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Get the Job in the Entertainment Industry: A Practical Guide for Designers, Technicians, and Stage Managers [Kietas viršelis]

Series edited by (California State University, Fullerton, USA), (University of Central Florida, Orlando, USA)
  • Formatas: Hardback, 296 pages, aukštis x plotis: 234x156 mm, weight: 670 g, 50 illus (2x16pp colour plates)
  • Serija: Introductions to Theatre
  • Išleidimo metai: 13-Jan-2022
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350103799
  • ISBN-13: 9781350103795
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 296 pages, aukštis x plotis: 234x156 mm, weight: 670 g, 50 illus (2x16pp colour plates)
  • Serija: Introductions to Theatre
  • Išleidimo metai: 13-Jan-2022
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350103799
  • ISBN-13: 9781350103795
Kitos knygos pagal šią temą:

Looking for a job in the theatre and entertainment industry can be daunting, especially when you are newly entering the work market. How do you take the skills and experience acquired through study and present them to prospective employers in the arts industry? Where does your search begin and what should you consider as you plan your future career steps? What is expected in a portfolio and what should you expect in an interview?

This book provides straightforward strategies and practical exercises to turn anxiety into excitement and help you develop the job search skills and materials that will empower you to go after the job you want, and get it. If you are about to graduate or just ready to make a change, this book will teach you how to plan for your career as a designer, technician, or stage manager, and put your best professional persona forward when applying for jobs. Topics include resumes, cover letters, business cards and portfolios that will get you moved to the top of the pile; what to expect at an interview and how to answer any interview question; the how and why of negotiating for your worth; long term career planning, financial implications and much more. Filled with practical advice, examples of letters, resumes, CVs and portfolios, and with guidance from industry professionals, it will equip you to plan and succeed in your job search and career development in the entertainment industry.

Recenzijos

Get the Job in the Entertainment Industry: A Practical Guide for Designers, Technicians, and Stage Managers is a much needed addition to the resources for theatre practitioners who are considering a career in theatre and live entertainment industries. Professor Tollefson addresses all aspects of the job hunt from education through internships and to the dream job. * Dr. Anne Toewe, University of Northern Colorado, USA * Where was this book 30 years ago! Kristina gives sound advice to those entering the entertainment industry and many tips for the experienced. It was an easy and informative read. * Jack Feivou, Keene Consulting, USA *

