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El. knyga: Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare

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  • Formatas: 384 pages
  • Išleidimo metai: 07-Dec-2016
  • Leidėjas: University of Toronto Press
  • Kalba: eng
  • ISBN-13: 9781487510893
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Fritz Bennewitz in India: Intercultural Theatre with Brecht and ShakespeareDidesnis paveikslėlis
  • Formatas: 384 pages
  • Išleidimo metai: 07-Dec-2016
  • Leidėjas: University of Toronto Press
  • Kalba: eng
  • ISBN-13: 9781487510893
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This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994. Joerg Esleben has gathered together many of Bennewitz’ own writings, most published for the first time, in which he reflects on his production of plays by Bertolt Brecht, Shakespeare, Goethe, Chekhov, and Volker Braun. By translating these writings into English, the editors have provided unprecedented access to Bennewitz’ thinking about intercultural work in India.  This material is illuminated by explanatory annotations, contextualized commentary, and critical perspectives from Bennewitz’s former colleagues in India and other leading scholars. Through its kaleidoscope of perspectives, Fritz Bennewitz in India offers a significant counter to dominant models of Western theatrical interculturalism.



This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994.

Recenzijos

"[ offers] detailed instances of how a Western director might think about working in rehearsal across cultural difference."

- Ric Knowles, University of Guelph (University of Toronto Quarterly, vol 87 3, Summer 2018) "This exhaustively researched book by Joerg Esleben and his group represents the culmination of efforts to document and evaluate Bennewitzs multifaceted work in India."

- Vera Stegmann, Lehigh University (German Studies Review, vol 42 no 1, February 2019)

Daugiau informacijos

"The narrative that unfolds in Fritz Bennewitz in India documents major cross-cultural collaborations, and is a much-needed counterpoint to other forms of Euro-American interculturalism." -- Aparna Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin-Madison "Fritz Bennewitz's work was a major contribution to Indian theatre and his letters are a valuable testimony and record of it. The translators have performed a wonderful feat in translating the original German into sensitive and highly readable English prose." -- Vasudha Dalmia, Professor Emerita of Hindi and Modern South Asian Studies, University of California, Berkeley
List of Illustrations
xi
Acknowledgments xiii
Editorial Notes xv
Introduction 3(20)
Part I Fritz Bennewitz on His Work in India
1 The 1970s -- Brechtian Experiments
23(60)
Historical Junctures
23(2)
New Delhi, 1970: Brecht, The Threepenny Opera
25(7)
Mumbai, 1973: Brecht, The Caucasian Chalk Circle
32(31)
New Delhi, 1979: Brecht on Trial and Brecht's Mr. Puntila and his Man Matti
63(20)
2 The Early 1980s -- Firsts, Lows, and Highs
83(45)
Kolkata, 1980: Brecht, The Life of Galileo
83(21)
New Delhi, 1981: Shakespeare, A Midsummer Night's Dream
104(11)
Bangalore, 1982: Brecht, Mr. Puntila and his Man Matti
115(8)
New Delhi, 1982: Brecht, The Caucasian Chalk Circle
123(5)
3 The Mid-1980s -- Brecht and the Bard in Bhopal
128(68)
Bhopal, 1983: Brecht, The Caucasian Chalk Circle
128(21)
New Delhi, 1983: Shakespeare, Othello and Brecht, The Life of Galileo
149(19)
New Delhi, 1984/5: Shakespeare, Hamlet and Sophocles/Brecht, Antigone
168(8)
Bhopal, 1985: Shakespeare, A Midsummer Night's Dream
176(14)
Bhopal, 1987: Shakespeare, The Taming of the Shrew
190(6)
4 The Late 1980s and Early 1990s -- Gaining a Village, Losing a Country
196(63)
Heggodu, 1989: Brecht, The Good Person of Sichuan
196(4)
New Delhi, 1989/90: Volker Braun, Great Peace and Shakespeare, Twelfth Night
200(10)
Heggodu, 1990: Shakespeare, A Midsummer Night's Dream
210(5)
New Delhi, 1990: Shakespeare, The Tempest
215(11)
Heggodu, 1991: Shakespeare, Twelfth Night
226(5)
Mysore, 1991: Chekhov, The Cherry Orchard
231(2)
Lucknow and Dhaka (Bangladesh), 1992/3
233(7)
Mumbai, 1993/4
240(5)
Goethe, Faust I
245(14)
Part II Perspectives on Fritz Bennewitz in India
5 Perspectives from Bennewitz's Partners in India
259(19)
Fritz Bennewitz: A Character Sketch and Interview
259(6)
K.V. Subbanna
Interview Responses
265(2)
Amal Allana
Samik Bandyopadhyay
267(2)
Akshara K.V.
269(4)
Prasanna
273(3)
Anuradha Kapur
276(2)
6 Essays on Bennewitz in India
Intersections: Fritz Bennewitz's Biography and His Intercultural Work
278(16)
Rolf Rohmer
Bennewitz in India: Politics, Brecht, and the Human Touch
294(21)
David G. John
Chronology of Bennewitz's Stays and Projects in South Asia and of His Indian Projects in Germany
315(28)
Glossary of Theatre Terms, Institutions, and Cultural References
343(6)
Bibliography 349(8)
Index 357
Joerg Esleben is an associate professor and Chair of the Department of Modern Languages and Literatures at the University of Ottawa.



Rolf Rohmer is a Professor Emeritus of Theatre at Leipzig University.



David G. John is a Distinguished Professor Emeritus of German at the University of Waterloo as well as the founding director of the Waterloo Centre for German Studies.
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