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Foundations of Digital Art and Design with the Adobe Creative Cloud [Minkštas viršelis]

4.12/5 (13 ratings by Goodreads)
  • Formatas: Paperback / softback, 320 pages, aukštis x plotis x storis: 228x179x14 mm, weight: 590 g
  • Išleidimo metai: 22-Aug-2013
  • Leidėjas: New Riders Publishing
  • ISBN-10: 0321906373
  • ISBN-13: 9780321906373
Kitos knygos pagal šią temą:
Foundations of Digital Art and Design with the Adobe Creative CloudDidesnis paveikslėlis
  • Formatas: Paperback / softback, 320 pages, aukštis x plotis x storis: 228x179x14 mm, weight: 590 g
  • Išleidimo metai: 22-Aug-2013
  • Leidėjas: New Riders Publishing
  • ISBN-10: 0321906373
  • ISBN-13: 9780321906373
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780321906373.html
Raktažodžiai:
Fuses design fundamentals and software training into one cohesive book!





Teaches art and design principles with references to contemporary digital art alongside basic digital tools in Adobe's Creative Cloud





Addresses the growing trend of compressing design fundamentals and design software into the same course in universities and design trade schools.





Lessons are timed to be used in 50 to 90 minute class sessions with additional materials available online





Free video screencasts demonstrate key concepts in every chapter

All students of digital design and productionwhether learning in a classroom or on their ownneed to understand the basic principles of design. These principles are often excluded from books that teach software. Foundations of Digital Art and Design reinvigorates software training by integrating design exercises into tutorials fusing design fundamentals and core Adobe Creative Cloud skills. The result is a comprehensive design learning experience. 



