“The Francis Effect was about proposing something completely absurd, as absurd as borders are. If Immigrant Movement was for the thousands of people who went there, The The Francis Effect was just for one person, the pope. But the more people that participated, the more personal it became.” –Tania Bruguera
Stemming from a performance at the Guggenheim Museum, The Francis Effect explores Tania Bruguera’s work as an artist, activist, Latin-American emigrant engaging the tension between art’s pragmatic, activist, and aesthetic possibilities.
The performance of The Francis Effect follows the guise of a political campaign, aiming to request that the Pope grant Vatican City citizenship to all immigrants and refugees. As a conversational, collaborative project, the resulting book mirrors Bruguera’s artistic practice with essays, conversations, and letters from the the curators and Bruguera. In addition, the book-project is embiggened by socially-engaged commissioned essays from art historian Matthew Jesse Jackson, sociologist Saskia Sassen, and historian Nicolas Terpstra.
A groundbreaking interdisciplinary discussion of borders, Pangaea, sociology, and religious studies, The Francis effect offers art as a vehicle for social change, placing this work in the context of its creative and critical reception.
Daugiau informacijos
Serial rights targeting The Atlantic, New York Times Magazine, and BOMB
Print and digital publicity targeting NPR, The Atlantic, Artforum, Los Angeles Times, The New York Times, The Guardian, Brooklyn Rail, BOMB, ArtNews, The White Review, Vanity Fair
Events and talks pitched to local bookstores and cultural institutions; events and visits pitched to museums, university art departments; regional tour
Review copies sent targeting all major print and digital literary and art media outlets, reviewers, and booksellers; additional copies available upon request
Promotion on the publishers website (deepvellum.org), Twitter feed (@deepvellum), and Facebook page (/deepvellum); publishers e-newsletter to booksellers and reviewers
Noah Simblist works as a curator, writer, and artist with a focus on art and politics, specifically the ways in which contemporary artists address history. He has contributed to Art in America, Modern Painters, Terremoto and other publications. His most recent project is Commonwealth, a multi-year project exploring the notion of the commons at the Institute for Contemporary Art at Virginia Commonwealth University in Partnership with the Philadelphia Contemporary and Beta Local in San Juan, Puerto Rico. He is also Chair of Painting + Printmaking and Associate Professor of Art at Virginia Commonwealth University.
