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Part I Thinking Cosmopolitanism, Conviviality and Solidarity Activism in Everyday Living |
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1 | (132) |
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1 Introduction: Living with Others: Opening Communities to Newcomers |
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3 | (28) |
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Welcoming Refugees Amidst Growing Xenophobia |
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7 | (4) |
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Cosmopolitanism, Solidarity and Living Together |
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11 | (5) |
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Connecting Through Creativity: Welcoming Newcomers Through Artistic and Cultural Platforms |
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16 | (3) |
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19 | (5) |
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24 | (1) |
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25 | (6) |
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2 The Politics and Art of Solidarity: The Case of Trampoline House in Copenhagen |
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31 | (28) |
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31 | (2) |
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The Mainstreaming of Right-Wing Danish Populism: Reactions from Below |
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33 | (3) |
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Theorizing Migrant Solidarity in Politics and Practice |
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36 | (3) |
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39 | (1) |
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Trampoline House as a Solidarity Art Project |
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40 | (9) |
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40 | (2) |
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Microcosm Trampoline House |
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42 | (5) |
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Trampoline House as a Permanent Art Project |
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47 | (1) |
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48 | (1) |
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49 | (5) |
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54 | (5) |
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3 The Unintended Effects of Conviviality: How Welcome Initiatives in Germany Push Back Hostility Toward Refugees |
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59 | (22) |
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59 | (1) |
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The Emergence of Welcome Culture in German Cities and Towns |
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60 | (3) |
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Conviviality: The Everyday Practice of Living Together in Difference |
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63 | (2) |
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Acknowledging Different Needs and Building a Sustainable Welcome Culture |
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65 | (2) |
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For the Equality of Rights: Challenges of the New Movement |
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67 | (2) |
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Against Racism: Conditions for Pushing Back Against Nationalist and Racist Trends |
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69 | (5) |
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A Culture of Conviviality Is Possible |
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74 | (3) |
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77 | (4) |
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4 Building Solidarity Cities: From Protest to Policy |
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81 | (26) |
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81 | (2) |
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The Solidarity City: Freedom of Movement and Social Rights |
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83 | (3) |
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Urban Citizenship: Rights for All |
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86 | (2) |
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88 | (2) |
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90 | (2) |
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92 | (3) |
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Radical Democratization or Neoliberal Diversity? |
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95 | (1) |
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Criticism and Counter-Criticism |
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96 | (1) |
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Global Social Rights and Migration Struggles |
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97 | (4) |
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101 | (6) |
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5 State, Civil Society, and Syrians in Turkey |
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107 | (26) |
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107 | (2) |
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Making Room for Inevitable Diversity: Civil Society as Intermediator for Co-Existence |
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109 | (2) |
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Civil Society Actors Working with Refugees in Turkey |
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111 | (6) |
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The Political Context Facing Civil Society Organizations in Turkey |
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117 | (5) |
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The Limits of Hospitality as a Discourse |
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117 | (2) |
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The Indispensability of an Enabling State |
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119 | (3) |
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Local Encounters, Trust Building, and Living Together |
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122 | (5) |
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Grassroots Approaches to Facilitating Living Together |
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123 | (2) |
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The Impact of Funding Stipulations |
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125 | (2) |
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127 | (3) |
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130 | (3) |
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Part II Everyday Practices of Living Together and Community Building Through Culture and the Arts |
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133 | (140) |
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6 Stitching IMMART: Overcoming the Challenge of Inclusion Without Exclusion Through the Arts |
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135 | (26) |
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Sacramento Rosello Martinez |
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135 | (3) |
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Stitching IMMART: Nicol Savinetti |
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138 | (5) |
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Fostering "Linking Social Capital" |
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138 | (2) |
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The Power and Impact of the Name |
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140 | (3) |
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According to Our Members: Sez Kristiansen |
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143 | (7) |
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Behnaz, Iran/United States |
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144 | (1) |
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Josette Simon Gestin, France |
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145 | (1) |
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Tina Lorien, Denmark/Italy |
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146 | (1) |
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147 | (1) |
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148 | (1) |
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149 | (1) |
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Food Memories: A Case Study in Pluralism Through Solidarity--Sacramento Rosello Martinez |
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150 | (6) |
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156 | (1) |
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157 | (4) |
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7 `I Have Never Met a Refugee': KUNSTASYL--Creating Face-to-Face Encounters Using Performative Art |
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161 | (28) |
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161 | (27) |
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188 | (1) |
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8 Facilitating Cross-Cultural Dialogue Through Film, Art and Culture: Searching Traces and the Mahalla Festival |
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189 | (28) |
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Introduction: The Roots of Searching Traces and the Mahalla Festival |
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189 | (2) |
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191 | (16) |
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Countering Narratives of Victimization: Snapshots from Searching Traces Video and Filmmaking Workshops |
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192 | (1) |
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Snapshot #1 Discussing the Documentary, Our Terrible Country |
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192 | (2) |
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Snapshot #2 Discussing the Video, I Love Death |
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194 | (2) |
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Snapshot #3 Collaborative Filmmaking and the Making of Beyond the Station |
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196 | (3) |
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Snapshot #4 Discussing Appropriation and the Image of the Syrian Girl with a Scarred Face |
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199 | (2) |
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Building Belonging Through Creative Work |
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201 | (2) |
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A Culmination of Searching Traces Workshops: Putting It All Together in the Documentary Film, In The Dark Times |
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203 | (4) |
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207 | (6) |
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Mahalla Festival Istanbul |
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208 | (1) |
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209 | (2) |
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211 | (1) |
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211 | (2) |
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213 | (1) |
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213 | (3) |
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216 | (1) |
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9 Connecting Through Cooking: Kitchen Hubs as Spaces for Bringing Local Community and Newcomers Together |
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217 | (26) |
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217 | (1) |
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218 | (1) |
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219 | (1) |
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220 | (5) |
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220 | (2) |
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222 | (1) |
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223 | (1) |
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224 | (1) |
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224 | (1) |
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225 | (8) |
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226 | (1) |
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227 | (1) |
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227 | (2) |
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229 | (1) |
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229 | (1) |
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Lessons Learned: A Ten-Ingredient Recipe for Success |
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230 | (3) |
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233 | (4) |
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237 | (2) |
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239 | (2) |
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241 | (2) |
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10 Kirkayak Kultur: Facilitating Living Together |
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243 | (22) |
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243 | (2) |
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245 | (2) |
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247 | (3) |
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250 | (2) |
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Is It Possible to Live Together? |
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252 | (2) |
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Migration Studies But How? |
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254 | (7) |
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What Were the Other Areas of Contact and Where Were People Meeting? |
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255 | (2) |
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Women's Kitchen/Matbakh Workshop |
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257 | (2) |
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No Border for Food Project |
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259 | (1) |
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Kirkayak Kultur's Migration and Cultural Studies Center |
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259 | (1) |
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Migration and Cultural Studies Center Dom Research Workshop |
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260 | (1) |
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Conclusion: On the Idea of Living Together |
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261 | (2) |
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263 | (2) |
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265 | (8) |
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271 | (2) |
Index |
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273 | |