A gifted architect struggles against the conventional standards of his industry and has a violent love affair with a columnist. Originally published in 1943 and now available in a special centennial edition, this classic and controversial story of gifted architect Harold Roark, his struggle against conventional standards, and his violent love affair brilliantly addresses a number of universal themes. By the author of Atlas Shrugged. Reissue. This book is based on a challenging belief in the importance of selfishness, on the provocative idea that mans ego is the fountainhead of human progress. It is the story of Howard Roark, Architect - a man whose sole aim in life was to build, and to build not in the tradition of the past but only in the tradition of Howard Roark. He knew he was right with the same certainty that he knew he had two hands with which to create. No one could convince him otherwise. In fact, it did not bother him that people tried to. No opinion except his own either disturbed or influenced him. Perhaps that is why he was hated - because he needed no one, depended on no one, wanted no one, and to people who live on the borrowed vision of others such a man is a challenge and a danger.Peter Keating, one of the youngest and most successful architects in New York, depended on Roark, but also feared him. Keating was charming, beloved of men and of women; but he lived only in the reflection of others. He built for his clients in order to live; Roark lived only in order to build for himself. Peter Keating sensed his own mediocrity without recognizing it. He did not know why wanted Roark to fail.Ellsworth Toohey, champion of the downtrodden, was one of the few people who understood Roark and was smart enough to know why he wanted Roark destroyed. Ellsworth Tooheys characterization in The Fountainhead is an achieved picture of the inherent viciousness in apparently benign humanitarianism.Dominique Franchon understood Roark and loved him, but she too tried once to destroy him.Gail Wynand, powerful head of the New York Banner which stood for everything that Dominique abominated and for which she wrote a daily column, also understood and loved Roark, yet in the end was forced to turn against him.
