Atnaujinkite slapukų nuostatas

El. knyga: Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television

Edited by , Edited by
  • Formatas: 256 pages
  • Serija: Exeter Performance Studies
  • Išleidimo metai: 02-Mar-2015
  • Leidėjas: University of Exeter
  • Kalba: eng
  • ISBN-13: 9780859899130
  • Formatas: 256 pages
  • Serija: Exeter Performance Studies
  • Išleidimo metai: 02-Mar-2015
  • Leidėjas: University of Exeter
  • Kalba: eng
  • ISBN-13: 9780859899130

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

John McGrath's plays are compulsory reading and viewing for students of drama, film and television courses in many University and Further Education departments and yet despite recognition of the central importance of McGrath's work, very little has been written about him. This is the first full-length study of his work.

















This book illuminates the importance of John McGrath's role in the development of theatre, film and television in the last four decades of the twentieth century. Through play and script-writing, through directing, producing and co-ordinating work, and through his critical, political and philosophical reflections, McGrath exerted a powerful influence over developments and innovations in all three art forms.

















The contributors include film and television directors, actors, designers, writers, university researchers and journalists, many of whom worked with McGrath. Questions of day-to-day working practice are addressed alongside broader political and aesthetic concerns, and the question of McGrath's relationship to and influence on the arts in Scotland receives careful consideration.

Recenzijos

the editors and publishers are to be congratulated for their rich and eclectic volume that allows academics, journalists, playwrights, actors and singers, designers and producers to coexist, challenge and unsettle each other within a single volume. (Theatre Research International: 31.2. 2006)











Handsomely produced and illustrated, both volumes are an eloquent monument to one of British twentieth-century theatres most important cultural activists. (Theatre Research International: 31.2. 2006)

List of Illustrations vii
Notes on Contributors ix
Acknowledgements xii
Foreword by Richard Eyre xiii
Introduction by David Bradby and Susanna Capon xix
Part One Culture and the Socialist Vision
1. Maria DiCenzo
Theatre, Theory and Politics: The Contribution of John McGrath
3(14)
Part Two Early Work
2. Peter Thomson
Get Out and Get On: Events While Guarding the Bofors Gun
17(8)
3. Ros Merkin
A Life Outside 7:84: John McGrath and the Everyman Theatre, Liverpool
25(14)
4. John Bull
'Serjeant Musgrave Dances to a Different Tune': John McGrath's Adaptation of John Arden's Serjeant Musgrave's Dance
39(16)
5. Nadine Holdsworth
Finding the Right Places, Finding the Right Audiences: Topicality and Entertainment in the Work of 7:84 England
55(18)
Part Three John McGrath and Scotland
6. Randall Stevenson
Border Warranty: John McGrath and Scotland
73(13)
7. Ian Brown
Celtic Centres, the Fringes and John McGrath
86(14)
8. Ian Brown
'Bursting through the hoop and dancing on the edge of the seediness': Five Scottish Playwrights Talk about John McGrath
100(15)
Part Four Case Studies
9. Robin Nelson
The Television Adaptation of The Cheviot, the Stag and the Black, Black Oil
115(15)
10. Stephen Lacey
A Practical Realism: McGrath, Brecht, Lukacs and Blood Red Roses
130(14)
11. Robert Dawson Scott
A Good Night In: The Long Roads
144(12)
12. Olga Taxidou
Three One-Woman Epics: The Political Performer
156(17)
Part Five Working with John
13. Working with John
Interviews by Susanna Capon
173(48)
Pamela Howard
173(4)
Bill Paterson
177(8)
Troy Kennedy Martin
185(6)
Jack Gold
191(5)
John Bett
196(10)
Jenny Tiramani
206(4)
Elizabeth MacLennan
210(11)
Works by John McGrath 221(7)
Notes 228(18)
Index 246
Susanna Capon is Senior Lecturer in the Department of Media Arts at Royal Holloway. She was previously a producer and director in the television industry and she is Course Director of the first vocational MA in Producing for Film and Television. 







The late David Bradby was Professor of Drama and Theatre Studies, Royal Holloway, University of London. His published books include Beckett: Waiting for Godot , The Theater of Michel Vinaver , Modern French Drama 1940-1990 and, with Annie Sparks, Mise en Scčne: French Theatre Now