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Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females [Minkštas viršelis]

Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by , Contributions by , Contributions by , Edited by , Contributions by
  • Formatas: Paperback / softback, 236 pages, aukštis x plotis x storis: 230x152x18 mm, weight: 358 g
  • Išleidimo metai: 27-Jan-2023
  • Leidėjas: Lexington Books
  • ISBN-10: 1793641374
  • ISBN-13: 9781793641373
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 236 pages, aukštis x plotis x storis: 230x152x18 mm, weight: 358 g
  • Išleidimo metai: 27-Jan-2023
  • Leidėjas: Lexington Books
  • ISBN-10: 1793641374
  • ISBN-13: 9781793641373
Kitos knygos pagal šią temą:

Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females examines representations of the supernatural dead to demonstrate shifts in the manifestation of gender. Including readings of East Asian detectives/cyborgs, Iranian vampires, and African zombies, among others, This collection offers a multi-faceted look at myth, legend, and popular culture representations of the gendered supernatural from a broad range of international contexts. The contributors show that, as creatures pass through the liminal space of death, their new supernatural forms challenge cultural conceptions of gender, masculinity, and femininity.



Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females examines how gender changes and manifests in stories and film through several different types of beings. With sections on social death, the walking dead, and the undead, this is a multi-faceted look at myth, legend, and popular culture creatures.

Recenzijos

This collection edited by Gibson and VanderVeen has a highly specialized appeal. The book is composed of 13 chapters, each written by an accomplished academic from the social sciences, media studies, or dramatic arts, and each possessing keen interest in supernatural studies. Recommended. This is an engaging, accessible, and thought-provoking investigation of monstrosity in literature, film, and TV. Ranging from Frankenstein to Star Trek, this collection brings narrative anthropology into conversation with a broad range of gothic and science fiction texts, exploring the gendered aspects of the dead, the undead, haunted spaces, and human-machine hybridity. Admirably showcasing the work of early-career researchers in the growing field of supernatural studies, this book is a rich resource for anyone seeking to delve into the macabre world of zombies, vampires, and cyborgs. -- Essaka Joshua, University of Notre Dame In an age where science and religion seem to butt heads constantly, the supernatural weaves a curious thread through our cultural and personal practices, narratives, and experiences. This collection hinges on the eternally engaging theme of transformation: what does it mean for a human to become something more, something else? Are the monsters of our deepest nightmares still human? What does this mean for us? And as the introduction reminds us, these transformations are not always planned, permanent, or positive. This book knits these threads together and asks us to consider anew the tropes and figures that we know well. It is an engaging, well-structured collection that offers further insights into a narrative world that, more than ever, speaks to our contemporary experiences and cultural fears. -- Harriet Earle, Sheffield Hallam University

Table of Contents

Preface

Rebecca Gibson

Section One: Introduction

Chapter 1: Transformation and Liminal Space within Fiction and Folklore

Freya Fenton

Section Two: Social Death/Cyborg Transformation

Chapter 2: Vengeful Monsters, Shapeshifting Cyborgs, and Alien Spider Queens:
The Monstrous-Feminine in Netflixs Love, Death & Robots

Sarah Stang

Chapter 3: Were All, In the End, Part of the Same Great Thing: Gender,
Death, and Memory in Aliette de Bodards The Tea Master and the Detective

Alex Claman

Chapter 4: The House Wants Me to Stay: Mothers, Wives and Sex Objects in
the Haunted House Subgenre

Victor Hernįndez-Santaolalla

Section Three: Between Life and Death

Chapter 5: To Slay or Not to Slay: Gender, Liminality, and Choice in Buffy
the Vampire Slayer

Chelsi Slotten

Chapter 6: Fear Itself: The Vampire as Moral Panic

Holly Walters

Chapter 7: Gay Bloodsucker or Post-Soviet Buzzkill? Vampiric Possibilities in
Sektor Gaza

Lev Nikulin

Chapter 8: From Femme Fatale to Fatal Female: Vampiric Power as Coded Female
in A Girl Walks Home Alone at Night and Only Lovers Left Alive

Rebecca Gibson

Section Four: Reanimation with Sentience

Chapter 9: Masculinity, and Not Femininity, As Gendered Nature in Cinematic
Adaptations of Mary Shelleys Frankenstein

Devi Snively and Agustķn Fuentes

Chapter 10: The Animated Dead: Reimagining the Beautiful Corpse in Tim
Burtons Corpse Bride

Gillian Wittstock

Chapter 11: Sexual Encounters Between the Living and the (Un)dead in Popular
Culture

Matt Coward-Gibbs and Bethan Michael-Fox

Section Five: Reanimation without Sentience

Chapter 12: Behind the Door: Sukuma Mitunga (Zombie) Narratives as Social
Critique in Northwestern Tanzania

Amy Nichols-Belo

Chapter 13: Does Death Destroy the Binary? A Look at Gender Roles During
Human/Zombie Interaction in the World War Z Universe

Rebecca Gibson and James M. VanderVeen

Afterlife and Afterword

James M. VanderVeen
Rebecca Gibson is adjunct professor in the department of sociology and anthropology at Indiana University South Bend and the department of anthropology at American University.

James M. VanderVeen is an archaeologist and professor of anthropology at Indiana University South Bend.