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El. knyga: Francis Poulenc: Articles and Interviews: Notes from the Heart

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  • Formatas: 346 pages
  • Išleidimo metai: 22-Apr-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317133322
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Francis Poulenc: Articles and Interviews: Notes from the HeartDidesnis paveikslėlis
  • Formatas: 346 pages
  • Išleidimo metai: 22-Apr-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317133322
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He plays the piano well, wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. His compositions are not devoid of talent but hes not a genius, and Im afraid he thinks he is. Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of genius, preferring artisan, a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether its boasting that hed be happy never to hear The Mastersingers ever again, pointing out that what critics condemn as the formlessness of French music is one of its delights, voicing his outrage at attempts to finish the Unfinished Symphony, writing in praise of banality - or remembering the affair of Debussys hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. This volume comprises selected articles from Francis Poulenc: Jécris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols's translation, capturing the very essence of Poulencs lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.

Recenzijos

... this charming book is fascinating, amusing, provocative, lively, and informative for anyone interested in Parisian culture and the music of les six, of which Poulenc was an important member. Tellingly, the book prompted this reviewer to dust off his Poulenc CD collection to hear again some delightful music ... the content is delightful ... Highly recommended. All readers. Choice This volume ... benefits from a translation favouring sense above stylistic posing ... Sometimes catty but constantly captivating, Poulencs prose is definitely worth reading. International Piano Magazine '... a welcome addition to English-language literature on Francis Poulenc.' H-France ... nothing quite matches information from the horses mouth to be found in this charming new book, compiled almost entirely from Poulencs own words. The warmth of Poulencs conversational style is effortlessly conveyed in Roger Nichols' translation. BBC Music Magazine ***** 'You will spend a couple delightful evenings with this sophisticated raconteur.' American Record Guide ... this invaluable new translation ... the evident warmth of his personality emerges from Roger Nicholss skilful translations, as does the fierce independence of his musical judgements. Times Literary Supplement 'Nicholss translation is an important addition to the English literature on Poulenc. It contains key texts in which Poulenc describes the circumstances that led him to compose some of his most well-known works, discusses his favorite composers and performers (both of his own works and others), and shares many fascinating anecdotes about the leading composers of his generation.' Notes '... Southon's splendid collection deserves a place in every academic music library and on the shelves of scholars, performers, and devotees of the composer.' Fontes Artis Musicae

