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El. knyga: Global Frankenstein

  • Formatas: PDF+DRM
  • Serija: Studies in Global Science Fiction
  • Išleidimo metai: 15-Oct-2018
  • Leidėjas: Springer International Publishing AG
  • Kalba: eng
  • ISBN-13: 9783319781426
  • Formatas: PDF+DRM
  • Serija: Studies in Global Science Fiction
  • Išleidimo metai: 15-Oct-2018
  • Leidėjas: Springer International Publishing AG
  • Kalba: eng
  • ISBN-13: 9783319781426

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Consisting of sixteen original essays by experts in the field, including leading and lesser-known international scholars, Global Frankenstein considers the tremendous adaptability and rich afterlives of Mary Shelley’s iconic novel, Frankenstein, at its bicentenary, in such fields and disciplines as digital technology, film, theatre, dance, medicine, book illustration, science fiction, comic books, science, and performance art. This ground-breaking, celebratory volume, edited by two established Gothic Studies scholars, reassesses Frankenstein’s global impact for the twenty-first century across a myriad of cultures and nations, from Japan, Mexico, and Turkey, to Britain, Iraq, Europe, and North America. Offering compelling critical dissections of reincarnations of Frankenstein, a generically hybrid novel described by its early reviewers as a “bold,” “bizarre,” and “impious” production by a writer “with no common powers of mind”, this collection interrogates its sustained relevance over two centuries during which it has engaged with such issues as mortality, global capitalism, gender, race, embodiment, neoliberalism, disability, technology, and the role of science. 

Recenzijos

I must declare that the essays in this collection comprise a thorough, thought-provoking, and occasionally brilliant body of scholarship. Global Frankenstein provides a varied and fascinating array of critical approaches toFrankenstein itself as well as a truly remarkable range of related works. I recommend following Davison and Mulvey-Roberts excellent collection with further scholarship on the international reach of Shelleys hideous progeny. (Sarah Canfield, SFRA Review, Vol. 51 (1), 2021)

1 Introduction: Global Reanimations of Frankenstein
1(18)
Carol Margaret Davison
Marie Mulvey-Roberts
Part I Frankenstein: Science, Technology, and the Nature of Life
19(54)
2 The Gothic Image and the Quandaries of Science in Mary Shelley's Frankenstein
21(16)
Jerrold E. Hogle
3 Paracelsus and `P[ r]etty Experimentalism': The Glass Prison of Science and Secrecy in Frankenstein
37(16)
Victor Sage
4 Monstrous Dissections and Surgery as Performance: Gender, Race and the Bride of Frankenstein
53(20)
Marie Mulvey-Roberts
Part II Frankenstein and Disabled, Indecorous, Mortal Bodies
73(58)
5 `The Human Senses Are Insurmountable Barriers': Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein
75(16)
Bruce Wyse
6 `We Sometimes Paused to Laugh Outright': Frankenstein and the Struggle for Decorum
91(18)
Carolyn D. Williams
7 Monstrous, Mortal Embodiment and Last Dances: Frankenstein and the Ballet
109(22)
Carol Margaret Davison
Part III Spectacular Frankensteins on Screen and Stage
131(52)
8 `Now I Am a Man!': Performing Sexual Violence in the National Theatre Production of Frankenstein
133(16)
Courtney A. Hoffman
9 The Cadaver's Pulse: Cinema and the Modern Prometheus
149(18)
Scott MacKenzie
10 Promethean Myths of the Twenty-First Century: Contemporary Frankenstein Film Adaptations and the Rise of the Viral Zombie
167(16)
Xavier Aldana Reyes
Part IV Frankensteinian Illustrations and Literary Adaptations
183(62)
11 Frankenstein and the Peculiar Power of the Comics
185(24)
Scott Bukatman
12 Our Progeny's Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels
209(18)
Emily Alder
13 Beyond the Filthy Form: Illustrating Mary Shelley's Frankenstein
227(18)
Beatriz Gonzalez Moreno
Fernando Gonzalez Moreno
Part V Futuristic Frankensteins/Frankensteinian Futures
245(74)
14 The Frankenstein Meme: The Memetic Prominence of Mary Shelley's Creature in Anglo-American Visual and Material Cultures
247(18)
Shannon Rollins
15 Frankenstein in Hyperspace: The Gothic Return of Digital Technologies to the Origins of Virtual Space in Mary Shelley's Frankenstein
265(18)
Kirstin A. Mills
16 Playing the Intercorporeal: Frankenstein's Legacy for Games
283(18)
Tanya Krzywinska
17 What Was Man...? Reimagining Monstrosity from Humanism to Trashumanism
301(18)
Fred Botting
Afterword: Meditation on the Monster, a Poem 319(10)
David Punter
Index 329
Carol Margaret Davison is Professor of English Literature at the University of Windsor, Canada and the author of History of the Gothic: Gothic Literature, 1764-1824 (2009) and Anti-Semitism and British Gothic Literature (Palgrave Macmillan, 2004). She recently edited The Gothic and Death (2017) and The Edinburgh Companion to the Scottish Gothic (2017) with Monica Germaną. 





Marie Mulvey-Roberts is Professor of English Literature at the University of the West of England, Bristol, UK and author of Dangerous Bodies: Historicising the Gothic Corporeal (2016), winner of the Alan Lloyd Smith Memorial Prize.  She has authored, edited, and co-edited over 30 books. Recently she made a film on Frankenstein for a MOOC (Massive Open Online Course) on the literary South West.