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Getting it Right in Print: Digital Prepress for Graphic Designers illustrated edition [Minkštas viršelis]

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  • Formatas: Paperback / softback, 172 pages, aukštis x plotis x storis: 241x171x13 mm, weight: 522 g, illustrations
  • Išleidimo metai: 05-Apr-2005
  • Leidėjas: Harry N. Abrams, Inc.
  • ISBN-10: 081099206X
  • ISBN-13: 9780810992061
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 172 pages, aukštis x plotis x storis: 241x171x13 mm, weight: 522 g, illustrations
  • Išleidimo metai: 05-Apr-2005
  • Leidėjas: Harry N. Abrams, Inc.
  • ISBN-10: 081099206X
  • ISBN-13: 9780810992061
Kitos knygos pagal šią temą:
A guide for designers on how to prepare brochures, posters, magazines, and other graphical works for high-quality printing discusses how to calibrate images and layouts to match press specifications, in a resource that covers such topics as digital layout, image-management software, and money-saving proof fixes. Original. 10,000 first printing.
Acknowledgements
Preface
The Evolution of an Industry
7(12)
The changing face of graphic design
7(1)
How it all started
8(1)
From letterpress to litho
9(3)
Advances in typesetting
12(1)
The font wars
13(1)
Film technology
14(2)
Filmless technology
16(3)
On the Press
19(6)
The offset-litho process
19(3)
Other printing methods
22(3)
A Word about Paper
25(6)
Paper weights and sizes
25(2)
Imposition
27(4)
Four-Color Printing Explained
31(6)
C M Y ...K?
31(1)
Screen angles and screen clash
31(4)
Beyond four colors
35(2)
Understanding Color
37(14)
RGB vs. CMYK
37(1)
Can you trust your monitor?
38(1)
Color opposites
39(3)
How you perceive color
42(1)
Can you trust your eyes?
43(1)
A case study
44(3)
How do you pick the colors you need?
47(2)
Some color psychology
49(2)
Getting the Most out of Your Monitor
51(4)
A monitor checklist
51(1)
Backwards calibration
52(3)
Calibrating a Grayscale Image
55(14)
Dealing with highlights and shadows
55(1)
Creating a dot-gain test strip
56(2)
A practical example of grayscale calibration
58(8)
Adding contrast
66(3)
Bitmaps and Pixel Depth
69(4)
Why are there 256 shades in a grayscale image?
69(1)
Pixel depth in color images
70(3)
Calibrating Color Images
73(10)
Getting started
73(1)
Gray component replacment
74(1)
GCR in action
75(3)
Highlights and mid-tones
78(1)
Dealing with color balance
79(4)
Color-Management Systems
83(8)
Photoshop color settings
83(1)
Photoshop 5 and 5.5
84(2)
Photoshop 6, 7, and CS
86(3)
Calibration test-strip settings
89(2)
Good and Bad Image Formats
91(12)
Good image formats
91(4)
Creating a clipping path
95(1)
Duotones, DCS, and PDF files
96(3)
Bad image formats
99(4)
Using Images from the Web
103(6)
Optimization and resolution
103(3)
Genuine Fractals Print Pro
106(3)
Scanning
109(8)
Scanning original material
109(2)
Scanning previously printed images
111(6)
Trapping
117(10)
What is trapping?
117(1)
CorelDraw and Adobe Illustrator examples
118(2)
Photoshop, InDesign, PageMaker, and Quark
120(1)
Creating and using a rich black
121(2)
Registration and trim marks
123(1)
Trapping into a rich black
124(3)
Using Pantone Colors
127(6)
The Pantone Matching System
127(4)
Other Pantone products
131(2)
Photoshop Tips and More
133(12)
Changing an object's color
133(2)
Smooth gradients
135(1)
Using desaturation to avoid RGB problems
136(1)
Useful grayscale options
137(2)
``Unsharp mask'' and LAB mode
139(3)
Choosing the right halftone dot shape
142(3)
Preparing the File for the Printer
145(16)
A printing checklist
145(5)
Using Adobe Acrobat
150(7)
Tools of the trade
157(4)
Glossary 161(7)
Index 168