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El. knyga: From the Romans to the Normans on the English Renaissance Stage

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This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.

Recenzijos

"In the context of Brexit, as the rethinking of Europe and its borders is very much part of an enterprise bound up with memory of conquest, empire, and independence, this is a book that will get students reading, critics thinking, and people talking." Willy Maley, University of Glasgow

  "Hopkins concludes her compelling study with the statement that there 'is a recurrent acknowledgment that a purely British identity is no longer possible (if indeed it ever was), because bloodlines have been diluted by wave after wave of invasion, but there is also a sense of a link between land and identity' (191). Hers is a book that presents a wealth of material and offers intriguing insights on questions of identity, succession, legitimacy, but also on how early modern writers viewed the distant past and gave it political significance." --Nicole Nyffenegger, University of Bern, Switzerland

Acknowledgements vii
Introduction 1(30)
Part One Legacies
"Bisson Conspectuities": Language and National Identity in Shakespeare's Roman Plays
31(22)
Profit and Delight? Magic and the Dreams of a Nation
53(18)
"A Borrowed Blood for Brute": From Britain to England
71(28)
Part Two Ancestors and Others
Queens and the British History
99(20)
Dido in Denmark: Danes and Saxons on the Early Modern English Stage
119(24)
Valiant Welshwomen: When Britain Came Back
143(24)
Athelstan, the Virgin King
167(20)
Conclusion 187(6)
Works Cited 193(16)
Index 209
Lisa Hopkins is Professor of English at Sheffield Hallam University. She is co-editor of Shakespeare, the journal of the British Shakespeare Association, and of the Arden Early Modern Drama Guides.
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