List of Illustrations
xi
Preface to the Translation xiii
Acknowledgements xv
Translator's Note xvii
Introduction 1(16)
PART I ARTICLES
I Le Coq and Le Coq Parisien: May--November 1920
17(4)
II `On Igor Stravinsky's "Mavra"', Feuilles libres, no. 27, June--July 1922, section `La musique', pp. 222--224
21(4)
III `On Igor Stravinsky's "Symphony of Psalms'", Le Mois, no. 2, February 1931, pp. 249--250
25(2)
IV `In Praise of Banality', Presence, no. 8, October 1935, pp. 24--25
27(4)
V `Long Live Stravinsky!' Le Figaro, no. 199, 7 April 1945, `Chronique', p. 1
31(4)
VI `The Composer and the Sorcerer', Les Lettres Francaises, no. 54, 5 May 1945, p. 5
35(4)
VII `Francis Poulenc on His Ballets', Ballet, no. 4/2, September 1946, pp. 57--58
39(4)
VIII `For the Harpsichord, Wanda Landowska has Completed in New York "Her life's work"', Le Figaro litteraire, no. 214, 27 May 1950, p. 1
43(2)
IX `Pages from America (Diary extracts)', La Table Ronde, no. 30, June 1950, pp. 66--75
45(6)
X `Erik Satie's Piano Music', La Revue Musicale, Satie number, no. 214, June 1952, pp. 23--26
51(4)
XI `How I Composed Les Dialogues des Carmelites', L Opera de Paris, no. 14, Second Quarter, 1957, pp. 15--17
55(6)
XII `Opera in the Cinema Era', Opera, vol. 12/1, January 1961, p. 18 (as told to Elliott Stein)
61(4)
PART II CRITICAL ARTICLES AND REVIEWS
XIII `On Richard Strauss's Elektra', Le Figaro, no. 244, 1 September 1934, p. 4
65(4)
XIV `On Oberon', Le Figaro, no. 247, 4 September 1934, p. 5
69(8)
XV `The Paris Opera Ought to Put on Fidelio', Le Figaro, no. 272, 29 September 1934, p. 5 73
XVI `The Heart of Maurice Ravel', La Nouvelle Revue Francaise, no. 323, 1 Jan 1941, pp. 237--240
77(6)
PART III CONTRIBUTIONS TO WORKS BY OTHERS
XVII "The Lesson of Claude Debussy', in Auguste Martin, Claude Debussy, Chronologie de sa vie et de ses æuvres, Catalogue of the Exhibition Organised from 2 to 17 May 1942, in the Foyer of the Opera-Comique, pp. XH--XIII
83(2)
XVIII `Preface' to Gabriel Laplane, Albeniz: sa vie, son æuvre, [ Geneva], Editions du milieu du monde, 1956, pp. 11--12
85(2)
XIX `Notes on Ravel', in Enciclopedia della Musica, vol. 3, Milan, Ricordi, 1964, pp. 540--541
87(4)
PART IV RESPONSE TO A SURVEY
XX `Is there a "Messiaen Affair"?', Le Litteraire, no. 4, 13 April 1946, p. 4
91(4)
PART V LECTURES
XXI `My Teachers and My Friends', Conferencia, vol. 29/21, 15 October 1935, pp. 521--527
95(10)
XXII `My Songs and Their Poets', Conferencia, no. 36, 15 December 1947, pp. 507--513
105(10)
PART VI INTERVIEWS
XXIII Interview with Andre Laphin
115(4)
XXIV Interview with Lucien Chevaillier: `An Interview with... Francis Poulenc', Le Guide du Concert et des Theatres Lyriques, no. 30, 26 April 1929, pp. 855--857
119(4)
XXV Interview with Jose Bruyr: `Francis Poulenc', L'Ecran des Musiciens I, Paris, Des Cahiers de France, 1930, pp. 40--47
123(6)
XXVI Interview with Nino Franck: `Poulenc in Montmartre', Candide, no. 424, 28 April 1932, p. 13
129(4)
XXVII Interview with A.P.: `Francis Poulenc Talks to Us about His New Ballet Les Animaux modeles', Le Figaro, no. 194, 14 August 1942, p. 4
133(4)
XXVIII Interview with Jeannie Chauveau: `The Work of Two Great French Artists, Written in Secret during the Occupation, is Going to be Revealed to the World by the Chorale d'Anvers', Ce soir, no. 994, 25 November 1944, p. 1
137(4)
XXIX Interview with Claude Chamfray: `Francis Poulenc Tells Us About Music in England', Arts, no. 25, 20 July 1945, p. 4
141(4)
XXX Interview with Fernando Lopes-Graca: `Francis Poulenc' in Visita aos Musicos Franceses, Lisbon, Seara Nova, 1947, pp. 53--62
145(4)
XXXI Interview with Paul Guth: `From "Les Mamelles de Tiresias" to the "Stabat Mater" There are Two Sides to Francis Poulenc', Le Figaro litteraire, no. 317, 17 May 1952, p. 4
149(6)
XXXII `Poulenc: An Act of Faith', reported by Daniel Bernet, Arts, no. 625, 26 June 1957, p. 7
155(2)
XXXIII Interview with Henri Hell: `Francis Poulenc at Work: The Music of La Voix humaine Will be My Most Intense, Most Carefully Worked Composition', Arts, no. 688, 17 September 1958, pp. 1 and 9
157(6)
XXXIV Interview with Martine Cadieu: `Duet with Francis Poulenc', Les Nouvelles litteraires, no. 1757, 4 May 1961, p. 7
163(8)
XXXV Interview: `A Denizen of Noizay and the Honorary President of Local Musicmaking, Francis Poulenc is Going to Play to Restore his Village Church. He is Going to Perform La Voix humaine Tomorrow Evening in Amboise with Denise Duval', La Nouvelle Republique, 7 September 1961
171(2)
XXXVI Interview with Denise Bourdet: `5 December Will See the Musical Birth of La Dame de Monte-Carlo. "For Me, Monte-Carlo is Venice.'" Le Figaro litteraire, no. 815, December 1961, p. 19
173(6)
PART VII INTERVIEWS WITH CLAUDE ROSTAND
Preface to Interviews
179(2)
Interview 1 Paris and Nogent-sur-Marne: A Childhood Spent between Couperin and the Dance Hall
181(6)
Interview 2 Musical Adventures with the `Moderns': Debussy, Stravinsky
187(4)
Interview 3 Poulenc at the Piano: Advice and Favourites
191(6)
Interview 4 The Maitre of Arcueil and Lifelong Friends
197(6)
Interview 5 From Monte-Carlo to Paris under the Occupation
203(6)
Interview 6 The Composer and His Poets: The Meeting with Eluard
209(6)
Interview 7 The Keyboard Concertos
215(6)
Interview 8 Pierre Bernac, or the Unexpected Partner
221(6)
Interview 9 Choral Music
227(6)
Interview 10 Faith Restored
233(6)
Interview 11 Chamber Works
239(6)
Interview 12 The Monk and the Naughty Boy
245(6)
Interview 13 Poulenc-Janus: Le Bal masque and Les Mamelles de Tiresias
251(8)
Interview 14 A Countryman's Prayers: A Mass and Some Motets
259(6)
Interview 15 The Composer's Studio: The Eye and the Ear
265(8)
Interview 16 Musical Likes and Dislikes
273(6)
Interview 17 What Future for Music?
279(6)
Interview 18 Conclusions and Perspectives: At Work on the Dialogues
285(6)
Index 291
Nicolas Southon has a doctorate in musicology and graduated from the National Conservatoire of Music, Paris. Il a enseigné Ć  l'université de Tours ainsi qu'au conservatoire de région d'Aubervilliers, a été critique dans des revues musicales spécialisées, et apparaĆ®t réguličrement comme producteur sur France-Musique. He has taught at the University of Tours and the Conservatoire of Aubervilliers, as well as writing reviews for numerous music magazines, and appears regularly as a producer on France Musique. Roger Nichols studied Music at Oxford University. In 1980 he became a freelance writer, broadcaster, critic, translator and pianist and has made numerous broadcasts on BBC Radio 3, mainly about French music. In 2006 he was appointed Chevalier de la Légion d'honneur for services to French culture.
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