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Gatekeeper: Narrative Voice in Plato's Dialogues [Kietas viršelis]

  • Formatas: Hardback, 190 pages, aukštis x plotis: 235x155 mm, weight: 455 g
  • Serija: Brill's Plato Studies Series 2
  • Išleidimo metai: 08-Nov-2018
  • Leidėjas: Brill
  • ISBN-10: 9004390014
  • ISBN-13: 9789004390010
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 190 pages, aukštis x plotis: 235x155 mm, weight: 455 g
  • Serija: Brill's Plato Studies Series 2
  • Išleidimo metai: 08-Nov-2018
  • Leidėjas: Brill
  • ISBN-10: 9004390014
  • ISBN-13: 9789004390010
Kitos knygos pagal šią temą:
In The Gatekeeper: Narrative Voice in Platos Dialogues Margalit Finkelberg offers the first narratological analysis of all of Platos transmitted dialogues. The book explores the dialogues as works of literary fiction, giving special emphasis to such topics as narrative levels, focalization, narrative frame, and metalepsis.







The main conclusion of the book is that in Plato the plurality of the speakers opinions is not accompanied by a plurality of points of view. Only one perspective is available, that of the narrator. Contrary to the widespread view, Platos dialogues cannot be considered multivocal, or dialogic in Bakhtins sense. By skillful use of narrative voice, Plato unobtrusively regulates the readers reception and response. The narrator is the dialogues gatekeeper, a filter whose main function is to control how the dialogue is received by the reader by sustaining a certain perspective of it.

Recenzijos

Margalit Finkelbergs book offers a useful contribution to the literary analysis of Platonic dialogue, in applying the technical methods of narratology to the construction of individual dialogues. [ ] Plato scholars will find it a useful resource, confirming some suspicions about Platos art and demanding a more careful reading of the dialogues as works of fiction. [ ...] Finkelberg leaves readers in no doubt of Platos narrative control and the limited access he provides readers to his fictional world. But she leaves readers to draw their own conclusions about the philosophical and political consequences of that narrative control. - Carol Atack, Newnham College, Bryn Mawr Classical Review 2019.12.34.

Preface ix
Abbreviations x
1 Introduction
1(26)
1 "Diegesis through mimesis": Classification of Narrative Genres in Republic 3
1(4)
2 The Theaetetus Passage
5(4)
3 Plato as Literary Author
9(4)
4 Narrative Voice in Plato's Dialogues
13(3)
5 Plato's Narrator and Narrative Theory: Some Necessary Adjustments
16(11)
PART 1 The Dialogues
2 The Explicit Narrator: Narrated Dialogues
27(20)
1 Introducing the Narrated Dialogues
27(4)
2 A Single Narrator (the Charmides, Lysis, Republic)
31(7)
3 Multiple Narrators (the Parmenides)
38(6)
4 Conclusions
44(3)
3 The Implicit Narrator: Dramatic Dialogues
47(29)
1 Introducing the Dramatic Dialogues
47(4)
2 The Theaetetus as a Test Case
51(2)
3 Bifocality or a Single Focus of Perception? (the Euthyphro, Crito, Menexenus vs. the Ion and Hippias Maior)
53(5)
4 An Implicit Narrator-Hero (the Cratylus, Meno, Phaedrus, Laws)
58(5)
5 An Implicit Narrator-Observer (the Hippias Minor, Laches, Gorgias, Philebus)
63(7)
6 Socrates as an Implicit Narrator-Observer (the Sophist, Statesman, Timaeus, Critias)
70(4)
7 Conclusions
74(2)
4 The Explicit and the Implicit Narrator Combined: Mixed Dialogues
76(29)
1 Introducing the Mixed Dialogues
76(4)
2 The Protagoras
80(4)
3 The Euthydemus
84(4)
4 The Phaedo
88(5)
5 The Symposium
93(4)
6 The Theaetetus
97(4)
7 Conclusions
101(4)
PART 2 The Interpretation
5 Plato's Experiments with Narrative Voice
105(19)
1 Preliminary Remarks
105(1)
2 A Single Focus of Perception
106(6)
3 Multiple Narrative Levels
112(4)
4 Abandonment of the Narrated Form
116(5)
5 Conclusions
121(3)
6 The Limits of Authority
124(25)
1 Preliminary Remarks
124(1)
2 The Narrator's Text
125(4)
3 Change of Interlocutor
129(3)
4 Metanarrative Comments
132(3)
5 Distribution and Clustering: Three Case Studies
135(12)
6 Conclusions
147(2)
7 The Narrator and the Author
149(20)
1 Poetry and Painting in Republic 10
149(1)
2 The Body of the Dialogue
150(7)
3 The Gardens of Adonis
157(2)
4 Mimesis and Reality
159(3)
5 Representation of Narration
162(4)
6 Conclusions
166(3)
Bibliography 169(10)
Index of Passages Cited 179(4)
General Index 183
Margalit Finkelberg, Ph.D. (1985), Hebrew University, is Professor of Classics (Emerita) at Tel Aviv University. She has published monographs and numerous articles on ancient Greek subjects, including The Birth of Literary Fiction in Ancient Greece (Clarendon Press: Oxford 1998) and Greeks and Pre-Greeks: Aegean Prehistory and Greek Heroic Tradition (Cambridge University Press: Cambridge 2005).