Acknowledgments
Chronology
Introduction
Chapter 1: Genesis of a Playwright
Seeing and Imagining
Pasadena and Beyond
Learning to Write
Chapter 2: On Being a Southern Writer
Wharton, Then and Now
What It Means to be a Southern Writer
The Trip to Paradise
The Artist as Mythmaker
Things Have Ends and Beginnings
Chapter 3: Writing for the Stage
Dance and Broadway (1944)
Harrison, USA
Sometimes the One-Act Play Says It All
Advice to Young Playwrights
Herbert Berghof
The Orphans' Home Cycle Lecture
How To and How Not To: Some Lessons Learned along the Way
Introduction to The Young Man from Atlanta
Chapter 4: Writing for the Screen
The Little Box
On First Dramatizing Faulkner
The McDermott Lecture
Writing for Film
Willa Cather
Chapter 5: Thoughts on the American Theatre
The New York Theatre (1930--1940)
The Changing of the Guard
The Vanishing World and Renewals
Appendix: Cast Lists and Production Information
Bibliography of Published and Produced Works (1939-2003)
Notes
Index