressed and indented |
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138 | (1) |
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138 | (1) |
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139 | (5) |
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140 | (1) |
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Platforms, boardwalks and piers |
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141 | (1) |
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142 | (1) |
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Wetlands and marginal water places |
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143 | (1) |
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144 | (25) |
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145 | (1) |
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People's use and experience of foci |
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146 | (1) |
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Foci, destination places and paths |
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147 | (1) |
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148 | (1) |
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149 | (1) |
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149 | (1) |
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149 | (1) |
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150 | (1) |
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150 | (1) |
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Landmarks for orientation |
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150 | (1) |
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151 | (1) |
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151 | (1) |
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152 | (1) |
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152 | (1) |
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Centrality and isolation of form |
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153 | (1) |
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153 | (1) |
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154 | (4) |
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Mounts, tors and mountains |
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155 | (1) |
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156 | (1) |
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157 | (1) |
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158 | (3) |
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159 | (1) |
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159 | (1) |
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160 | (1) |
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161 | (5) |
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162 | (1) |
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Follies, theatrical structures and remnants |
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163 | (1) |
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Rocks and standing stones |
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164 | (1) |
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165 | (1) |
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166 | (3) |
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167 | (1) |
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168 | (1) |
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168 | (1) |
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169 | (19) |
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170 | (1) |
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People's use and experience of thresholds |
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171 | (1) |
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Entry spaces - outdoor anterooms |
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172 | (1) |
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172 | (1) |
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173 | (1) |
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Places of arrival, setting out and rest |
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173 | (1) |
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174 | (1) |
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174 | (1) |
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A small space linking larger spaces across an edge |
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174 | (1) |
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175 | (1) |
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Places between earth and sky |
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175 | (1) |
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176 | (3) |
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177 | (1) |
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178 | (1) |
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178 | (1) |
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179 | (3) |
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180 | (1) |
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180 | (1) |
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181 | (1) |
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181 | (1) |
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182 | (3) |
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183 | (1) |
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183 | (1) |
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183 | (1) |
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184 | (1) |
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185 | (3) |
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186 | (1) |
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186 | (1) |
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Water in rest and entrance places |
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187 | (1) |
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188 | (23) |
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189 | (1) |
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People's use and experience of landscape detail |
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190 | (1) |
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Detailed design and the senses |
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191 | (1) |
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Surface texture, pattern, colour and light |
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192 | (1) |
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192 | (1) |
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193 | (1) |
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194 | (1) |
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195 | (1) |
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196 | (1) |
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196 | (1) |
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197 | (3) |
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198 | (1) |
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199 | (1) |
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199 | (1) |
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199 | (1) |
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200 | (4) |
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201 | (1) |
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201 | (1) |
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202 | (1) |
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202 | (1) |
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203 | (1) |
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203 | (1) |
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204 | (3) |
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205 | (1) |
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206 | (1) |
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206 | (1) |
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206 | (1) |
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207 | (4) |
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208 | (1) |
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208 | (1) |
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209 | (1) |
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210 | (1) |
Bibliography |
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211 | (1) |
Further reading |
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211 | (1) |
Sources for illustrations |
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212 | |