This book is organized into six sections that focus on vector art, photography, image manipulation, typography, web design, and effective habits. Design topics and principles include: Bits, Dots, Lines, Shapes, Rule of Thirds, Zone System, Color Models, Collage, Appropriation, Gestalt, The Bauhaus Basic Course Approach, The Grid, Remix, Automation, and Revision.
Introduction ix
SECTION 1 BITS, PIXELS, VECTORS, AND DESIGN
Chapter 1 The Dot, The Path, And The Pixel?
7(14)
Paths and Vector Graphics
10(1)
Exercises
1 File Presets in Illustrator
11(1)
2 Shapes, Fills, and Strokes
12(3)
3 Figure and Ground with Repeated Dots
15(2)
Screencast 1-1 The Pattern Brush
17(1)
4 Grouping and Alignment
17(3)
5 A Figure and Ground or "On" and "Off" Study
20(1)
Lab Challenge
20(1)
Chapter 2 Drawing Expressive Lines?
21(18)
Saving and Sharing Files
25(2)
Exercises
1 Place and Lock an Image
27(2)
2 Understand Layers
29(1)
3 Create Lines with the Pencil Tool
29(2)
4 Duplicate the Composition
31(2)
5 Add a Gradient Background
33(2)
6 Create Depth with Contrasting Values
35(1)
Screencast 2-1 Add the "Swoosh" at the Horizon
36(1)
7 Use Master Files and Shared Files
36(2)
Lab Challenge
38(1)
Chapter 3 Modify Basic Shapes?
39(24)
Signs and Logos
42(1)
Vector Curves
43(1)
Exercises
1 Create a Document with One Artboard
43(3)
2 Create Two Basic Shape Combinations
46(1)
3 Duplicate the Artboard and Unite the Paths
47(1)
4 Duplicate the Artboard and Modify the Shapes
48(2)
Screencast 3-1 Modify Paths with the Pen and Direct Selection Tools
50(1)
5 Reflect and Copy a Second Half onto the Profile Icon
51(2)
6 Brush Details into the Treetop
53(2)
7 Add a Background Color and Save a Multipage PDF
55(2)
Lab Challenge
57(6)
SECTION 2 DIGITAL PHOTOGRAPHY
Chapter 4 Creating And Organizing Digital Photographs?
63(26)
Measuring Light
66(1)
Rule of Thirds
66(1)
Adobe Bridge
67(2)
Exercises
1 Camera Mechanics
69(1)
2 Camera Settings
70(5)
3 Bracketing
75(1)
4 Before You Shoot
76(1)
5 Rule of Thirds
77(3)
6 Bridge Workspaces
80(2)
7 Batch Rename
82(2)
Screencast 4-1 Renaming and Ranking Files in Bridge
84(1)
8 Generate a PDF to Showcase Your Files
85(3)
Lab Challenge
88(1)
Chapter 5 Resolution And Value?
89(18)
Redistributing and Resampling Pixels via Resolution
90(1)
Value and the Tonal Range
91(2)
Zone System Redux
93(2)
Exercises
1 Redistribute Pixels for Print Resolution
95(1)
2 Resample Pixels for Screen Resolution
96(2)
3 Analyze a Photograph Using the Zone System
98(5)
Screencast 5-1 Use the Info Panel to Check Your Eye Against Image Data
103(1)
4 Modify the Tonal Range with a Levels Adjustment Layer
103(3)
Lab Challenge
106(1)
Chapter 6 Color Models
107(28)
Subtractive Processes
108(1)
Additive Processes
109(5)
Exercises
1 Harmony in Rectangles
114(4)
2 Simultaneous Contrast in Circles
118(2)
3 Color Comparison
120(2)
4 Color Correction
122(3)
Screencast 6-1 Applying Color to a Black-and-White Photograph
125(1)
Lab Challenge
125(10)
SECTION 3 DIGITAL MANIPULATION AND FREC FAIR USE
Chapter 7 Repairs And Hoaxes?
135(18)
Digital Repairs
136(1)
Creating a Hoax
137(2)
Exercises
1 Remove Dust and Heal JFK's Blemishes
139(4)
2 JFK's Eyes: Tonal Repairs with Dodge and Burn
143(1)
Screencast 7-1 Adding and Deleting within Selections
144(2)
3 Reducing Wrinkles
146(1)
4 It's a Hoax! Adding an Extra Mummy Finger
147(3)
5 Softening Cloned Edges
150(2)
Lab Challenge
152(1)
Chapter 8 Select, Copy, Paste, Collage?
153(26)
Precision Selecting with the Pen Tool
154(2)
Nondestructive Editing
156(2)
Exercises
1 Set Up the Collage Workspace
158(2)
2 Trace an Image Contour with the Pen Tool
160(1)
Screencast 8-1 Tracing with the Pen Tool
161(3)
3 Modify Paths
164(3)
4 Convert a Path to a Selection to a Layer Mask
167(3)
5 Scale, Adjust, and Organize
170(2)
6 Copy a Layer to an Open Document
172(1)
7 The Magic Wand
173(3)
8 Select, Copy, Paste, Repeat
176(2)
Screencast 8-2 Duplicate, Transform, Burn, Organize, and Adjust-Ants in the Hand
178(1)
Lab Challenge
178(1)
Chapter 9 Blended Realities?
179(30)
Blended Realities in Networked Spaces
180(3)
Screen Resolution
183(1)
Vector Shapes in Photoshop
183(1)
Applying Gradients to Layer Masks
184(2)
Exercises
1 Articulate the Design Challenge
186(1)
2 Combine Vector Shapes in Photoshop
187(3)
3 Layer Effects
190(2)
4 Add a Vector Mask
192(1)
5 Create a Button
193(2)
6 Complete Layer Groups for Steps 2 and 3
195(1)
Screencast 9-1 Creating Layer Groups
195(2)
7 Gradients and Layer Masks
197(2)
Lab Challenge
199(10)
SECTION 4 TYPOGRAPHY
Chapter 10 Type And Image?
209(24)
Contrast and Rhythm
210(3)
Text Boxes
213(1)
Text Adjustments: Kerning and Leading
213(3)
Exercises
1 Define a Color Mode
216(1)
2 Place and Relink an Image
217(1)
3 Add a Text Box
218(2)
4 Resize and Kern Display Type
220(5)
5 Replace Type with an Image
225(2)
6 Add Vector Shapes to Frame the Composition
227(2)
7 Final Design Adjustments
229(2)
Screencast 10-1 Hiding Page Elements with a White Shape or a Clipping Mask
231(1)
Lab Challenge
232(1)
Chapter 11 The Grid
233(22)
Gestalt
234(2)
Swiss International Style
236(1)
Sentences and Paragraphs
237(5)
Exercises
1 Alternative Paper Sizes
242(1)
2 Guides and the Grid
242(2)
3 Create Your Own "Virtual Leading" Placeholders
244(2)
4 Linking Text Boxes
246(4)
5 Placing Another Guide on the Grid
250(1)
Screencast 11-1 Using the Grid
251(1)
6 Use the Grid
252(1)
7 Save a PDF with Trim Marks
253(1)
Lab Challenge
254(1)
Chapter 12 Continuity
255(43)
The Gestalt Laws of Similarity and Continuity
256(3)
Master Pages
259(1)
Paragraph Styles
259(1)
Reading on the Screen
259(2)
Exercises
1 Create a New InDesign Document for Sharing on the Web
261(1)
2 Establish Guides on A-Master
262(4)
3 Place Images
266(4)
4 Add Text Frames
270(1)
5 Paragraph Styles
271(4)
6 Color and a Drop Shadow on A-Master
275(1)
Screencast 12-1 Preparing Files for Placement in InDesign---Relinking Images and Out-of-Gamut Colors
275(1)
7 Final Adjustments and Export to PDF
276(2)
Lab Challenge
278(1)
CODA: REVISION PRACTICES?
279(1)
Clear, Open Communication and Accessibility
280(1)
Pencilbox Studios: Mission Hospital
281(5)
riCardo Crespo: Hot Wheels and Standing Meetings
286(1)
Michael Demers: The Sky Is Falling (A Day in the Life...)
287(6)
The League of Imaginary Scientists: In League with an Institution Jovenville: Boardstorming
293(4)
Conclusion
297(1)
Index 298