Daugiau informacijos

Provides strategies and activities to help secure employment in the entertainment industry as a designer, technician, or stage manager. This book contains numerous sample exercises, sample forms and portfolios alongside advice from industry professionals.
List of Illustrations
x
List of Tables
xii
Acknowledgments and Dedication xiii
A Note on the Text xiv
Introduction: Owning Your Own Business---Yes, This Does Apply to You 1(4)
1 Where Are You Going and How Will You Get There?
5(44)
Do I Need a College Degree?
5(1)
Is Graduate School Right for Me?
5(4)
Internships
9(5)
Freelance
14(1)
Staff Positions
15(2)
Touring
17(2)
Cruise Ships
19(1)
Jobs in Academia: Faculty or Staff, Tenure, and Promotion
20(2)
What Else Can You Do with a Theatre Degree?
22(4)
Finding Job Openings
26(1)
Figuring Out What You Need and What You Want
27(4)
Long-Term Planning
31(8)
Networking and Mentors
39(10)
2 Creating Your Marketing Materials and Establishing Your Professional Persona
49(20)
Professional Email
49(1)
Choosing a Typeface and Fonts
50(3)
Choosing a Color Palette
53(1)
Logos
54(1)
Letterheads
55(4)
Business Cards
59(1)
Writing Your Bio
60(2)
Headshots
62(1)
Artist Statement
62(1)
Managing Your Online Persona
63(6)
3 Resumes and Curriculum Vitae
69(32)
The Differences Between a Resume and a CV
70(1)
What Resume Style Is Best for My Purposes?
71(1)
How Many Resumes Do I Need?
72(1)
What Should I Include on My Resume?
73(8)
What Not to Include
81(4)
How Long Should My Resume Be?
85(3)
Organization
88(6)
Organization by Job Title
89(1)
Organization by Employer
90(2)
Organization by Level of Experience
92(2)
Formatting and Layout
94(7)
Prioritization
94(1)
Headings and Subheadings
94(1)
No Centering
94(1)
Avoid Long Descriptive Sentences
95(1)
Be Consistent
95(1)
Spacing
95(1)
Setting Tab Stops Instead of Templates or Tables
96(1)
Placing Your Content
97(1)
Education Layout
98(1)
Skills Layout
98(1)
References Layout
99(1)
Sending Your Resume
99(2)
4 Cover Letters and Other Correspondence
101(14)
Formatting Your Formal Cover Letter
102(2)
What Goes in My Cover Letter?
104(3)
Opening Paragraph
104(1)
Details
105(2)
Wrap Up
107(1)
Closing Salutation
107(1)
Professional Emails
107(2)
Thank-You Notes
109(2)
Letters of Recommendation
111(4)
5 Portfolios
115(34)
Choosing What to Include
117(15)
General Guidelines
117(2)
Photographs
119(1)
Portfolios for Graduate School Applications
120(2)
Breakdown by Specialty
122(1)
Technical Positions
122(5)
Designers
127(5)
Presentation Portfolios
132(6)
Planning Your Design, Order, and Layout
132(4)
The Construction Process
136(1)
Supplemental Materials
137(1)
Selecting Your Case
137(1)
Website Portfolios
138(11)
What Is Good Design?
138(1)
What You Need to Know to Create Your Website
139(3)
Planning Your Website
142(2)
Compiling and Preparing Your Content
144(3)
Putting It Together
147(2)
6 The Interview
149(52)
What to Expect at an Interview
149(3)
Worst-Case Scenarios
152(1)
Personal Appearance and First Impressions
153(4)
What Makes a Good Answer to an Interview Question?
157(2)
What Are They Really Asking?
159(3)
Remember to Interview Them
162(5)
Illegal Interview Questions
167(5)
Portfolio Presentations
172(5)
Follow Up
177(3)
Phone Etiquette
180(1)
Phone Interviews
181(2)
Video Interviews
183(3)
Informational Interviews
186(3)
Graduate School Interviews
189(2)
Academic Job Interviews
191(4)
Dining Etiquette
195(3)
Receptions and Networking Events
198(3)
7 Talking About Money
201(42)
Setting Your Fees
202(4)
Negotiating
206(9)
Accepting the Job Offer or Not
215(3)
Contracts, Riders, Letters of Agreement, and NDAs
218(2)
Unions
220(3)
Taxes and Business Deductions
223(11)
Important Terms
223(8)
Business Income and Deductions
231(3)
Planning and Protecting Your Financial Future
234(6)
Types of Money
234(1)
Basic Budget
235(2)
Protection: Insurance and Legal Documents
237(1)
Eliminating Debt
238(1)
Disciplined Saving
239(1)
Hiring a Professional
240(3)
Tax Preparer
240(2)
Financial Advisor
242(1)
Entertainment Lawyer
242(1)
8 Career Profiles
243(25)
Ryan Gravilla---Principal Lighting Designer for Disney Parks Live Entertainment at Walt Disney World
243(3)
Meredith Tomkovitch---Director of Costuming, Resorts World Genting, Malaysia
246(1)
Yuri Cataldo---Co-Founder and General Partner at Athenian Venture Capital, Innovation Engagement Manager
247(2)
Jeramy Boik---Scenic Designer, Technical Director, Landscape Architect, Builder of Tiny Houses
249(2)
Shawn Boyle---Projection and Lighting Designer, Instructor, Yale School of Drama
251(2)
Charles "Chip" Perry---Director, Lighting and Television Production, World Wrestling Entertainment
253(2)
Jenny Sargent---Opera Stage Manager Turned Banquet Director
255(1)
Claudia Lynch---Broadway Stage Manager, College Professor
256(3)
Aaron Jackson---Lead Set Designer, Art Directors Guild, IATSE Local 800
259(2)
Jerrilyn Lanier-Duckworth---Costume Designer, Educator on African American Hair and Makeup for Theatre
261(1)
Ted Ozimek---Senior Project Manager II, Electronic Theatre Controls
262(2)
Bailie Slevin---Stage Manager Turned Financial Advisor for Theatre Artists
264(1)
Brad Berridge---Director of Sound Operations, Feld Entertainment
265(3)
Index 268
Kristina Tollefson is Professor of Costume and Makeup Design in the Department of Theatre at the University of Central Florida, Orlando, USA, in addition to her freelance work. She is a member of United Scenic Artists Local 829, and has an MFA from Purdue University, USA, and a BA from South Dakota State University, USA.