Atnaujinkite slapukų nuostatas

El. knyga: From Caligari to Hitler: A Psychological History of the German Film

3.92/5 (889 ratings by Goodreads)
  • Formatas: 432 pages
  • Serija: Princeton Classics
  • Išleidimo metai: 02-Apr-2019
  • Leidėjas: Princeton University Press
  • Kalba: eng
  • ISBN-13: 9780691192086
  • Formatas: 432 pages
  • Serija: Princeton Classics
  • Išleidimo metai: 02-Apr-2019
  • Leidėjas: Princeton University Press
  • Kalba: eng
  • ISBN-13: 9780691192086

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism

First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation.

With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

Recenzijos

The thesis of this unusually interesting book is that the German films of the twenties were filled with premonitions of the German totalitarianism of the thirties.Nation One of the great works of film history, this look at early German cinema, first published in 1947, is still a must-have for cineastes and scholars alike.H. J. Kirchhoff, Toronto Globe and Mail The book is an invaluable guide to a golden period of cinema.Christopher Wood, Times

List of Illustrations
ii
Editor's Note xiii
Introduction to the 2004 Edition xv
Preface li
Introduction 3(12)
I THE ARCHAIC PERIOD (1895--1918)
1 Peace and War
15(13)
2 Forebodings
28(7)
3 Genesis of Ufa
35(8)
II THE POSTWAR PERIOD (1918--1924)
4 The Shock of Freedom
43(18)
5 Caligari
61(16)
6 Procession of Tyrants
77(11)
7 Destiny
88(8)
8 Mute Chaos
96(11)
9 Crucial Dilemma
107(8)
10 From Rebellion to Submission
115(16)
III THE STABILIZED PERIOD (1924--1929)
11 Decline
131(7)
12 Frozen Ground
138(15)
13 The Prostitute and the Adolescent
153(12)
14 The New Realism
165(16)
15 Montage
181(9)
16 Brief Reveille
190(13)
IV THE PRE-HITLER PERIOD (1930--1933)
17 Songs and Illusions
203(12)
18 Murderer Among Us
215(8)
19 Timid Heresies
223(9)
20 For a Better World
232(19)
21 National Epic
251(24)
SUPPLEMENT: PROPAGANDA AND THE NAZI WAR FILM
1 Nazi Views and Measures
275(2)
2 Film Devices
277(3)
3 The Swastika World
280(8)
4 Screen Dramaturgy
288(9)
5 Conflict with Reality
297(12)
Note on the Inaccuracies 309(6)
Bibliography 315(12)
Updated Bibliography 327(6)
Name Index 333(6)
Film Index 339
Siegfried Kracauer (18891966) was a film critic and independent sociologist and theorist. He is the author of The Mass Ornament and Theory of Film (Princeton). Leonardo Quaresima is professor of film history and criticism and director of cinema studies at the University of Udine.